不在场的他者从存在主义角度分析《等待戈多》毕业论文.docx
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不在场的他者从存在主义角度分析《等待戈多》毕业论文.docx
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不在场的他者从存在主义角度分析《等待戈多》毕业论文
学科分类号(二级)7405011
本科学生毕业论文(设计)
题 目WaitingfortheAbsentOther:
AnExistentialisticAnalysisofWaitingforGodot不在场的他者——从存在主义角度分析《等待戈多》
姓 名 李秀才
学 号 094050113
院、 系 外国语学院英语系
专 业 英语(师范4)
指导教师 谢楠
职称(学历) 助教(硕士)
2013年04月30日
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Exceptwherereferenceismadeinthetextofthethesis,thisthesiscontainsnomaterialpublishedelsewhereorextractedinwholeorpartfromathesispresentedbymeforanotherdegreeordiploma.
Nootherperson’sworkhasbeenusedwithoutdueacknowledgementinthemaintextofthethesis.
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Acknowledgements
IamdeeplygratefultomysupervisorXieNanforherpatientguidance,generalassistance,helpfuladviceandcontinualencouragement,allofwhichhavebeenofinestimableworktothecompletionofmypaper.Withoutherhelpfulinstruction,detailedcomments,andbeneficialadvice,thispaperwouldhaveneverbeenfinishedsosmoothly.
MythanksalsogotoalltheteacherswhohavetaughtmeandhelpedmealotduringthefouryearsofmystudyinYunnanNormalUniversity.Withouttheirteaching,Icouldnothavelearnedsomuch.
Atlast,Iwouldliketoexpressmysinceregratitudetomyfamily,whogavemegreathelpandencouragementduringmyfouryears’studyandthethesiswriting.
Abstract
SamuelBeckett’smasterpieceWaitingforGodotisoneoffamousabsurdplaysintheworld.Itislabeledas“Anti-Theater”,“NewTheater”,and“TheateroftheAbsurd”.Aswecansee,WaitingforGodotisaworkinthenameof“TheateroftheAbsurd”coinedbyMartinEsslin.WaitingforGodotwhichisregardedastheclassicoftheTheatreoftheAbsurdisBeckett’sturningpointfromnovelwritingtodrama,andalsoarepresentativeworkofthe20thcenturydramafrommodernitytopostmodernity.Basedonthecomplicatedsocialbackgroundandspiritualcrisisinthewesternworld,thisworktriestorevealtheabsurdlivingcondition,lonelinessandhopelessness,desolationandmeaninglessnessofwesternpeople.
WaitingforGodotarousedthousandsofpeople’sresonanceafterthiswork’sfirstshowinParis.Thisworkalsoattractsmuchattentionofcriticsintheliteraryworld.Lotsofnewinterpretationscontinuouslyemergewithvariedviewsintheliteraryworld.Somecriticsarguethatthisworkdoesnotdisplaytheexistentialism,andsomeholditiscloselyrelatedtoexistentialism.SothispaperattemptstousetheliteraryandcriticismofexistentialismtoanalyzetherelationshipbetweenexistentialismandWaitingforGodotandtodiscussthemeaningsofwaitinginWaitingforGodotandtheabsurdityoftheplay.
Keywords:
WaitingforGodot;Theabsentother;Existentialism;Absurdity
摘要
萨缪尔贝克特的巨作《等待戈多》是世界著名的荒诞派戏剧。
它总是被冠名为“反戏剧”,“新戏剧”以及“荒诞派戏剧”。
正如我们所知,《等待戈多》是马丁艾斯林荒诞派戏剧名义下的作品。
荒诞派戏剧经典之作的《等待戈多》被认为是贝克特从小说写作到戏剧创作的转折点,也被认为是20世纪现代主义向后现代主义过渡的代表作。
在西方世界精神危机和复杂的社会环境大背景下,这部作品旨在揭露西方人民荒诞的生活状况,孤独感,绝望感,分离感以及无意义的生活。
《等待戈多》在巴黎上演处女秀过后,引起了成千上万人的共鸣。
这部作品同时吸引了文学界大量学者的眼球。
文学界从不同角度分析的著作源源不断,潺潺不息。
许多评论员认为这部作品并没有呈现存在主义,但也有人认为它和存在主义有密不可分的关系。
因此本论文将从存在主义的角度来分析《等待戈多》同存在主义的关系,讨论《等待戈多》找中等待的意蕴以及这部戏剧的荒诞性。
关键词:
《等待戈多》;不在场的他者;存在主义;荒诞
Contents
1.Introduction…………………………………………………………………………1
1.1SamuelBeckettandWaitingforGodot…………………...........1
1.2Jean-PaulSartre’sExistentialism……………………………………...3
1.3TheOutlineoftheThesis
2.Literaturereview……………………………………………………………………3
2.1TheStudiesAboardandatHome…………………………………..…4
2.2TheUniquenessoftheStudy…………………………….............................5
3.TheoreticalFramework……………………………………………………….…….6
3.1TheTheatreoftheAbsurd…………………………………….........6
3.2Jean-PaulStare’sExistentialism…………………………………...........................7
4.WaitingfortheAbsentOther:
AnExistentialisticAnalysisofWaitingforGodot....................................................…....8
4.1TheAbsurdityofWaitingforGodot………………...8
4.1.1Plot……………………………………………..8
4.1.2Characters
4.1.2TheIllogicalandMeaninglessDialogue……………………………………..9
4.1.3Circulation.................................................................................11
4.1.4NoCertainSpace-timeEnvironmentandCompleteStructure.
4.2WaitingfortheAbsentOther……………...12
4.2.1TheAbsentOtherIsNothingness…………………………………13
4.2.2TheAbsentOtherIsSavior……………………………………………..14
4.2.3TheAbsentOtherIsBelief
4.3AnExistentialisticAnalysisofWaitingforGodot……………….15
4.3.1Death…………………………………………..16
4.3.2TheMeaningofHumanExistence………………………...17
4.3.3ThePlaceofGod
5.Conclusion……………………………………………………………………...18
References……………………………………………………………………………19
1.Introduction
1.1SamuelBecketandWaitingforGodot
SamuelBeckett(1906-1989)whoseworkoffersablack,tragicomicoutlookonhumannaturewasanIrishnovelist,playwright,theatredirector,andpoet.Beckettiswidelyregardedasoneofthemostinfluentialwritersofthe20thcentury,hisworkoftencoupledwithblackcomedyandgallowshumor.HeisconsideredoneofthelastmodernistsbecauseoftheinfluencefromJamesJoyce.Asaninspirationtomanylaterwriters,heisalsosometimesconsideredoneofthefirstpostmodernists.HeisoneofthekeywritersinwhatMartinEsslincalledtheTheatreoftheAbsurd.EspeciallyhisrepresentativeworkWaitingforGodotbecomestheclassicinthegenreofTheatreoftheAbsurd.Beckettwaswardedthe1969NobelPrizeinLiterature“forhiswriting,which——innewformsforthenovelanddrama,——inthedestitutionofmodemmanacquireitselevation”(TheNobelPrizeinLiterature1969)
WaitingforGodotwaswrittenin1952,itwasfirstpublishedbyFrench,anditsfirstshowwasinParisin1953.TheWorldWarIIhadbiginfluencestotheplayandSamuelBeckett.PeoplearoundtheworldsufferedtoomuchfromtheWorldWarII,toomanypeoplewerestilldespair,helpless,panic,misgiving.SamuelBeckettwitnessedthecruelnessandinhumanityoftheWorldWarIIandthespiritcrisisofwesternpeople.WaitingforGodothasbecomeamodernclassicbecauseitgivesusahumansituationexpressedwithanemotionalforce.Theplayhasafar-reachinginfluence.Aswehaveseen,Beckett’sdramaticandverbalartembodiesvividimagesofactionandaprofoundvisionofhumanexistence.WhereverwereadWaitingforGodot,wecanseeimagesofspiritualloss,andofhumansufferings.Aprofoundsenseoflossdoespervadeallthisplay.Theplayspeakstousoftherealworld,ofhumancondition.
1.2Jean-PaulSartre’sExistentialism
HereExistentialismwillbeagreathelptoanalyzemythesis.TherehasneverbeengeneralagreementonthedefinitionofExistentialism.ItisgenerallybelievedthatthefirstprominentexistentialistphilosophertoadoptthetermwasJean-PaulSartrewhodidmosttobringexistentialismintotheartsandintosearchofforanauthenticwayoflifeonthepartofmanydisaffectedyouthofEuropeandAmerica.
1.3TheOutlineoftheThesis
Whiledoingmyargument,thefirstthingI’mgoingtodoistointroducestudiesonWaitingforGodotfromabroadandChina.Inthispart,wecanhaveageneralknowledgeofjudgmentsonWaitingforGodotandunderstandthesignificanceofWaitingforGodotinliteraturefieldandotherfields.Thenfollowingpartistopresenttheoreticalframeworkwhichwillhelpmetoanalyzemyargument.ThisthesiswilltouchExistentialismandTheTheatreoftheAbsurd.ThroughpartofSartre’sExistentialismandEsslin’sTheTheatreoftheAbsurd,thisthesiswillconcentrateonthefollowingtopic:
TheabsurdityofWaitingforGodot;ThemeaningoftheAbsentOther;ThereflectionofExistentialisminWaitingforGodot.Thenfinallythisthesiswillgiveaconclusion.
2.LiteratureReview
ThecriticalresponsetotheworksofSamuelBecketthasbeenoverwhelming,especiallyafterthesuccessfulfirstshowofWaitingforGodotinParisin1953.AndtheplaymadeBeckettahouseholdword.AndthennumerousbooksandthousandsofarticleshavebeenpublishedonBeckett,primarilyinEurope,theUnitedStates,andCanada.SincehewrotemostofhisworksinFrench,andthentranslatedthemhimselfintoEnglish.AndthediversityoftheinterpretationstoBeckett’swokshasbeenvaried:
political,psychological,philosophical,historical,thematic,postmodernism,Christian,autobiographical,homoerotic,andsoon.
2.1StudiesAbroadandatHome
Thefirstperiodisfrom1960sto1970s.Duringthisperiod,studiesmainlyfocusonformandcontent,theinfluenceofliterary,philosophicalandhistoricalideas.AndMartinEsslinwroteTheTheatreoftheAbsurd,itwasthemostfrequentlycitedresourcesfortheresearchofWaitingforGodotandotherfamousabsurdplays.EsslinreallythoughthighlyofWaitingforGodotandgavespecialappraisementsonit.IntheShapeofChaos:
AnInterpretationoftheArtofSamuelBeckett,DavidHeslaexaminesSamuelBeckett’snovelsandplaysfromtheperceptionofthehistoricalideas.HeshowshowSamuelBeckettwasinfluencedbythetheoriesofthepre-Socratics,therationalistsoftheseventeenthandeighteenthcenturies,Schopenhauer,Bergson,Hegel,Kierkegard,Sartre,andHusserl.Anydramacan’tlivewithoutthestage,soRubyCohn’sSamuelBeckett:
theComicGamutconcernedWaitingforGodot’sstageperformance.HeusedBergson’scatalogofcomictechniqu
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