中国山水画.docx
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中国山水画.docx
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中国山水画
Chineselandscapepainting
Abstract:
ThisarticlehasexplainedaboutChineselandscapepaintingfromitshistory,charactersandthemarketofChinesepainting.Chineselandscapepaintinghasalonghistory,everystagehasitsownfeaturesanditisverydifferentfromwesternpainting.However,intheseyears,themarketofChinesepaintingisnotwell,andwefoundsomereasonsbyinvestigating.Then,putsomeviewsabouthowtosolvetheseproblems.
Keywords
Catalogue:
WhatisChineselandscapepainting
ChineselandscapepaintingmaybedefinedasthebranchofChinesepaintingwhichisakindofpaintingdescribenaturalsceneryinChina.ItistheresultofanawarenessofnaturethatbeganasearlyasthefourthcenturyB.C.andwhichresultedinarationalandall-encompassingviewofnatureastheembodimentof“eternalprinciple”.
ThehistoryofChineselandscapepainting
Chineselandscapepaintinghaslonghistoryandstrongmeaning.ManycriticsconsiderlandscapetobethehighestformofChinesepainting.ThetimefromtheFiveDynastiesperiodtotheNorthernSongperiodhasbeenknownasthe"GreatageofChineselandscape".Inthenorth,artistssuchasJingHao,FanKuan,andGuoXipaintedpicturesoftoweringmountains,usingstrongblacklines,inkwash,andsharp,dottedbrushstrokestosuggestroughstone.Inthesouth,DongYuan,JuRan,andotherartistspaintedtherollinghillsandriversoftheirnativecountrysideinpeacefulscenesdonewithsofter,rubbedbrushwork.ThesetwokindsofscenesandtechniquesbecametheclassicalstylesofChineselandscapepainting.
BeginningintheTangDynasty,manypaintingswerelandscapespaintings.Intheselandscapes,monochromaticandsparse,thepurposewasnottoreproduceexactlytheappearanceofnaturebutrathertograspanemotionoratmospheresoastocatchthe"rhythm"ofnature.
BythelateTangdynasty,landscapepaintinghadevolvedintoanindependentgenrethatembodiedtheuniversallongingofcultivatedmentoescapetheirquotidianworldtocommunewithnature.Suchimagesmightalsoconveyspecificsocial,philosophical,orpoliticalconvictions.AstheTangdynastydisintegrated,theconceptofwithdrawalintothenaturalworldbecameamajorthematicfocusofpoetsandpainters.Facedwiththefailureofthehumanorder,learnedmensoughtpermanencewithinthenaturalworld,retreatingintothemountainstofindasanctuaryfromthechaosofdynasticcollapse.
DuringtheearlySongdynasty,visionsofthenaturalhierarchybecamemetaphorsforthewell-regulatedstate.Atthesametime,imagesoftheprivateretreatproliferatedamonganewclassofscholar-officials.Thesemenextolledthevirtuesofself-cultivationofteninresponsetopoliticalsetbacksorcareerdisappointmentsandassertedtheiridentityasliteratithroughpoetry,calligraphy,andanewstyleofpaintingthatemployedcalligraphicbrushworkforself-expressiveends.Themonochromeimagesofoldtrees,bamboo,rocks,andretirementretreatscreatedbythesescholar-artistsbecameemblemsoftheircharacterandspirit.
UndertheMongolYuandynasty,whenmanyeducatedChinesewerebarredfromgovernmentservice,themodeloftheSongliteratiretreatevolvedintoafull-blownalternativecultureasthisdisenfranchisedelitetransformedtheirestatesintositesforliterarygatheringsandotherculturalpursuits.Thesegatheringswerefrequentlycommemoratedinpaintingsthat,ratherthanpresentingarealisticdepictionofanactualplace,conveyedthesharedculturalidealsofareclusiveworldthroughasymbolicshorthandinwhichavillamightberepresentedbyahumblethatchedhut.Becauseaman'sstudioorgardencouldbeviewedasanextensionofhimself,paintingsofsuchplacesoftenservedtoexpressthevaluesoftheirowner.
TheYuandynastyalsowitnessedtheburgeoningofasecondkindofcultivatedlandscape,the"mindlandscape,"whichembodiedbothlearnedreferencestothestylesofearliermastersand,throughcalligraphicbrushwork,theinnerspiritoftheartist.Goingbeyondrepresentation,scholar-artistsimbuedtheirpaintingswithpersonalfeelings.Byevokingselectantiquestyles,theycouldalsoidentifythemselveswiththevaluesassociatedwiththeoldmasters.Paintingwasnolongeraboutthedescriptionofthevisibleworld;itbecameameansofconveyingtheinnerlandscapeoftheartist'sheartandmind
DuringtheMingdynasty,whennativeChineserulewasrestored,courtartistsproducedconservativeimagesthatrevivedtheSongmetaphorforthestateasawell-orderedimperialgarden,whileliteratipainterspursuedself-expressivegoalsthroughthestylisticlanguageofYuanscholar-artists.ShenZhou,thepatriarchoftheWuschoolofpaintingcenteredinthecosmopolitancityofSuzhou,andhispreeminentfollowerWenZhengmingexemplifiedMingliteratiideals.Bothmenchosetoresideathomeratherthanfollowofficialcareers,devotingthemselvestoself-cultivationthroughalifetimespentreinterpretingthestylesofYuanscholar-painter
ThemarketofChinesepainting
Chinesepainting,calligraphyandpaintingonthemarketasthebigboss,hadlongdominatedtheChinesemarketleaderontheoneandonly,buttoday,whentheChineseoilmarketwithnoreversinghurricanepushaheadvigorouslywhen,Chinesepaintingfieldnotonlycametoinspirepeoplenews,evenbyalowertendencytocausethepersonageinsidecourseofstudyforthepaintingmarketdevelopmentisnotwithoutreasonconcerns.Therearethreereasonaboutit:
segmentationofOilrises
Allthetimesince,Chinesepaintingwithitsprofoundhistoricalaccumulationandprofoundcultureconnotationarousedmanyinvestorsbuyenthusiasm,formedtheChinesemarketinthepast20yearstotentimesevendozensoftimestheprice.Inrecentyears,thisrisesgreatly.Itbeginsbytraditionalpaintingmarkettotheoilmarket,theindustryforecast:
threeyears,Chinesedomesticoilmarketwillgohalvesonafifty-fiftybasiswiththetraditionalChinesepainting.Fromthecurrentdevelopmenttrendofoilpainting,wecanexpectthatinthenearfuturewillbecomeareality.
Whypaintingmoreandmorepeoplesoughtafter,andthecorrespondingChineseappetitefortraditionalChinesepaintinghasbeenoutoffavor?
Firstly,theoverseasinvestmentofChineseoilpaintingmarketcircleforthegrowingattentionanddomesticemergingyounginvestorsbuyingpowerpromotion,Chineseoilpaintingbytheunprecedentedattention.
Asaresultofforeignoilmarkethaslongbeenamatureperiod,soChinesepaintingrevivetraditionofrealismhasgraduallycausedsomeoverseasandHongKongandTaiwancollectorsanddomesticquiteapartofoilpaintingartappreciationlevelishigherinyoungcollectorsattention.RealismclassicinEuropeandtheUnitedStateshavelongbeenmoreindividualitymodernpaintingfactionarereplaced,andasaresultofChineseoilpaintingmarketformedlater,sincethe"introductionofWesternlearningtotheEast",thefirstbatchofChineseoilcompaniestogoabroad"from",hasonlyahundredyearsofhistory,soChinaisinrealismoilpainting'sheyday,fromitshundredyearsofrepresentativepainters,worksarealsovisible.Thisstyleofpaintingisbothwiththemajorityofbuyersofcommonpsychologicalandappreciation,andwillundoubtedlybecometheperiodofworldwideoilfieldparticipantsfocus.Fromthispointofview,paintingbecomeburgeoninginvestmentheat,segmentationofdomesticmarketofpaintingandcalligraphy,itisnowonder.
Secondly,westernarchitectureanddecorationstylehasinrecentdecadesbecomethemainstreamChinesehomefurnishingdecoration,paintingisalsograduallyacceptedbythepeople,asthedailyhomefurnishingandofficeoccasionssuchastheimportanceofdecorations,andtraditionalChinesepaintingbecauseofitstraditionalstyletochangecannotadaptandcontinuetoundertakethedecorationfunction.Aconfinedtomerecollection,appreciation,andanotherisofbothinvestmentandpracticalvalue,bycomparison,willmainlyinvesttomoremultipleeffectofoilfield,thebuyerwhatisthereagainstit?
Thirdly,theoilmarketduetoalatestartandhasnotbeengivendueattention,sowhetheritisrelativetotheinternationaloilmarketisbasedontheevaluationofworkitself,itspriceisstillatalowlevel,risequicklybecametheimportantreasonwhichattractbuyers.Manygoodpaintings,itspriceintheyearatseveraltimesthespeedatthebeginningofthisplay,letbuyersattheendoftheyeartogetprofitofhighspecifiednumberfrom.Alongwiththeoilmarkettofurtherdevelopandimprove,theirfutureappreciatethespaceislarger.WhilethefieldoftraditionalChinesepaintingthroughsomanyyearsofrapiddevelopment,hasenteredarelativelysmoothdevelopmentperiod,willnothavetherapidappreciationoftheadvantage.Toaninvestor,atthistimetofocusonoilfield,isundoubtedlyawisechoice.
Afrequent,qualityguarantee
Inrecentyears,alongwiththeworksofartinvestmentmarkethot,Chinesepaintingandcalligraphymarketquicklyspawnedanumberofmanufacturing,sellingfakepaintingartfraud,insomeareasevenalargenumberoffakeandcounterfeit,fake"one-stop"undergroundtransactions"black"system,butalsoitsfraudmeans,technologyhaschanged,eventomixthespuriouswiththegenuineproportions,especiallyofmodemandcontemporaryChinesepaintingfieldthisphenomenonismostserious,becomethepreferredspeculators.
Sincethepaintingitselfskillsarenotdifficulttolearn,difficulttomasterisdisclosedwhereinoutcharm,temperament,thepaintinghasbeenadooreasily,drawthedifficultart.AndinthecurrentChineseinvestment,collectors,
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