室内设计 外文翻译 外文文献 英文文献.docx
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室内设计 外文翻译 外文文献 英文文献.docx
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室内设计外文翻译外文文献英文文献
室内设计外文翻译外文文献英文文献
Talkingaboutthesymbolsintheenvironment
oftheuseofArtandDesign
Abstract:
Theinheritanceandinnovationovertheyearstherelationshipbetweenartanddesignenvironmenthasbeenthefocusofattention.Thisarticlehopesforthedesignofsymbolsusedtoexploretheculture,aboutthemysteriesofinheritanceandinnovationofthetraceofsentiment.
Keywords:
deformationgrammarseparatistsymbolsconstitute
Inheritanceandinnovationovertheyearstherelationshipbetweenartanddesignenvironmenthasbeenthefocusofattention.Infact,fromthelinguisticpointofview,thiscontradictionisthelanguageofstabilityandvariationbetweenthecontradiction.Asadesignerintheformofdesignsuccessesandfailuresofthesuccessorfailuredependsonthemaster,"theterm"therichandtheuseof"grammar"ofproficiency.Designerstomaketheirworksbyotherscantrulyunderstand,wemustchoosetheappropriate"word"andmustcomplywiththe"grammar."Thisdoesnotmeanthatdesignerscanonlyfollowthebeatentrack,nopersonalcontribution.Designersskillfullyusethenewindividualsymbols,oraconsciouschangeininter-symbolcombinationofanumberofconventionalrelations,createnewworksofmoving,whichisdesigninnovation.
Compositionhasa"specific"componentapproach,thatseemstobeveryplaininthecompositionofthesuddenappearanceofa"heterogeneous"elements,makingtheprogramitselfisveryplaintoachieveunexpectedresults,withasenseofinnovationofnewsymbolslikethis"heterogeneous."Inpeople'saccustomedtothingsdifficulttoarouseenoughattentionandinterestincase,somecommonsymbolsdeformation,splitting,orthepreparationofthecodetochangetheorder,youcanplayacompelling,thought-provoking,thestrengtheningofenvironmentalmessaginglanguagerole.
UnitedStatesrenownedarchitectCharlesMooredesignedthecityofOrleans,"ItalianPiazza"isboldindesignelementstakenfromavarietyofclassicalsymbols,andsymbolicmeanstoreproducethem.TheentiresquaretoacircularplaneBaroqueforthecompositiontothegradualproliferationofblack-and-whiteconcentriccirclesandtothesurroundingpavementsurfacetoextendoutuntilthethreesidesofthestreetentrance.ClassicalRomancolumn,afteraface-lifttothefaceofnewshows,suchastheCorinthiancolumnisusedinstainlesssteelcolumn,canopieswallcarvedwiththeLatinof"thisfountainforthepublictoallthepeoplewhoofferthegifts"ofthemessage;DoriccolumnontheFlowingDowngurgle,roundcoupononthemolarsmilingportrait,waterisconstantlyspitfromhismouth...hereisnotonlyfullofbrightrichatmosphereofamoderncommercial,butalsoastrongattachmenttolocal
feelings.MapsandItalianApenninePeninsula,SicilyandSardinia'splan;ancientRome,thefive-column,thedeformationMotifcombinationsandtheArcdeTriomphe;circularporticoWaiKwongHop.Infact,youareimmediatelyawarethatitisamockeryofclassicalMarxism.Thisisajoyous,almostclassicaltraditionarehystericalembracepleased.
Today,avarietyofsidebox-stylebuildingwasconsideredaloofinthehistoricandlocalaboveonlyhasthetechnologyandasmallnumberoffunctionalsemanticsemantics,thereisnoroomforthinkingaftertaste,theenvironmenthasledtoapathyandboringcriticism.Thisuseofinformationtheorytoexplaintheprinciplethateffectiveenvironmentalinformationcontainedinthesymbolsystemtoo.Inviewofthis,post-modernarchitectsVenturiloudlycalledfor:
"buildingarichcontent,whilebuildingtoincludeotheraspectsofthemulti-dimensionalart,evenincludingthelanguage,sothatitisnolongerameretoolforthespace."Itadvocatesenvironmentalcomplexityandcontradictorynatureofmodernismpromotedbysubstitutesimplicity;tosemanticambiguityandtensioninplaceofstraightforward;tothemultiplicityofsemanticoppositiontooneortheotherofopportunism;shouldbemixedataglanceratherthanunity.Sterndesignedthe"best"productshowroomareatypicalexample,itadoptedlegislationfacesmanyofthetraditionalsymbolsandconstituteaform,liketheancientGreekpantheonofelevation,thussuggestinghewastryingtoconveythemepurposive:
thatis,thebuildingasa"templeofconsumerism,"thecommercializationofsocietyreflectthevaluesofpeopleandcommercialactivitiesofdailylifetoday,theimportanceof.Butthewaymetaphorsarecomplex,multiple,withoutseriousthought,itisdifficulttounderstandimmediatelyapparentfromitsrealsignificance.Thisdesignworks,forexample,notonlythedepthoftheboxthinkingismorethansimplythepursuitlikeasailingboatorabirdofpreysuchasthesymbolismofamoreintriguing,morephilosophical.
Theenvironmentasasymbolicphenomenon,inordertoaddressthe
long-standingproblemforthedesignersoftheinheritanceandinnovationoftheparadoxicalproblemofprovidingaeffectiveway.Designlanguageasthelanguageofsymbols,arerootedinpastexperiencewiththerapiddevelopmentofthesocietyislinkedtothenewfeatures,newmaterials,newtechnologyandcallsonnewideas.Ontheonehand,asifitweresogenerallanguagelanguagechangesslowly,ontheotherhand,withtherapiddevelopmentofsociety.Howtomaketheenvironmentnotonlyofhistoricalcontinuity,butalsotoadapttothenewrequirementsofthetimes?
Withtheadvanceofscienceandtechnologyprogressandfrequentculturalexchanges,"vocabulary"and"grammar"inthedevelopingtrendofconvergence,butanationbecauseofnaturalconditions,economicandtechnological,socio-culturalpracticesofthedifferentenvironmentAssociationhasanumberofuniquesymbolsandarrangement.Spokenlikethedialect,likethedesignerscleverlyinjectthiskindof"accent"canenhancetheenvironmentforasenseofhistoryandlocalflavor,and
enhancetheinfluenceoflanguageenvironment.ModernJapaneseArchitectureMasterKenzoTangedesignedKagawahallisa"newformofthetraditionalsemantic"model.Althoughthebuildingareusedbyordinaryreinforcedconcreteframestructure,buttheexternalformoftreatmentistheuseofLuMingChuanhead,beamtoptraditionalsymbols,verticalhorizontalpartitionisanaturalassociationtotheJapanesemaintowerofthelayersofeaves.Layouthasabsorbedtheadvantagesofthesquaretowerofthetrafficandpublicfacilitiesontheplanarcore(similartothetowerKagutaventricle),sothattheysharethesmallestGetallfloorsoftheshortestroutetraffic.Soastoshowastructurewithmodernformsoftechnologytoreflectthestyleoftraditionallocalmethods.
UnitedStatesartistSusanLangeoncesaid,"isalwaysasymboltosimplifytheformoftheperformanceofitsmeaning,thatisexactlywhatwecangraspthereasonsforit.Regardlessofaworkofart(orevenallofthearts)ishowthecomplexityof,profoundandrich,itiseasythanreallife.Therefore,thearttheoryisundoubtedlytheestablishmentofaneffectiveheartsandmindsinavividrealityoftheconceptofsuchagreatcauseofthepreambleismore."symbolicactivitieshavebeenincludedintheactivitiesofsomeabstractnolongerremainintheindividualabovethe.Visualsymbolsareanartsymbols,butalsotheperformanceofsexualsymbols.Relativereasoningintermsofsexualsymbols,visualsymbolsdonothavetheirownsystem,andanyvisualsymbolshaveacertaindegreeofculturalcontent,andonlyreflectedinacertaindegreeofemotionalstructure,aroundaparticularthemeoforganiccombination.EducatedYouthHotel,MaoJiaRestaurantcommercialbuildingandsoon,italsoadoptedthehats,cornonthecob,roughwoodentablesandchairs,wellsandsoon,andevenmoreinordertocreateanatmosphereofclothingaretobeattendants,aswellasthemenuwerealsocleverlyintegratedintotheAmongthem,thesedifferentgeographicalsignificanceinruralareastypicallyrichinvisualsymbolstocreateanenvironmenthereislikeanoldalbum,recordingadifferentperson'sexperience,makingthedesignbecomemorecordial,butalsoworthpondering.Visualsymbols,notonlyinsymbolicformtocreatethevisualassociationand,moreimportantly,itcanevokethoughtsassociation,whichhaveempathy,toachieveemotionalresonance,thusbuildingmoremeaningful.
Therapiddevelopmentofurbanconstructionhasbroughtrapidchanges,butatthesametimewealsolostmanywillneverbeabletorecoverthings-historicalcontext.Thehistoryoftheformationofthestreets,alleys,arches,religiousshrinesandsoonurbanformasacompleteexpressionofarchitectureandurbanimageofthesymbolsystem,beingintofilms,ShingStreet,intoaSquaretoberemoved,threatstotheurbanformofthecompatibilityandcontinuity.Respectforhistoricaltraditiondoesnotmean,rigidlytraditional.Instead,consciouslykeepthesetraditions,willmakethecitymorelocalflavor.Infact,"establishinganew"donothaveto"old",thekeyliesinhowtoapproachtraditionalandfashiontocreateanewsymbiosisofold
andnewurbanform(symbols)."NewWorld"projectislocatedinShanghai,XingyeRoadHuangpiRoad,amajorsiteoftheChineseCommunistsofthesurroundingarea."Venue"oppositethesouthblock,designforthemodernarchitectureisnothigh,whichisdottedwithsomereservationsthetraditionalarchitecture,andthe"venue"inharmony.And"venue"wherethenorthblock,theneighborhoodretainedalargepattern,carefullypreservedandrepairedthebuildingexteriorfacadeShikumen,detailandneighborhood-scalespace,thebuildingwasmadelargerinternaltransformationinordertoadapttooffi
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