美现代小说附件.docx
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美现代小说附件.docx
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美现代小说附件
Theboss'son,Curley,ayoung,pugnaciouscharacter,HeisveryjealousandprotectiveofhiswifeandimmediatelydevelopsadisliketowardLennie.HeisactuallythesuperegoinLennieandplaysarollasacausetoLennie'smentalmad.Curley'swife,ayoung,prettywoman,whoismistrustedbyherhusband,Curley.Shewastheonlysignificantcharacterinthenovelwithoutaname.Thislackofpersonaldefinitionunderscoresthischaracter'spurposeinthestory:
"Steinbeckexplainedthatsheis"notaperson,she'sasymbol.Shehasnofunction,excepttobeafoil–andadangertoLennie."(OfMiceandMen)Slim,a"jerklineskinner,"themaindriverofamuleteamandthe"princeoftheranch".SlimisgreatlyrespectedbymanyofthecharactersandistheonlycharacterthatCurleytreatswithrespect.Heseemstobetheonlysuccessoramongthoseranchworkers,becauseof
hisinsight,intuition,kindnessandnaturalauthorityandheistheonlycharactertofullyunderstandthebondbetweenGeorgeandLennie.Carlson,a"thickbodied"ranch-hand,hekillsCandy'sdogwithnosympathy.ThosecharactersrepresentallaspectsofthedepressingsocietyandthedifficultiesLenniemustfacewith.TheyalsothepresentationoftheSuperegoinLennie,becausetheybringthemoreorlesspreventstoLennie'ssuimpledreamevenpushhimtodeathandfinallyjustwatchinghisdeathwithoutanymood.
SuchanegoisinSteinbeckashisreactiontowardsthesocialdepression.Hewasoneofthoseyoungnovelistwhopouredouttheirtorrentsofangerandprotestintheirleft-orientedworks.SteinbeckdidnotsharethenaturalpessionismofDosPassosOrFarrell,butevidentlyasturdyrationalistandjustasindignantanenemyofinjustice.(Seymour100).
Crooksnamedfromhiscrookedbackwastheblackstable-hand.Proud,bitter,andfunny,heisisolatedfromothersbecauseofhisblackskin.Crooksrepresentedakindoflivingstylefulloftheairofracialdescriminationwhichstillexistedinthedepressedsociety.Hederisivelyclaimedtohadseencountlessmenfollowingemptydreamsofbuyingtheirownland.HesharedthecertainsimiliritywithLennie.HisfateandhishopelessnessgivethehintsthatLennie'sdreamofraisingrabbitsisdoomtodie.
Asanagingranchworkers,Candylosthishandinanaccidentandworriesabouthisfutureontheranch.HealsoseizesonGeorge’sdescriptionofthefarmwhichowendbyhimself.Beingalmostuseless,hisdreamwillnevercometrue.ItisalsothehintofthefinaltragicdeathofLennie.
JohnSteinbeckwasbornin1902,inSalinas,California.HelivedinSalinasValleyforalmostfortyyears.inordertosupporthimself,heworkedatavarietyofmanualjobs.Hebecameclosetotheharsheraspectsofmigrantlifeandawareofthedarkersideofhumannature.In1925,hewenttoNewYorkintendingforliterarycreation."TheWallStreetcrashof1929setthetoneforthewritingofthdecade"(changyaoxin340)Thereweremanyyoungnovelistwhopouredouttheirangerandprotestintheirleft-orientedworks.JohnSyeinbeckwassucha"Depressionwriter"(Seymour100),thatis,"JohnSteinbeckseemedtobefromtheworldoftheGreatDepression,theworldofthepeopleofpoverty"(HuYinTong390).AllmentionedaboveisthepresentationoftheidinSteinbeck,whichisalsowellreflectedinhisOfMiceandmanforwhichSteinbeckdrewhisinspirationfromhisexperiencelivingandworkingasanitinerantfarmhand-duringthe1920s
SteinbecklivedmostoftheyearsoftheGreatDepression.HisangerandprotestagainsttheGreatDepressionleadhimtohispresenthisworkunderthecoveroftheenvironmentoftheGreatDepression.
andtherestofthe
charactersinthebookaredevelopedlargelyintermsoftheirrelationshipstothisenigmaticcentralfigure(of-mice-and-men)
Iftherehadbeenanyhopeinthefrustratig"roaring"twenties,therewas,formany,sheerdeapairintheblackofthethirties.
Itwasapparentthatsocialconcernwastopmostinthemindsofmanyauthos,andthatsocialinvolmentwastobethemajorfeatureoftheliteratureofthethirties..(changyaoxin340).Steinbeckalsofocusedonthoselabourpeopleonthefarm.Theirhopeandhopelessnesswasalsocontrolledbythedepressedsociety.AccordingtoSteinbeck'sownconfinementoftimeandlifeexperience,inhisOfMiceandMan,thefunctionofthosecharatcerssuroundingLennieweretherepresentativesofthesuperegoinLennie.
Itiscriticalnisconcepttionthatthe1930swasadimdecadeascomparedwiththegliteringtwenties.Thereisavisiblecontinuitybetweenthetwodecades.However,themoodofthethirtieswasdifferent.TheWallStreetcrashof1929setthetoneforthewritingofthdecade.Economicdisaster,andthewretchedworklessexistemceforthemassesofthepeoplebroughthometoalltheunnervingrealizationthatthesystemhadcollapsed..Everythingseemedtobedistintergratingallofasuddenandallatonce,andanordered,rationalexistenceprovedtobeimpossible.Therewaswidespreadpanic.Iftherehadbeenanyhopeinthefrustratig"roaring"twenties,therewas,formany,sheerdeapairintheblackofthethirties.(changyaoxin340)
Itwasapparentthatsocialconcernwastopmostinthemindsofmanyauthos,andthatsocialinvolmentwastobethemajorfeatureoftheliteratureofthethirties..(changyaoxin340)
Therewereyoungnovelistwhopouredouttheirtorrentsofangerandprotestintheirleft-orientedworks.
Depressionwriter.,
SteinbeckdidnotsharethenaturalpessionismofDosPassosOrFarrell,butevidentlyasturdyrationalistandjustasindignantanenemyofinjustice.(Seymour100)
Someofthecharactersarewooden,thesymbolismislucubrated,Lennie'shallucinationsattheendarewildlyunconvinncng;butthethemeoftheanimal-child,thegiantwhodoesnotknoehisownstrength,protectedbythelittle,intelligent,physicallyweakman,isnotsentimentaleventhoughitisfundamentallyhomosexual(Lennieisledfrom'good'non-sexualfriendshiptomurderbyvileuncomprehendingwomen)-thoughunconsciouslyso.(Seymour101)
Thenovelisdeceptivelysimple-itisshortandstraight-forwardlywritten.ButbeneaththisapproachablesurfaceSteinbeckexploresmysteriousandhauntingthemes,largelypivotingonthesearchforcomfort,decencyandcompanionshipinalonely,cruelworld.(AboutOfMiceandMen
)Steinbeckdrewhisinspirationfortheworkfromhisexperiencelivingandworkingasa"bindlestiff"-oritinerantfarmhand-duringthe1920s.Ina1937interviewinTheNewYorkTimes,SteinbecksaidthatthecharacterofLenniewasbasedonamentallyimpairedmanhemetinhistravelswhowaspronetoepisodesofuncontrollablerage.ThecentralquestionofwhereorhowsuchamanmightfitintosocietydrivestheactionofOfMiceandMen,andtherestofthecharactersinthebookaredevelopedlargelyintermsoftheirrelationshipstothisenigmaticcentralfigure
Hisfather,JohnErnstSteinbeckSr.,servedasMontereyCountytreasurer.John'smother,OliveHamilton,aformerschoolteacher,sharedSteinbeck'spassionofreadingandwriting.[4]Steinbecklivedinasmallruraltownthatwasessentiallyafrontiersettlement,setamidsomeoftheworld'smostfertileland.[5]HespenthissummersworkingonnearbyranchesandlaterwithmigrantworkersonSpreckelsranch.Hebecameawareoftheharsheraspectsofmigrantlifeandthedarkersideofhumannature,whichmaterialexpressedinsuchworksasOfMiceandMen.[5]Healsoexploredhissurroundings,walkingacrosslocalforests,fields,andfarms.[5]
Steinbeckbegantowriteaseriesof"Californianovels"andDustBowlfiction,setamongcommonpeopleduringtheGreatDepression.In1943,SteinbeckservedasaWorldWarIIwarcorrespondent.SteinbeckaccompaniedthecommandoraidsofDouglasFairbanks,Jr.'sBeachJumpersprogram,whichlaunchedsmall-unitdiversionoperationsagainstGerman-heldislandsintheMediterranean
In1947,SteinbeckmadethefirstofmanytripstotheSovietUnion,thisonewithrenownedphotographerRobertCapa.TheyvisitedMoscow,Kiev,Tbilisi,BatumiandStalingrad,becomingsomeofthefirstWesternerstovisitmanypartsoftheUSSRsincethecommunistrevolution.Steinbeck'sbookabouttheirexperiences
"Iwasabindlestiffmyselfforquiteaspell.Iworkedinthesamecountrythatthestoryislaidin.Thecharactersarecompositestoacertainextent.Lenniewasarealperson.He'sinaninsaneasyluminCaliforniarightnow.Iworkedalongsidehimformanyweeks.Hedidn'tkillagirl.Hekilledaranchforeman.Gotsorebecausethebosshadfiredhispalandstuckapitchforkrightthroughhisstomach.IhatetotellyouhowmanytimesIsawhimdoit.Wecouldn'tstophimuntilitwastoolate.
—JohnSteinbeck,interviewbyTheNewYorkTimes,1937"(OfMiceandMen)
"LennieSmall:
Amentallydisabled,butphysicallystrongmanwhotravelswithGeorgeandishisconstantcompanion.[2]Hedreamsof"livingoffthefatta'thelan'"andbeingabletotendtorabbits.Hisloveforsoftthingsconspiresagainsthimandeventuallybecomeshisundoing."Crooks:
Crooks,theblackstable-hand,getshisnamefromhiscrookedback.Proud,bitter,andcausticallyfunny,heisisolatedfromtheothermenbecauseofthecolorofhisskin.Despitehimself,CrooksbecomesfondofLennie,andthoughhederisivelyclaimstohaveseencountlessmenfollowingemptydreamsofbuyingtheirownland,heasksLennieifhecangowiththemandhoeinthegarden.
Candy:
Anagingranchhandyman,Candylosthishandinanaccidentandworriesabouthisfutureontheranch.Fearingthathisageismakinghimuseless,heseizesonGeorge’sdescriptiono
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