高三英语模拟试题含答案.docx
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高三英语模拟试题含答案.docx
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高三英语模拟试题含答案
高三英语模拟试题(含答案)
第一部分听力(共两节,满分30分)
第一节(共5小题;每小题1.5分,满分7.5分)
听下面5段对话。
每段对话后有一个小题,从题中所给的A、B、C三个选项中选出最佳选项,并标在试卷的相应位置。
听完每段对话后,你都有10秒钟的时间来回答有关小题和阅读下一小题。
每段对话仅读一遍。
1.Wherearethespeakersnow?
A.Attheman’shome.
B.Atafurniturestore.
C.Atastadium.
2.Whatisthewomandissatisfiedwith?
A.Thescenery.B.Thetemperature.C.Thefood.
3.Whyisthemancomplaining?
A.Hisphoneisbroken.
B.Hegotawrongmachine.
C.Themachineisoutofdate.
4.Whatarethespeakerstalkingabout?
A.Theboy’sfamily.
B.Theboy’sfuturejob.
C.Theboy’sgradesinhisexam.
5.Whatdoweknowaboutthewoman?
A.Sheasksthemanforalift.
B.Sheusuallygoestoworkbybus.
C.Shewilldrivetothecentralofficetomorrow.
第二节(共15小题;每小题1.5分,满分22.5分)
听下面5段对活或独白。
每段对话或独白后有几个小题,从题中所给的A、B、C三个选项中选出最佳选项,并标在试卷的相应位置。
听每段对话或独白前,你将有时间阅读各个小题,每小题5秒钟;听完后,各小题将给出5秒钟的作答时间。
每段对话或独白读两遍。
听下面一段对话,回答第6和第7题。
6.Whydoesn’tthewomangetthenewBradPittDVD?
A.Theyaresoldout.
B.Shedoesn’tlikethecoverofit.
C.Themanprefersactionmovies.
7.WhatdoesthemandislikeabouttheIndianaJonesfilm?
A.Theactor.B.Theending.C.Theplot.
听下面一段对话,回答第8和第9题。
8.Wherewilltheletterbesent?
A.ToEngland.B.ToParis.C.ToTokyo.
9.Whichofthefollowingdoestheenvelopecontain?
A.Somemoney.B.Acheck.C.Abook.
听下面一段对话,回答第10至第12题。
10.Whatarethespeakersmainlydiscussing?
A.Aconference.B.Acompany.C.Aflight.
11.Whatproblemdoesthewomanhave?
A.Herfailuretoregister.
B.Thecancelingoftheflight.
C.Thelatearrivalofapresenter.
12.Whatdoesthemansuggest?
A.CallingDr.Jensen.
B.Rearrangingtheschedule.
C.Cancellingthepresentation.
听下面一段对话,回答第13至第16题。
13.WhatdidLilylikemostaboutgoingtoMachuPicchu?
A.Thebeautifulviews.
B.Thephysicalchallenge.
C.Thehistoricalimportance.
14.WhydidLilydecidetodoherwalkinJuly?
A.Shetookhersummerholidaysthen.
B.Therewouldprobablybefewerpeoplethen.
C.Theweatherconditionsarebestforwalkingthen.
15.WhatdidLilyfinddifficultaboutherjourney?
A.Lackofoxygen.
B.Extremeroadconditions.
C.Carryingthetentbyherself.
16.WhatsurprisedLilyduringherjourney?
A.Brightstarsinthesky.
B.Birdswithverylargewings.
C.Goodcommunicationwiththechildren.
听下面一段独白,回答第17至第20题。
17.Whatkindofdrivingoftencausesaccidents?
A.Parkinginorder.
B.Drivingtooclosebehindanothercar.
C.Cuttinginaftersignalingothercars.
18.Whydidthesecretaryshootanotherwoman?
A.Becausetheyfoughtoveraparkingspace.
B.Becauseshedidn’tlikethecolorofhercar.
C.Becausethewomanbrakedsuddenlyonthefreeway.
19.WhichofthefollowingisNOTthecauseofroadrage?
A.Trafficjams.B.Otherdrivers’mistakes.C.Drivers’physicalunfitness.
20.Whatarethebiggestkillersontheroad?
A.Stressandtiredness.B.SUVsandroadrage.C.Speedandbaddriving.
第2部分阅读理解(共两节,每小题2分;满分40分)
第一节(共15小题;每小题2分,满分30分)
阅读下列短文,从每题所给的四个选项(A、B、C、D)中,选出最佳选项,并在答题卡上将该项涂黑.
A
BestCompanies
ShineUnited(Madison,Wisconsin)
Inthepastfiveyears,thisWisconsin-basedadvertisingagencyhassharedmorethan$500,000inprofitswithitsemployeesthroughthecompany’sShineSharesprogram.TheagencypartneredwiththeUniversityofWisconsin’soncologydepartmenttodeveloptheRide,abikingeventthatbenefitscancerresearch.Employeesalsogetsnackseveryday,“BeerThirty”onThursdays,andSummerFridays,aprogramthatletsemployeesleaveatnoon.
GroundFloorMedia(Denver,Colorado)
ThekeyforworkersatthismidsizepublicrelationsfirminDenveristhatemployeesworkanytime,anywhere.Headquartersareinaformerwarehousedowntown,nearCoorsField.TheofficesarespreadaroundthecentralspacethatdoublesasawetbareveryThursdaywhenthecompany’s“bearclub”bringsinanewbrew.
Ergodyne(St.Paul,Minnesota)
TheSt.Paul-basedcompanyhasgrowntooperatingoutofaretiredstorehousewithplentyofnaturallight.Rulesaboutdressing?
“Wearsomething.”Itspurpose?
Tocreatecool,comfortable,andtoughsafetyworkwearforthosewhoneedittogetthejobdone.Ergodynehasaround50employees,whoenjoyhot-dishcook-offs,ticketstosportingevents,andatleastonehappyhoureveryquarter.
SouthwestMichiganFirst(Kalamazoo,Michigan)
It’sfamilyfirstatthisMichiganeconomicdevelopmentadvisingagency.CEORonKitchenssaysthatinthepastyear,thecompanyhasmadeapushtogogreen,initiallystartedbythemillennialemployeeswhomakeuphalftheagency’sworkforce.Anewstaffpositionwascreatedforthepurposeofmakingsureeveryemployeeisabletobalanceworkingandcheeringattheirkids’sportingeventsorgoingfishing.
21.What’sthepurposeoftheShineSharesprogram?
A.Toraisemoneyforaresearch.B.Toletemployeesleaveearlier.
C.Tosharethecompany’sbenefits.D.Topartnerwithalocaluniversity.
22.WhatdoesSouthwestMichiganFirstencouragetheiremployeestodo?
A.Tocreatenewstaffpositions.B.Toaccompanytheirfamilies.
C.Tojoinincookingcompetitions.D.Toenjoythemselvesinsportingevents.
23.Whatcanweknowaboutthecompaniesmentionedinthetext?
A.Theycareaboutemployees’happiness.
B.Theyofferemployeesfinancialsupport.
C.Theyhavestrictrulesaboutdressing.
D.Theyhavetrainingprograms.
B
FewpeopleareawarethatWaterlooBridge,crossedbythousandsofdailycommuters(上班族)andcelebratedasaLondonlandmark,wasmainlybuiltbyafemaleworkforce.
Therearenowrittenorphotographicrecordsofthewomenwhobuiltthebridgesincetheconstructioncompanythatbuiltitclosedinthe1980sandwithitwentalltherecords.What’sleftisanecdotalevidence,keptalivebythetouristboatcaptainswhohavecalledittheLadiesBridge.
DuringtheSecondWorldWar,withthemajorityoftheactivemalelaborforceawayatthefront,womenincreasinglytookontraditionallymaleroles.By1944,25,000womenwereworkingintheconstructionindustry,carryingoutback-breakingtasks.Thesewomenwerepermittedtocarryoutthisexhaustinganddangerousworkonthebasisthatitwouldonlybetemporaryandthattheirpaywouldbelowerthanthatofmen.Sothetrendinwomenworkinginconstructionandengineeringdidnotcontinueafterthewar.
Septemberseesaseriesofeventscelebratingtheunknownworkofthelargefemaleworkforce.MusicianClaudiaMolitorhascreateda45-minutemusicalentitled“theSingingBridge”,whichrunsatSomersetHousefrom9to25September.InlateSeptember,the“LightuptheLadiesBridge”eventsawtheNationalTheatre’sflytowerlitupbylargescalephotographicprojections(投影)offemaleconstructionworkersworkinginconstructionduringWorldWarII.
Let’sallcelebratethewomenwhohavehelpedtobuildthecitiesinwhichwelive.
24.WhydofewpeopleknowaboutthebuildersofWaterlooBridge?
A.Femaleworkersreceivedlittleattention.
B.Therecordsoftheirworkhavebeenlost.
C.Theconstructiontookplacelongago.
D.Fewpeopleknowaboutthebridge.
25.WhydidLondonwomendotheconstructionwork?
A.ItwasatraditioninLondon.B.Theywantedtogetasteadyjob.
C.Thecompanyofferedthembetterpay.D.Mostmenhadgonetothebattlefield.
26.What’sthefourthparagraphmainlyabout?
A.Theinfluenceofthebridgeonart.
B.Amusician’scontributiontothebridge.
C.Theeventsinhonorofthebridgebuilders.
D.Women’sworkduringtheSecondWorldWar.
27.What’sthetextmainlyabout?
A.FemaleWorkersontheRiseB.AHiddenTreasureinLondon
C.ANewLondonLandmarkD.TheStorybehindtheLadiesBridge
C
Onceuponatimeitwasboardingschooladventuresandmysteriessolvedbytweed-wearingdetectivesthatfiredyoungreaders’imaginations.Now,itseems,itisthepromiseoftalesofbloodsuckingvampires,unstoppablezombies,howlingwerewolvesandterrifyingbeaststhatinspiresyoungaudiencestopickupabook.
Teenhorrorisaliteraturetypethatseemstobegoingfromstrengthtostrength,withtitleslikeTheDemonataandTheSagaofLartenCrepseybyIrishbornwriter,DarrenShan,toppingthecharts.IndeedDarrenShan’ssuccesshasearnedhimthetitleof“MasterofChildren’sHorror”andhisbooks,whichalsoincludeTheThinExecutionerandthevampireseriesTheSagaofDarrenShan,havesoldmorethan20millioncopiesworldwide.
Butwhatisitabouthorrorfictionthatsoappealstoyoungreaders,andjusthowscarydotheylikeit?
“Ithinkhorrorallowsteenagerstofocusonreal-lifeissuesinafantasticway,helpingthemanalyseandmakesenseoftheworldastheyarecomingtoagreaterunderstandingofit,”saysDarren.“Inmybook,LordLoss,themaincharacter’sparentsandsisterarekilledbydemons.Whilethat’sobviouslynotgoingtohappentoanyoneintherealworld,manychildrenwilllosepeopletheyloveduringtheirteenageryears,whetherit’sgrandparentsdyingofoldage,orfriendsorrelativesinaccidents.Abooklikethiscanhopefullyhelpthemgetpreparedwhendeathstrikesattheminreallife.Goodhorrorisalwaysabouthelpingusprepareforthedarkeraspectsoflife–andsincewecan’tavoidthem,wemightaswellturnthemintoentertainment!
”
Darrentoursfrequently,attendingeventsinschoolsandlibraries,andtalkingtoyoungreadershelpshimdecidewhattheycanandcan’ttakeintermsoffrighteningcontent.Heexplains:
“WhenI’mwritinganespeciallyterriblescene,Iimaginemyselfreadingitoutinaliveenvironment,andaskmyselfifIwouldfeelcomfortabledoingso.Ifnot,I’llgobackandmakeslightchangestothescene.Ihavenosetformulafordecidingwhatissuitableandwhatisnot.Isimply
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