symblizmin the OldMan and Sea.docx
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symblizmin the OldMan and Sea.docx
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symblizmintheOldManandSea
题目:
SymbolisminTheOldMan
andtheSea
摘要
《老人与海》是20世纪美国著名作家海明威的代表作,被称为是海明威时期的最佳作品,是海明威生前出版的最后一部作品,可视为其人生哲学的总结。
本文从社会历史学的角度,通过分析海明威主要的人生经历以及他的生活和作品,揭示了海明威并不是真的想要创造一个传统意义上的英雄,而是想要诠释生活的真谛:
即生活是高于一切成功或失败的无止境的追求。
《老人与海》中的象征因素,评论界意见不一。
事实上,桑提亚哥的遭遇和生存环境就是海明威艺术化了的亲身经历。
本作品中也反映出了海明威的人生观。
本文将从《老人与海》的主人公和其生存环境等方面着手,对作品中的象征和作品中体现出的人生观进行整体的剖析、归纳和总结。
关键词:
海明威;《老人与海》;象征主义;人生哲学
Abstract
TheOldManandtheSeaisoneofthemasterpiecesofErnestHemingway,whichisconsideredasthemostoutstandingworkamongthatgenerationandisthesummaryofhisphilosophyonlife.Thispaper,adoptingasocio-historicalperspectivecoveringHemingway’smainlifeexperienceandhisworks,expoundsthatHemingwaydoesnotreallywanttocreateaherointhetraditionalsenseoftheword,butwantstointerpretlifeasitis,thatis,lifeisaneverlastingpursuitratherthansomekindofachievementorfailure.AsforthesymbolsinTheOldManandtheSea,thereisvarietyofopinionsintheeyesofdifferentcritics.Infact,theundergoingandlivingenvironmentofSantiagoistheportraitofHemingway'sownexperiences.Thispaperwillmakeananalysisonthesymbolsthroughsuchaspectsastheheroes,thelivingenvironments,andsoon.
Keywords:
Hemingway;TheOldManandtheSea;symbolism;lifephilosophy
Contents
Chapter1Introduction1
1.1ErnestHemingwayandHisMainAchievements1
1.2ABriefIntroductiontoTheOldManandtheSea1
1.3PreviousResearchaboutHemingwayandHisWorks2
1.4PurposeandtheSignificanceofThisResearch2
Chapter2Symbolism3
2.1DefinitionofSymbolism3
2.2DevelopmentofSymbolism3
Chapter3HemingwayandSymbolism5
3.1InfluenceoftheWorldWars5
3.2HemingwayandtheLostGeneration6
3.3Hemingway’s“IcebergTheory”RelatedtoSymbolism6
3.4ReasonforUsingSymbolismintheNovel6
Chapter4SymbolsintheNovel7
4.1SymbolicMeaningoftheTitle7
4.2SymbolicMeaningoftheMainCharacters7
4.3SymbolicMeaningoftheSeaandtheSharks8
4.4SymbolicMeaningoftheMarlin9
4.5SymbolicMeaningoftheOtherFishermen9
4.6OtherSymbolsintheNovel10
Chapter5Conclusion11
References13
Acknowledgements15
Chapter1Introduction
1.1ErnestHemingwayandHisMainAchievements
ErnestHemingway,oneofthemostfamousAmericannovelist,shortstorywriterandessayist,wasbornin1899atOakPark,Illinois,nearChicago.Hisfatherwasasuccessfulphysicianwitharelishforhuntingandfishing.Hismothertaughtmusic,andoftentookhersixchildrentoconcert,plays,andpaintingexhibitions.Athighschool,Hemingwaytookagreatinterestinsports,andwroteregularlyforthenewspaperoftheschoolandliterarymagazine[1]
DuringtheFirstWorldWarHemingwayjoinedtheambulancecorpsinItalian,and,afewweekslater,hewasseverelywounded,atthecloseofthewarhereturnedtotheUnitedStates.ThenheworkedasareportfortheTorontoStar.Whenthewarwasover,hewenttosettleinCuba.[2]
Besideshisnumerousshortstories,Hemingwaywroteseveralnovels,ofwhichthebestknownare:
TheSunAlsoRises(1926),AFarewelltoArms(1929),ToHaveandHaveNot(1933),ForWhomtheBellTolls(1940),andTheOldManandtheSea(1952).Theheroes,inhisworksareoftentheso-called“toughguys”,menwhoshow“graceunderpressure,”whofaceuptotragedieswithcourage.[3]
InParis,HemingwayalongwithGertrudeStein,EzraPound,T.SEliotandJamesJoyce,accomplishedarevolutioninliterarystyleandlanguage.Hedevelopedaspare,tight,reportorialprosebasedonsimplesentencestructureandusingarestrictedvocabulary,preciseimagery,andanimpersonal,dramatictone.Hislean,economicalstylehadanimmenseimpactonhiscontemporarywritersinAmerica,EnglandandotherEuropeancountries.Inaword,HemingwayhasmadegreatcontributionstoAmericanliterature.
However,InJuly,1961,Hemingwayusedaguntotakehisownlife.[4]
1.2ABriefIntroductiontoTheOldManandtheSea
TheOldManandtheSeaisoneofHemingway’smostenduringworkstoldinlanguageofgreatsimplicityandpower,itisthestoryofanoldCubanfishermanlivingonthecoastofCuba,whoisthinandhasmanydeeplinesinthebackofhisneckandhisskinisverybrown,andhishandsaremarkedbypullingheavyfishattheendofropes,downonhisluckandhissupremeordeal—arelentlessagonizingbattlewithagiantMarlinfaroutintheGulfStream.Thefishissopowerfulthatitpullstheboatafterit.Ittakesthesmallboatfarouttosea.Theoldmancannolongerseetheland.
“Fish”,hesayssoftly,aloud,“IwillstaywithyouuntilIamdead.”
Onthemorningofthethirdday,theendcomes.Tiredandfullofpain,theoldmanthrowshisharpoonintotheheartofthegreatfish.Thefishraiseshighoutofthewater,showingallitspowerandbeauty.Thenextmomentitisdead.
Slowlyandpainfully,theoldmantiesthefishtothesideoftheboat.Thenheturnsbackandsailstowardsthedistantshore.However,thefirstsharkcomesandmoresharkscome.Theoldmanfightsagainstthemwithhisoarandhisknife.Thenheusesastick.Whenhesailsintothelittleharborandpullshisboatontheshore,nofishisleftbutthegiantwhitebackbone.
HereHemingwayrecastsinstrikinglycontemporarystyletheclassicthemeofcourageinthefaceofdefeat.Thishugelysuccessfulnovellaconfirmshispowerandpresenceintheliteraryworldandplaysahugepartinhiswinningthe1954NobelPrizeforliterature.
1.3PreviousResearchaboutHemingwayandHisWorks
Now,HemingwayiswidelyrecognizedasoneofthemostimportantandinfluentialAmericannovelistsofthetwentiethcentury.“Timewillshowthatthisnovel(TheOldManandtheSea)wouldbethemostbrilliantmedium-lengthnovelforourtime”saidFaulkner.[5]AndalsoHemingwayconsideredthenovelashismostsuccessfulmasterpiece.LotsofcriticssaythatHemingwayisessentiallyanegativewriter.Itisverydifficultforhimtosay“yes”.Allofhisworksdramatizethisconceptoflife,thatitisdangerousandalwaysreadytodefeatanddestroyyou;butthat,ifyoukeepcalmandstandonyoursetofprinciples(whichEdmundWilsoncallsthisprincipleofsportsmanshipishisTheWoundandtheBowandPhilipYoungsumsupasa“codeofhonor”).[6]WhilecommentingonHemingway’scareer,criticshavemostlyadvertedtothe“masculinity”inhiswritings.Hisearlyfictionswonhighpraiseforthestoic,understated-“masculinity”-styledmenandthedepictionofmalepursuitsandattitudes.Hemingway’searlyheroesareJakeBarnes,FrederickHenry,andsoon.SuchyoungmentriedtocopewithWorldWarIandtheyhadtofacemanyunimaginableproblemsafterthewar.Atthesametime,Hemingway’searlywomenrolesoftensufferfromsamefateinspiteoftheirdifferentlifeexperiencesandwaysoflife.Theyareallfrustrated,thwarted,ordead.ItiseasytoseeHemingway’spositiveattitudesonlytowardsthedocile,submissivetypesofwomen,suchasCatherineBarkleyandMaria.But,inParisoftheearly1920s,overeightyfeministsocietiesrepresentedmorethansixtythousandmembers,andmanyofthesefeministswouldhaveagreedthattherecognitionofwomen’ssexuallyamountedtoliberation.
Bytheendofthe1930sHemingwayforgedagreatliteraryreputationinAmerica.Hepublishedhisthreefamousmasterpieces:
TheSunAlsoRise,AFarewelltoArmsandForWhomtheBellTolls.Bygeneralconsensus,criticshaveconcludedthatHemingwaydevelopedhisdepictionofwomenandofgenderissuesinhisnovelsintheirhistoricalandbiographicalcontexts.
1.4PurposeandtheSignificanceofThisResearch
AboutErnestHemingwayandhisfamousshortstory,TheOldManandtheSea,therearemanycriticswhohavevariouspointsofviewonthetopics.ButTheOldManandtheSeaanditswritingstyleandskillssuchastheuseofsymbolismandhis“Icebergtheory”haven’tbeenstudiedcompletely,andsomearejustliteral.That’snotenough.TheOldManandtheSeaisHemingway’smasterpiece,anditisregardedasoneofthemostinfluentialworksintheAmericanliterary.
ThisstudywillconcentrateonsymbolismandthemainsymbolsinTheOldManandtheSeaandtheinfluencefactorsonthesymbolism.
Chapter2Symbolism
2.1DefinitionofSymbolism
Themeaningofsymbolism,originatingfromGreek,isthataplankorakindofpotteryisdividedintohalveswhichareownedbybothpartiesofthehostandtheguestrespectively.Whentheymeetagain,theyputthetwoplankstogethertoindicatethefriendshipandlovebetweenthem.[7]Afterlongtimeevolution,itsmeaninghaschangedinto“useoneconcepttorepresentanothertoexpressone’smeaning”.[8]Sotodaythemeaningofsymbolismisthataccordingtothecertainrelationshipbetweenthethings,usethespecificimageofsomebodyorsomethingtoshowsomeabstractconcepts,thoughts,andemotions.Inliterature,asymbolisathingthatstandsfororsuggestssomethingelsebyreasonofrelationship,association,conventionoraccidentalresemblance,especially,avisiblesignofsomethinginvisible.Thesymbolgenerallydoesnotstandforthemeaning,notforanythingabsolutelydefinite;itevokesanobjectthatsuggeststhemeaning.Itusuallyreferstotheuseofabstractconcepts,asawaytoobfuscateanyliteralinterpretation,ortoallowforthebroaderapplicabilityoftheprosetomeaningsbeyondwhatmaybeliterallydescribed.Hemingwayperfectlyused“symbolism”inthisnovelwriting.
2.2DevelopmentofSymbolism
SymbolismwasfirstidentifiedasaliterarymovementbyJeanMor.Inart,alooselyorganizedmovementthatflourishedinthe1880sand1890sandwascloselyrelatedtothesymbolist
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