英文电影剧本TITANIC泰坦尼克号JamesCa.docx
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英文电影剧本TITANIC泰坦尼克号JamesCa.docx
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英文电影剧本TITANIC泰坦尼克号JamesCa
[英文电影剧本]TITANIC(泰坦尼克号)(JamesCa
titanic
ascreenplaybyjamescameron
cast:
katewinslet...rosedewittbukater
leonardodicaprio...jackdawson
kathybates...theunsinkablemollybrown
billyzane...caledonhockley
billpaxton...brocklovett
writtenanddirectedby:
jamescameron
1blackness
thentwofaintlightsappear,closetogether...growingbrighter.they
resolveintotwodeepsubmersibles,free-fallingtowarduslikeexpress
elevators.
oneisaheadoftheother,andpassescloseenoughtofillframe,looking
likeaspacecraftblazingwithlights,bristlingwithinsectile
manipulators.
tiltingdowntofollowitasitdescendsawayintothelimitlessblackness
below.soontheyarefireflies,thenstars.thengone.
cutto:
2ext./int.mirone/northatlanticdeep
pushinginononeofthefallingsubmersibles,calledmirone,rightupto
itscircularviewporttoseetheoccupants.
inside,itisacrampedsevenfootsphere,crammedwithequipment.anatoly
mikailavich,thesub'spilot,sitshunchedoverhiscontrols...singing
softlyinrussian.
nexttohimononesideisbrocklovett.he'sinhislateforties,deeply
tanned,andlikestowearhisnomexsuitunzippedtoshowthegoldfrom
famousshipwreckscoveringhisgraychesthair.heisawiley,fast-talking
treasurehunter,asalvagesuperstarwhoisparthistorian,partadventurer
andpartvacuumcleanersalesman.rightnow,heisproppedagainsttheco2
scrubber,fastasleepandsnoring.
ontheotherside,crammedintotheremainingspaceisabeardedwide-body
namedlewisbodine,whoisalsoasleep.lewisisanr.o.v.(remotely
operatedvehicle)pilotandistheresidenttitanicexpert.
anatolyglancesatthebottomsonarandmakesaballastadjustment.
cutto:
3ext.thebottomofthesea
apale,dead-flatlunarlandscape.itgetsbrighter,litfromabove,asmir
oneentersframeanddropstotheseafloorinadownblastfromits
thrusters.ithitsbottomafteritstwohourfree-fallwithaloudbonk.
cutto:
4int.mirone
lovettandbodinejerkawakeatthelanding.
anatoly
(heavyrussianaccent)
wearehere.
ext./int.mironeandtwo
5minuteslater:
thetwosubsskimovertheseafloortothesoundof
sidescansonarandthethrumofbigthrusters.
6thefeaturelessgrayclayofthebottomunrollsinthelightsofthesubs.
bodineiswatchingthesidescansonardisplay,wheretheoutlineofahuge
pointedobjectisvisible.anatolyliesprone,drivingthesub,hisface
pressedtothecenterport.
bodine
comeleftalittle.she'srightinfrontofus,eighteenmeters.fifteen.
thirteen...youshouldseeit.
anatoly
doyouseeit?
idon'tseeit...there!
outofthedarkness,likeaghostlyapparition,thebowoftheshipappears.
itsknife-edgeprowiscomingstraightatus,seemingtoplowthebottom
sedimentlikeoceanwaves.ittowersabovetheseafloor,standingjustasit
landed84yearsago.
thetitanic.orwhatisleftofher.mironegoesupandoverthebow
railing,intactexceptforanovergrowthof'rusticles'drapingitlike
mutatedspanishmoss.
tightontheeyepiecemonitorofavideocamcorder.brocklovett'sface
fillstheblackandwhiteframe.
lovett
itstillgetsmeeverytime.
theimagepanstothefrontviewport,lookingoveranatoly'sshoulder,to
thebowrailingvisibleinthelightsbeyond.anatolyturns.
anatoly
isjustyourguiltbecauseofstealingfromthedead.
cutwider,toshowthatbrockisoperatingthecamerahimself,turningitin
hishandsoitpointsathisownface.
lovett
thanks,tolya.workwithme,here.
brockresumeshisserious,pensivegazeoutthefrontport,withthecamera
aimedathimselfatarm'slength.
lovett
itstillgetsmeeverytime...toseethesadruinofthegreatshipsitting
longfallfromtheworldabove.
anatolyrollshiseyesandmuttersinrussian.bodinechucklesandwatches
thesonar.
bodine
youaresofullofshit,boss.
7mirtwodrivesaftdownthestarboardside,pastthehugeanchorwhilemir
onepassesovertheseeminglyendlessforecastledeck,withitsmassive
anchorchainsstilllaidoutintwoneatrows,itsbronzewindlasscaps
gleaming.the22footlongsubsarelikewhitebugsnexttotheenormous
wreck.
lovett(v.o.)
divenine.hereweareagainonthedeckoftitanic...twoandahalfmiles
down.thepressureisthreetonspersquareinch,enoughtocrushuslikea
freighttraingoingoveranantifourhullfails.thesewindowsarenine
inchesthickandiftheygo,it'ssayonaraintwomicroseconds.
8mirtwolandsontheboatdeck,nexttotheruinsoftheofficer's
quarters.mironelandsontheroofofthedeckhousenearby.
lovett
right.let'sgotowork.
bodineslipsonapairof3-delectronicgoggles,andgrabsthejoystick
controlsoftherov.
9outsidethesub,therov,asmallorangeandblackrobotcalledsnoopdog,
liftsfromitscradleandfliesforward.
bodine(v.o.)
walkin'thedog.
snoopdogdrivesitselfawayfromthesub,payingoutitsumbilicalbehind
itlikearobotyo-yo.itstwinstereo-videocamerasswivellikeinsect
eyes.therovdescendsthroughanopenshaftthatoncewasthebeautiful
firstclassgrandstaircase.
snoopdoggoesdownseveraldecks,thenmoveslaterallyintothefirstclass
receptionroom.
snoop'svideopov,movingthroughthecavernousinterior.theremainsofthe
ornatehandcarvedwoodworkwhichgavetheshipitselegancemovethroughthe
floodlights,thelinesblurredbyslowdissolutionanddescendingrusticle
formations.stalactitesofrusthangdownsothatattimesitlookslikea
naturalgrotto,thenthesceneshiftsandthelinesofaghostlyundersea
mansioncanbeseenagain.
montagestyle,assnooppassestheghostlyimagesoftitanic'sopulence:
10agrandpianoinamazinglygoodshape,crashedonitssideagainsta
wall.thekeysgleamblackandwhiteinthelights.
11achandelier,stillhangingfromtheceilingbyitswire...glintingas
snoopmovesaroundit.
12itslightsplayacrossthefloor,revealingachampagnebottle,thensome
whitestarlinechina...awoman'shigh-top'grannyshoe'.thensomething
eerie:
whatlookslikeachild'sskullresolvesintotheporcelainheadofa
doll.
snoopentersacorridorwhichismuchbetterpreserved.hereandtherea
doorstillhangsonitsrustedhinges.anornatepieceofmoulding,awall
sconce...hintatthegrandeurofthepast.
13therovturnsandgoesthroughablackdoorway,enteringroomb-52,the
sittingroomofa'promenadesuite',oneofthemostluxuriousstateroomson
titanic.
bodine
i'minthesittingroom.headingforbedroomb-54.
lovett
stayoffthefloor.don'tstirituplikeyoudidyesterday.
bodine
i'mtryin'boss.
glintinginthelightsarethebrassfixturesofthenear-perfectly
preservedfireplace.analbinogalatheacrabcrawlsoverit.nearbyarethe
remainsofadivanandawritingdesk.thedogcrossestheruinsoftheonce
elegantroomtowardanotherdoor.itsqueezesthroughthedoorframe,
scrapingrustandwoodchunkslooseonbothsides.itmovesoutofacloud
ofrustandkeepsongoing.
bodine
i'mcrossingthebedroom.
theremainsofapillaredcanopybed.brokenchairs,adresser.throughthe
collapsedwallofthebathroom,theporcelaincommodeandbathtubtook
almostnew,gleaminginthedark.
lovett
okay,iwanttoseewhat'sunderthatwardrobedoor.
severalanglesastherovdeploysitsmanipulatorarmsandstartsmoving
debrisaside.alampislifted,itsceramiccolorsasbrightastheywerein
1912.
lovett
easy,lewis.takeitslow.
lewisgripsawardrobedoor,lyingatanangleinacorner,andpullsit
withsnoop'sgripper.itmovesreluctantlyinacloudofsilt.underitisa
darkobject.thesiltclearsandsnoop'scamerasshowthemwhatwasunder
thedoor...
bodine
ooohhdaddy-oh,areyouseein'whati'mseein'?
closeonlovett,watchinghismonitors.byhisexpressionitislikeheis
seeingtheholygrail.
lovett
ohbabybabybaby.
(grabsthemike)
it'spayday,boys.
onthescreen,intheglareofthelights,istheobjectoftheirquest:
a
smallsteelcombinationsafe.
cutto:
14ext.sternofdeckofkedysh-day
thesafe,drippingwetintheafternoonsun,isloweredontothedeckofa
shipbyawinchcable.
weareontherussianresearchvesselakademikmistislavkeldysh.acrowd
hasgathered,includingmostofthecrewofkeldysh,thesubcrews,anda
hand-wringingmoneyguynamedbobbybuellwhorepresentsthelimited
partners.thereisalsoadocumentaryvideocrew,hiredbylovetttocover
hismomentofglory.
everyonecrowdsaroundthesafe.inthebackgroundmirtwoisbeinglowered
intoitscradleondeckbyamassivehydraulicarm.mironeisalready
recoveredwithlewisbodinefollowingbrocklovettasheboundsovertothe
safelikeakidonchristmasmorning.
bodine
who'sthebest?
sayit.
lovett
youare,lewis.
(tothevideocrew)
yourolling?
cameraman
rolling.
brocknodstohistechnicians,andtheysetaboutdrillingthesafe's
hinges.duringthisoperation,brockampsthesuspense,workingthelensto
fillthetime.
lovett
well,hereitis,themomentoftruth.here'swherewefindoutifthetime,
thesweat,themoneyspenttocharterthisshipandthesesubs,tocomeout
heretothemiddleofthenorthatlantic...wereworthit.ifwhatwethink
isinthatsame...isintha
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