Explore the Application of Chinese Traditional Graphics in Modern Graphic Art and Design英.docx
- 文档编号:26139004
- 上传时间:2023-06-17
- 格式:DOCX
- 页数:6
- 大小:18.83KB
Explore the Application of Chinese Traditional Graphics in Modern Graphic Art and Design英.docx
《Explore the Application of Chinese Traditional Graphics in Modern Graphic Art and Design英.docx》由会员分享,可在线阅读,更多相关《Explore the Application of Chinese Traditional Graphics in Modern Graphic Art and Design英.docx(6页珍藏版)》请在冰豆网上搜索。
ExploretheApplicationofChineseTraditionalGraphicsinModernGraphicArtandDesign英
ExploretheApplicationofChineseTraditionalGraphicsinModernGraphicArtandDesign
Abstract.TheChinesenationhasahistoryof5,000years,andalonghistoryoftraditionalculture.Inthetraditionalcultureofthevastriveroftraditionalgraphicsasanimportantmanifestationofcultureandthearts,whichhasbeenconstantlyenrichedanddeveloped.Especiallyinmoderngraphicartdesign,howtoproperlyusetraditionalChinesegraphics,theperfectblendofclassicandstylish,thisiswortheveryplanedesignercontinuetoexploretheproblem.
Keywords:
Traditionalgraphics,Graphicdesign,ProudratherForgotten,Traditionalgraphics,Development
1Introduction
Reasonableapplicationoftraditionalgraphicsingraphicdesignhasaveryimportantsignificance.Itcanenhancetheculturaltasteofmoderngraphicdesignworks,andenhancetheculturalconnotationofmoderngraphicdesign,andmoreinlinewiththephilosophyofcontemporarymulticulturalconducivetotherealizationofsocialistculturethegreatdevelopmentandprosperity.Therefore,weshouldattachgreatimportancetotheChinesetraditionalgraphicsinmoderngraphicdesign.
2OverviewofDevelopmentoftheTraditionalGraphics
Ourtraditionalgraphicshavealonghistory,alonghistory,alargenumberofdifferentstyles,asearlyasinprimitivesociety;itsdevelopmentreflectstheoriginalreligiousunderstandingandbuddingself-awareness,abstractgraphicstolevyallegorical.ShangandZhoudynastiesgraphicsreflectthestrange,strictlook.InHanDynasty,duetochangesintheideologicaldevelopment,traditionalgraphicsbegantoappearquaint,Hungthickstylecharacteristics.IntheTangandSongdynasties,withahighdegreeofdevelopmentofthepolitical,religious,philosophical,economic,traditionalmoralofthegraphics,symbolicallyreinforcedauspiciousconcepthasbeenstrengthenedduringthisperiod,suchasPOphaseflowerTanggrasswithauspiciousmeaningnationalcharactergraphics.AftertheTangDynasty,duetosocioeconomicdevelopment,thesecularizationofsociallife,thetraditionalgraphicsawiderangeofdiverseperformancepractices,stylizedgraphicsdevelopmenttrends,decorativeemphasisongraphics,emphasizethegraphicsenseofdiversity,lucky,thusthequestforgoodluck,thespeciesintheQingDynastyreachedtheextremityofthe"patternwillbeinterested,Ibicesauspicious".Traditionalgraphicsarewidelyusedinsculpture,architecture,craft,design,printinganddyeing,embroidery,folkartandotheraspects,theformationofethniccharacteristicsArtDecodesignsystem. 3TheChineseTraditionalGraphicswithModernDesignIntegrationProblems
3.1TraditionalGraphicswithBeautifulContact
TraditionalChineseaestheticsemphasizedtheharmonyandunityoftheUnitedStates,thateverythingisaharmoniousandunifiedwhole,theemotionsofthepeoplegiventheformofmatter,by-lyricaltoshapefreehand,Vividly.Becauseofthis"Heaven,"theoverallviewoftheworldandthethingsIsameaestheticideas,formsofartisticexpressioninChina"writereal"heavy"vivid."Itfocusesontheoverallshapeofthemomentum,ratherthantheunavoidablyoverallobjectiveobjectdescribed.Someaestheticideologyoffuturegenerationsalsohasafar-reachingimpact,manyartists’aestheticideal,aesthetictasteistheword"and"atthecore.3.2TheValueoftheTraditionalNationalCultureMultiplicity
SuccessfuluseoftheChina-USnationalfolkfactors,wefirstaskeddesignerslovethisnation,tounderstandandbecomefamiliarwiththisnation,sothatitcanmakeusrichaestheticideas,diversetraditionalgraphicsandtechnology,design,andthelawsoftheUnitedStatesfurtherunderstanding,fromnutritionandnewinspiration.Thedesignistheemotionalexpression,anditrequirestheaccumulationofexperienceandaburstofinspiration.Theonlytrulyloveournationandtoappreciateournationalaesthetic,itwillbringusendlessinsightsinspiremoreinthepracticeofdesignthinkingsparkinnovationanddesignresearchtoanewlevel.
4StrengthentheApplicationofTraditionalChineseGraphicsinModernDesignCountermeasures
4.1TraditionalGraphicsProfoundaretheSourceofOurInnovations
Chinahasfivethousandyearsofhistory,astheancientcivilizationsoftheOrient,formedtheirownuniquetraditionalgraphics.OutlinestyleoftheemblemoftheBeijing2008OlympicGames,istakenfromthetraditionalChinesesealstyle,fullyembodiestheorientalfeatures,hasonceagainprovenmoreethnicthingsthemoreinternational.
4.2ChineseTraditionalGraphicswithModernDesignMustbeInnovative
Traditionalgraphicswithmoderndesigntohavevitality,tore-rejuvenatemustfurtherincreasetheirintegrationefforts,toconsiderthemulti-facetedproblem,theuseofdeep-seated.Forexample:
ShenzhenWankefifthparkintheoveralldesignofthebuildingandlandscape,theuseoftheelementsoftheHuizhouarchitectureandJin-gardenarchitecture.ButitisworthofmentioningthatWankeFifthParkdoesnotsimplyretroandcopy,butasolutiontypeinheritance,traditionandmoderndaysofChineseandWesternwell-craftedandcombinedinordertocreateatraditionforChinesepeoplelivingresidenceenvironment,butalsoinlinewiththemodernlifestyle.Itiseasytoevokeastrongnostalgia,toproducepsychologicalresonance,atraditionalChinesearchitecturalformapproximationoftheinternalboreastrikingresemblancegoodresult. 5ModernGraphicDesignGraphicsApplicationExamples
5.1TheOriginalGeometry
Inthegraphicdesign,wecanseealotofuseofthegraphicsintheoriginalgeometricabstractpatterns.MostoftheoriginalgeometryevolvedfromBird,frogpattern,withFish.Thedesignerformedthroughaprocessofdeconstructionandreconstructionofitsstylingelementsofvisuallanguageinthemodernsense,toconveytheflavorofthetimes,moderndesignwithaheavyculturalandnationalidentity.SuchastheHaitianSecuritiesCompanylogodesign,usingthetraditionalwaterlinespatternsofYinintheChinesehistory,theShangDynastybronzesdesignelementsconstitutethebasicshapeoftheancientcoins,fourwavescorrespondingtoexpresstheconnotationofHaitongSecuritiesrichresourcesthroughtheseas.Theflagwavesgraphicalend-to-endcycle,consistentwiththemeaningofthenameofHaitongSecuritiesandaccurateimageofthesecuritiesindustrycharacteristics.(Figure1)
5.2EasternPhilosophySymbol
Weusuallysaythegraphics,mainlyfromEasternphilosophyconceptreferstobothabstractsymbolsof"TaiChi"and"BaGua"."TaiChi"graphicblackandwhitecomplementarytwocyclotronmotiongraphics,imageexpressionoftheyinandyangrotation,S-lineisthemostuniversallyrecognizedformsalllinesbeauty."BaGua"graphicistheancientChinesephilosophyofConfucianismdiscussesallthingschange"BookofChanges"witheightsymbols,equaltoitsarea,thesameshape,butalsohasthedirectionreversedblackandwhitedifferentcharacteristics,ingraphicformisshapedandnegativeshapedduplication,interdependentandmutuallycontradictoryconnotations.FamousHongKongdesignerAlanChangraphicsdesignthelogofortheSeibuDepartmentStore,taichigraphicsevolvedintotheCompanyEnglishname"SEIBU"S"Beasdiagramrepresentingthephilosophicalconceptofyinandyang,isthesummaryoftheChinesepeopleappreciatetheexperienceoftheuniverse,observation"Everythingnegativeyinandyang."(Figure2)
5.3NationalsAuspiciousGraphics
Thenationalmascotgraphicsareblendingpatternauspiciousmeaning.Peopleseeapatternimage,butmyheartfeltalanguageotherthanimage.Peopleareobsessedwithnationalauspiciousgraphicsmodeling,butalsobecausethe"meaning"behind.Regardlessoftheancientsormodern,betterthingstofeelthesameyearning.Byspecificimplicationandcancauseculturalresonanceauspiciousgraphicsappliedtographicdesign,acombinationofthetraditionalandthemodern,fullofhistoricalsignificancegraphicsembeddedinmodernhumanismandculturalconnotations. ChinaUnicomsignsderivedfromBuddhistEightauspiciousone"disclongshape,whicheverUnicomCommunicationsBusinessnointentiontoextendalonghistory,going,complementary"toexhaustivelongtime,symbolizeseverlasting.Foursquaresintheshapeofthelogoareeasilyaccessible,meaningallthebest;sixcircularroutesofinterlinkedeverywhereintendedsmoothly;themiddletenemptyoffestiveandperfectmeaning.Therefore,theentirelogoisfilledwithairtheancientorientalcirculatedauspicious.(Figure3)
ThesidewindpatternsinthesquarethepressureangleXiangdiefromgraphics,inancienttimesasauspiciousthingwidelyusedforavarietyofdesignpieces.KanTai-Keung-FreemanLauDesignCo.,Ltd.logoistouseonbehalfof"concentricdoubletogether,communicatewitheachother"sidewins,asthebasicdesignelements,beenshapedextractionderivativerecyclingcomposedofgraphics.Thepartyistheearth;asymbolofdesignisbroad.(Figure4)
5.4TheTraditionalChineseCharacterGraphics
InChinesehistoryandculture,theimageofChinesecharacters,thecharactersbecomethemostimaginativetraditionalgraphicsmostgeneralabstractgraphics.Intheevolutionof5,000years,theChinesecharacterglyphchangingshapeandmeaningtoeachother,andcontinuetodevelopwiththepeople'sculturalbeliefs,visualmentalapplicationandaestheticneeds,developedintoahighlysymbolicpictographic,imageofthewrittencharacters.Chinesecallig
- 配套讲稿:
如PPT文件的首页显示word图标,表示该PPT已包含配套word讲稿。双击word图标可打开word文档。
- 特殊限制:
部分文档作品中含有的国旗、国徽等图片,仅作为作品整体效果示例展示,禁止商用。设计者仅对作品中独创性部分享有著作权。
- 关 键 词:
- Explore the Application of Chinese Traditional Graphics in Modern Graphic Art and Design英 Design
链接地址:https://www.bdocx.com/doc/26139004.html