人教部编版八年级(初二)语文上册第25课《-诗词.ppt
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人教部编版八年级(初二)语文上册第25课《-诗词.ppt
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25诗词五首,漫步在古诗苑中,那纷繁复杂的感情、博大精深的思想,深邃悠远的意境、精彩优美的语言深深地吸引着我们。
今天,就让我们一起来欣赏这五首古诗,相信这边风景独好。
饮酒(其五)陶渊明,了解五言古诗的体裁特点,识记作家作品,背诵并默写诗歌。
(重点)反复诵读,品味重点字、句的含义,理解诗意,体会诗人的思想感情。
(难点)感受诗歌的魅力,陶冶情操,提升文化素养。
(重点),状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,陶渊明(约365427),一名潜,字元亮,私谥靖节,世称靖节先生,因宅边曾有五棵柳树,又自号“五柳先生”,浔阳柴桑(今江西九江)人,东晋诗人。
他的诗主要表现对污浊现实的厌烦和对田园生活的热爱,他是田园诗派的鼻祖,被称为“田园诗人”。
代表作有饮酒归园田居桃花源记五柳先生传归去来兮辞等。
本诗选自陶渊明集卷三(中华书局1979年版)。
陶渊明辞官归隐后,写了不少描述田园生活,反映归隐自洁的人生追求的诗作。
本诗是其中具有代表性的一首。
结庐在人境,而无车马喧。
问君何能尔?
心远地自偏。
采菊东篱下,悠然见南山。
山气日夕佳,飞鸟相与还。
此中有真意,欲辨已忘言。
饮酒(其五),陶渊明,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,饮酒(其五)陶渊明结庐在人境,而无车马喧。
建造房舍。
结,建造、构筑。
庐,简陋的房屋。
诗意:
在喧嚣扰攘的尘世建造房舍,却没有车马的喧闹。
喧嚣扰攘的尘世。
指上层人士之间的交往。
问君何能尔?
心远地自偏。
如此,这样。
诗意:
要问我如何能够做到这样?
心里远离世俗,自然就觉得住的地方偏僻安静。
偏远,偏僻。
结庐在人境,而无车马喧。
问君何能尔?
心远地自偏。
人境,点明归隐之所。
车马喧,是官场你争我夺,互相倾轧的写照。
心远,指心志高远,淡泊名利,宁静处世等。
自问自答,言语之间尽显自豪和自足之情。
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闲适淡泊的样子。
诗意:
(我)在东篱下随手摘摘菊花,闲适淡泊地欣赏南山胜景。
东边的篱笆。
请赏析这句诗。
这两句诗妙手偶得,浑然天成,诗人悠闲地在篱下采菊,抬头见山,是那样怡然自得,那样超凡脱俗,以景物衬托诗人的闲适。
“悠然”形象地写出诗人所见所感非有意寻求,而是不期而遇,写出了诗人远离世俗后心灵的自得、闲适、恬淡。
“见”写出了诗人不经意间看到南山美景的随意与自然,体现了诗人内心与自然的契合,达到了物我合一的境界。
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此中有真意,欲辨已忘言。
相伴。
山间的云气。
诗意:
傍晚山色秀丽,鸟儿结伴归巢。
这里边有人生的真谛,想要分辨清楚,却不知怎样表达。
辨识。
傍晚。
山气日夕佳,飞鸟相与还。
此中有真意,欲辨已忘言。
分析“此中有真意,欲辨已忘言”两句诗的作用及含义。
这两句是全诗的总结,点明诗歌主旨。
“此中”指此时此地的情和境。
“真意”指诗人从自然与人的和谐景象中悟到的自然意趣,它包含了大自然淡泊闲逸、自由随性、各有所归的意趣,也包含了物我合一、人与自然融为一体的境界与追求。
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陶渊明酷爱田园生活的宁静和自由,厌恶官场的虚伪和狡诈。
为了生计,他几次出仕,但都极不情愿,最后终于解职归田,永不出仕。
这里所说的“车马”指达官贵人的轿乘,也就代表着官场烦琐的应酬和功利性极强的交往。
归隐田园,虽说仍然,离不开“人境”,但却没有了这样的烦扰,所以诗人说“而无车马喧”。
“心远地自偏”,实际上道出了感觉与处境之间的辩证关系:
隐居主要是追求一种精神上的自由境界,而不在于居所是否偏远。
因为作者心情闲适,心志高远,所以虽居闹市却觉得偏僻安静,这两句体现了作者酷爱田园生活的宁静、自由,厌恶官场的黑暗虚伪的思想感情。
1.情景相融,意境深远。
如“采菊东篱下,悠然见南山”两句,这“悠然”不仅属于人,也属于山。
人闲适而自在,山静穆而高远,寓情于景,自然醇美。
2.语言朴素,结构严密。
前两句写对安静生活的追求,第三句承上发问,第四句回答作结。
最后两句直抒胸臆,从自然景色中领悟到生活的真谛,脱口而出,不事雕琢,自有神韵。
春望杜甫,了解与作者相关的文学常识,背诵并默写诗歌。
(重点)理解诗意,学习本诗情景交融的写法。
(难点)体会诗歌中表达的感时伤别、忧国思亲的情感。
(重点),杜甫(712770),字子美,自称少陵野老,世称杜工部、杜少陵等,唐代伟大的现实主义诗人。
他的诗记录了唐代由盛转衰的历史巨变,表达了崇高的儒家仁爱精神和强烈的忧患意识,因而被誉为“诗史”,他也被后人尊为“诗圣”。
他的诗作登高茅屋为秋风所破歌以及“三吏”和“三别”等都是脍炙人口的名作。
本诗选自杜诗详注卷四(中华书局1979年版)。
这是杜甫安史之乱期间在长安所作的。
天宝十四载(755)十一月,安禄山起兵叛唐。
次年六月,叛军攻陷长安,唐玄宗匆忙逃往四川。
七月,太子李亨即位于灵武(今属宁夏),世称肃宗,改元至德。
杜,甫闻讯,将家属安顿在鄜州(今陕西富县),只身前往灵武投奔肃宗,途中为叛军所俘,遂困居长安。
因他官职卑微,所以未被囚禁。
至德二载春,身处沦陷区的杜甫目睹了长安城一片萧条零落的景象,百感交集,便写下了这首传诵千古的名作。
春望杜甫国破山河在,城春草木深。
感时花溅泪,恨别鸟惊心。
烽火连三月,家书抵万金。
白头搔更短,浑欲不胜簪。
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感时花溅泪,恨别鸟惊心。
国都,指长安。
破:
陷落。
诗意:
长安城已经沦陷,山河依旧存在,春天的都城草木丛生。
感伤时事,花儿都痛哭流泪;怨恨离散,鸟儿心惊胆寒。
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白头搔更短,浑欲不胜簪。
古时边防报警的烟火。
这里借指战争。
相当,值。
抓,挠。
稀疏。
简直。
一种别住发髻的长条状首饰。
诗意:
战火连绵,整整三月不断,(家人的音信断绝)一封家信抵得上万金。
满头白发越抓越稀少,简直连簪子也插不了。
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有什么作用?
颔联在首联描写的基础上,运用了拟人的修辞手法,抒发了离别的伤感,字字痛彻心扉,悲伤之情跃然纸上。
2.赏析“烽火连三月,家书抵万金”这一名句的妙处。
在战火连绵不断的日子里,消息隔绝。
作者用“抵万金”来形容家书的珍贵,写出了诗人因消息隔绝,久盼家人消息却音讯不至的急切心情,表达了对妻子儿女的强烈思念,能激起人强烈的共鸣。
3.品味尾联的妙处?
“白头”表现了诗人日益衰老,一个“搔”字写出了诗人因愁闷而频频挠头的情状,“更短”体现了愁的程度。
诗人通过写头发的变化,表现了忧愁万分、憔悴不堪的情状,含蓄生动地表达了诗人忧国伤时、念家悲己的思想感情。
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国破草木深触景生情所感:
花溅泪鸟惊心寄情于物,念家人境况,期盼:
家书万金夸张忧愁:
白发不胜簪细节,忧国伤时,念家悲己,这首诗描写了春日长安城凄惨破败的景象,抒发了诗人挂念亲人、心系国事的感情,表达了诗人热爱国家、眷恋家园的情操。
1.如何理解春望一诗中诗人的形象?
读了全诗,我们仿佛看到:
诗人站在残破的长安城中,目睹春华,耳闻鸟啼,感伤国事,思念妻儿,潸然泪下。
他希望战乱早日平息,他盼望得到妻儿的消息。
他抓了抓那因忧伤而日渐稀少的白发,发现白发稀少得都有些插不住簪子了。
一位挂念亲人、忧国忧民的诗人形象跃然纸上。
2.“感时花溅泪,恨别鸟惊心”这一联可作两种解释:
诗人因伤感时事,见花而落泪,听到鸟鸣而感到惊心;以花、鸟拟人,花感时而落泪,鸟恨别而惊心。
你赞成哪一种解释?
理由是什么?
1.触景生情,意境深沉。
春望一诗前四句重在绘景(山河、草木、花、鸟),但景中有情(破、深、溅泪、惊心),而且景中有意(感时、恨别)。
后四句重在抒情,是借事抒情(断“家书”,搔“白头”),情中自有景。
时代之悲愤、骨肉之深情,郁积胸中,诗人不肯直抒,而是寄寓在花鸟等景物与搔头的细节中,创造了含蓄深沉的诗歌意境,令人回味无穷。
2.用词传神,动人心魄。
“国破山河在,城春草木深”中“破”字使人触目惊心,“深”字令人满目凄凉。
颔联“溅”“惊”体现了诗歌语言的动态美,寄托了诗人强烈的情感。
颈联用“抵万金”来形容“家书”的珍贵,表达了他对妻子儿女强烈的思念。
尾联“白头”而又稀疏到“不胜簪”的地步,其苍老之态可以想见。
他苍老得这么快,完全是忧国、伤时、思家所致。
雁门太守行李贺,识记作家作品,背诵并默写诗歌。
(重点)反复诵读,品味诗歌的语言,学习这首诗的写法。
(难点)感受诗人的爱国情怀,学习诗人的爱国精神。
(重点),李贺(790816),字长吉,福昌(今河南宜阳)人,唐代诗人。
世称李长吉、李昌谷等,与李白、李商隐三人并称唐代“三李”。
代表作有雁门太守行李凭箜篌引等,有昌谷集传世。
本诗选自李贺诗歌集注卷一(上海人民出版社1977年版)。
李贺生活的中唐时代,藩镇割据,叛乱此起彼伏,发生过多次战争,国家的安定和统一受到严重威胁。
从有关雁门太守行这首诗的一些传说和材料记载分析,诗作可能是在平定藩镇叛乱战争这一背景下写的。
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角声满天秋色里,塞上燕脂凝夜紫。
半卷红旗临易水,霜重鼓寒声不起。
报君黄金台上意,提携玉龙为君死。
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