西方音乐史笔记Notes on the history of western music.docx
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西方音乐史笔记Notes on the history of western music.docx
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西方音乐史笔记Notesonthehistoryofwesternmusic
西方音乐史笔记(Notesonthehistoryofwesternmusic)
Notesonthehistoryofwesternmusic
First,thestylefeaturesofthetimes
(a)MedievalMusicfor476-1300years
Contributedtothetheoreticalexplorationoftheearlychurchmodenotationform1.GrayGregorianchant,tochantbaseddevelopmentfollowingthedescribed,additionalsectionandfar-reachingpolyphony
2.GuidoinventedsolFA,summedupthefourline
3.inthe"Francomusicart"intheamountoftheamountofnotationprinciple.
4.ChristianmusicformsGothicstyle
5.secularsingingmusicisthefocusofsecularsingingindifferentcountries
6.organ,VielYisi,violin,harp,roundbrushharp,lute,fluteSalter
(two)musicduringthenewartperiod:
1300-1450(transitionfrommedievaltoRenaissance)
1.Franceveteri"newart"inaBookagainstNotreDamedeParisastherepresentativeoftheschooloftheGothicstyleofancientart,advocatingsecularsongswrittenlanguage.
2.newartadvocatethereformofFranclnotation,usingatwotimeproportion.
3.GrayGregorianchantcantus,usedtochantaTaliarhythmicpattern,arecurringmelodycalled"keller"
(three)Renaissance1450-1600
1.thinkersandartistsbelievethatintherevivalofancientGreekandancientRomeculture,concernedaboutthesalvationofthesoul,butalsoyearningforsecularenjoyment.
Thecreationofnew2.BurgundianandtheflamencomusicthroughoutEurope
3.religiousreform,Protestantism,chant,nationalandsecularfactorsinreligiousmusic
4.begantouseasyllableinsemitone
5.,theverticalstructureofharmonyismainlycomposedofthreeandsixchords,andthebasshasharmonicfunction.
6.vocalmusicworkshavetwocombinationsofPolyphonyandmelody
7.,makemusicadapttotheform,expressionandcontentofthelyrics,andformtheideaandmethod,thatis,thewordisthemasterofthemusic
8.theideathatthesametoneisbeautiful
9.musicscoresusingbarlines
(four)Baroqueperiod(1600operawasborn,-1750Bachdied)
1.:
sincetheoriginalPortuguesebaroquepearl,irregularshape,theoriginalfortheseventeenthCenturyItalyarchitecture,musicandotherartsofthisperiodhavesimilarcharacteristics,magnificent,fullofpassion,fullofvitality,emphasizingemotionalexpressionanddramaticcontrast,notethedetailsofdecoration.
2.thebirthofoperaandthedevelopmentofinstrumentalmusicsymbolizedtheestablishmentofanewstyleofbaroque.
3.,twokindsofcompositionmethodoftheconventional:
MongolianTverputforward"twokindsofconventional"idea,"thefirstroutine"-harmonyisthemasterofthelyrics,"secondconventional"lyricsareharmonymaster-fromPlaton.
4.tonebass(Bassocontnuo):
thereisanindependentlowvoicethroughouttheentirework,abovewhichthereisagorgeousandrichlydecoratedsoprano
5.,thesizeofthesystemmature,insteadofthechurchmode.
Themiddleofthe6.17century,barsareused,C,G,Fthreeclefsclosetomodern.
7.thetheoryofemotion:
thefactorsofeachkindofmusicareemotional.
8.vocalopera,oratorio,Cantataandothernewgenre
9.,instrumentalcreationhasbeenthedominantposition.
(five)classicalperiod(1750-1800);
1.advocatingreason,
Payattentiontoemotionalconstraintsandharmoniousbalance
2.,thesizeofthefulldevelopmentofthesystem
3.,themaintuneplaysanimportantroleinthebody,bassandharmoniesplayaroleintheaccompanimentoftheBettybass.
4.,themelodicstructureisoftensquareanddifferentfromtheBaroquemovement.
The5.paceoftheformationofperiodicstructure,thethemeisthemotiveofdevelopment,strength,speed,meticulousarrangements,crescendodiminuendo
IneighteenthCentury30-50's6.classicalstyleandBaroquestylecoexist,comicopera"Laixi"andthemaidhousekeeperpergetheearliestSaMaldiniSymphony"firstsymphony"wasmadein30s,beforetheBakhd"massinBminor"andHandel's"Messiah"
(six)romanticism1790-1910
ItcoversfromthelaterworksofBeethoven,Rossini'sopera,Schubert'sartsongs,Schoenberg"discordantsoundearlyworksbeforeliberation",andtheworksofRichardStraussare"modernism"rejected.
1.romanticismhastheinnovationandtheinheritancetoclassicism,thesystemofharmony,theharmonysystem,therhythmandthemusicalformstandardandsoonarebasicallythesame.
2.MelodyLyricphrasestructuregreatlystrengthened
Thefrequentuseof3.tonalmusic,andafarrelationshipmodulation,thevaguesenseofadjustment,strengthenthefunctionalharmonyofcolorchanges.
4.,thecontrastofdynamicsandspeedisvaried,andtheformandstructuretendtobefree.
The5.orchestrationtherapiddevelopmentofthenationalcharacteristicsofthemusicvocabulary.
(seven)twentiethCenturymusic
A.ImpressionistMusic(impressimism),Debussy(France)
1.prominentmomentsubjectivefeelingsandtheintuitiveimpressionthatthemusichasavague,dreamy,elegant,quietatmosphere
2.melodiesarenolongerdominant,andrarelyappearasshort,fragmentary,fragmentarysubjectmotivesinthepresenceoflong,lyricalexpressions.
3.,therichcolorofharmonyisthemostimportantmeansofexpression,andgetridofthebigminorsystem.
4.,themusicstructureislooseandfree,andthechangeofparagraphboundariesisobscure.
B.NeoClassicism
Stravinsky,Himdemith
1.,rejecttheemotionalexpressionoftransition,askforcalmrestraint,opposethesubjectiveconsciousnessofexpansion,andpromoteobjectivestability.
2..TherevivalofBaroquemusic,apreferenceforclassicalSonatas,concertos,andchambermusic.
3.,thepursuitofformalstructureofsymmetry,perfect,condensed,refined,musicalfabricclearconcise.
4.,lessuseofthesubjectofcontrast,conflictandthesplitdevelopmentofmotivation.
5.withoutpreparationoftheorchestra,hobbybandfreecombinationoftheeffectofchastity.
6.imitationandimplicationofpreviouscomposers'works.
7.newclassicismisnotreallybacktotheclassicalandBaroquestyle,becausethemusicianhasdifferenttargetsofart,haveavarietyofnewtechnologies,suchasfreeuseofdiscordantsound,tonality,rhythmcombinationcomplexwidely,socallednewclassicism.
C.Expressionistmusic
1.,theinnerfeelingstotheoutsideworld
2.,abandonalltraditionalmethods,abandontonalityprinciple,adopt"notonality""
3.MenginventedtheconceptofthedevelopmentoftwelvetoneTechnology
D"twelvetonemusicSchoenbergwayburnBerg
Thedependencebetweenthetwelvetonenegative,negativetonicbasicandleadingstatusandasoundfunctionorientation,dependingontheirinterestsatthecomposer"twelvetone"sequencearrangement
Two,eachfaction
(1)Medieval476-1300
TheGothicstyleandNotreDameSchool
AGothicstylereferstotheoriginalarchitecturalstyle,representingtheGothicNotreDameSchoolisthecreationofpolyphonicmusic,flowingmelodyintheheavybassbackdroptohover,causingvastsenseofspace,togetherwiththeGothicvault.Representative:
Perota,Laiaonan
(two)thenewartperiod1300-1450
Burgundy(Bwrgandianschool)
TheearlyRenaissanceinEuropenorthofthefirstgenerationofcomposerscalledBurgundiancomposers,orburgundyschoolformusiciansactivitiesconcentratedintheterritoryoftheDukeofBurgundy,PhilipofBurgundyperiod,palacemusichasahighreputationandinfluenceinEurope,thesong,themassislooseisthemainmusicgenreofBurgundy,Maxistheestablishedmassgenre.Representative:
douffet1400-1470"Rose"isnotlongago,Binchois1400-1460
(three)Renaissance1450-1600
1.nelherlandsschool(Fleindschool)
ThemiddleofthefifteenthCenturyfromFlandersinnorthernEuropemusiciansactiveinEurope,inaleadershipposition,haveasignificantimpactonthenationalmusicculture,soitiscalledthenelherlandsschool.
Representative:
thefirstgeneration(1425-1497)",Ockeghemmissa"
Thesecondgeneration,Joskan(1440-1521)theAveMaria,thegreatestmusicianofthegeneration,thefatherofmusicians"
2.Romeschool:
ThemiddleofthesixteenthCentury,YipalesitelithecreationandformationofaFlemishmusicvocalpolyphonybasedonemotion,inhibitionofserenemusicstyle.Representative:
GiovanniPierluigiDaPalestrina(1525-1594)"mass",PopeMarcelloJappointedLeah(1548-1611)
3.Veniceschool:
VenicemusicactivitycenterofSanMarco'sCathedral,1527FlemishcomposerWillaertservedasthechurchmusic,hisstyleofFlanderstoVenice,hastrainedseveralgenerationsofcomposersinItaly,foundedtheVeniceschool.
Representative:
willaerts(1485-1562)Jiabuliaili(1515-1586)
(four)Baroqueperiod(1600-1750);
Bolognaschool:
ThesecondhalfoftheseventeenthCenturytothebeginningoftheeighteenthCentury,inthenortherncityofItalyPapalBasilicaofSaintPeterinBolognaasthecenter,anumberofcontributionstotheinstrumentalmusiccomposer,knownasBolognaschool,stylecharacteristics:
avoidexaggerationskills,payattentiontothestructureandexpressionofbalanceclearbeautiful.
Representative:
1.Gabrieli:
firstcellofromcontinuoindependent,asasoloinstrument,ricercariisthefirstsolocello
2.Corelli:
distinguishedviolinistandconductor,thefirstcomposertowriteinfullmajor.
3.:
thefirstwrittenVivaldiConcertoforFluteandclarinetbycomposer,
ThegreatestcontributiontoBaroqueconcertos.
4.Kazhadi:
BolognaSchoolofmusiclong
5.Vitale
(five)classicismperiod1750-1800
1.NorthGermanMusicComposer:
Berlinpalace,aschoolin"emotionalism"emphasizestheexpressionofemotionandtheformation,inthesymphony,withthehighestachievementsofBachgrawn.
2.MannheimSchool:
Mannheimpalaceisoneo
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