国外经典人头贴图绘制Word文档格式.docx
- 文档编号:22839179
- 上传时间:2023-02-05
- 格式:DOCX
- 页数:25
- 大小:686.97KB
国外经典人头贴图绘制Word文档格式.docx
《国外经典人头贴图绘制Word文档格式.docx》由会员分享,可在线阅读,更多相关《国外经典人头贴图绘制Word文档格式.docx(25页珍藏版)》请在冰豆网上搜索。
Whenpaintingalivehumanskin,Ialwaysbeginwithabaselayerofcrimsonredasaquickrepresentationofthebloodbeneath.AsIbuildcolorlayersontopofthis,Ifeelthattheredalwaysshinesthrough,evenifverylittle,givingskinaplushcoloration.90%oftexturecreationrestsin'
nailing'
thecolors,andthisstepseemstoalwayshelpmegetthere.
IusetheoverlaidUVlayoutasaguideformydark(neverblack,alwaysdarkdarkblue)guidelineswhichshowmewherethelandmarksofthefaceare.It'
saprocessoftrialanderror-repeatedlycheckingthelayoutofthelinesonthemodeluntilIfeeltheyprovideasolidstructureformetomoveforward.Thisparticularcasetookmeahandfuloftimestogetright.
Iusuallymarksectionsofthefacewithlines,andareasthat'
llreceivelightertintswithaclosedshape.
Belowisthesecondphaseofmytexturing-coloringinthelines!
Thisstagerequiredtheleastamountofthought,asallthethinkinghadalreadybeendone(drawinglinesontheface).AllIdidherewasmakeacoupleskintoneswatches(amidandlighttone),andpaintontopofmy'
blood'
layer.I'
mnowgoingtorefertothatlayerasthe'
baselayer'
fromhereonout.
Asyoucansee,thecrimsonisstillshowingthrough;
more-soincertainplaces.SomethingtorememberaboutworkingatextureinPhotoshopisthatitcanalwaysbechanged.Thesecolorchoicesaren'
tbindinginanyway-allchangingcolorrequiresisasimpleplaywiththehueslider.
'
Ballpark'
nitworks.
Afterthecolorwaslaiddown,Ismootheditoverwiththesmudgetool.Inthiscase,togetatruesmudge,Iwentinto'
Brushes'
-->
'
ShapeDynamics'
andunchecked'
Spacing.'
Thismakestheblendtoolblend,insteadofpushingcoloraroundonthecanvas(easieronyourcomputeraswell).Albeit,keeping'
Spacing'
onhasitsuses,butnotinthisstageofthegame.
Continuingworkonthebaselayer,Istayedwithinthesamecolors,andpaintedupformsalittlebit-mainlyonthelighterendofthespectrum.Thegoalfromhereonoutwastokeepdefiningandrefining.Sotherewasalotofpainting,andjustasmuchsmudgingwith'
turnedon,toeasilypushformsaround.
Ihavebroughtoutthecranium,anddefinedthejawlineabitmore.TheSCMmuscleoftheneck(sideoftheneck)washitwiththelighterskintone,asthatisamajorlandmarkoftheneck.
Theupperandlowereyelidswerequicklydefinedbyrunningthelighterskintoneoverthem.Alsobroughtoutanotherareaofimportance-thefoldofskinontheupper/outsideoftheeye,wheretheeyesocketoftheskullrecedesbackinspace.
Thebridge,tip,andsidesofthenosewerebroughtoutwiththelighterskintoneaswell.Onthispart,Iwantedtobeginthatsenseofskinbeingwrappeddirectlyoverbone,whichiswhyIhaveleftthesideofthebridgerelativelydarkerthantherestofthenose.Thenotsrilwasquicklytaggedwithadark'
rose'
color.
Aquicknoteaboutthe'
colorofthenostril:
adominantthemeinmytexturecreationistotryandkeepeverythingrelative.Forinstance,Ididn'
tchoosethe'
colorbygrabbingacolorfrommyswatchpalletteandadjustingfromthere.Instead,Ieyedroppedthepinkfromtheundersideofthenose,broughtthevalueandsaturationdown,andadjustedslightlytohighermagentaonthehueslider.
Itrynottointroducetoomanybrandnewthingstomytextures,asitmakesminelookveryrandom.
Continuingworkonthebaselayer,Idecidedtheoverallappearancewasgettingtoolightinvalue,soIgaveitalittlemorebasebyslidingthemiddlehandletotherightinthe'
Levels'
window.
Definingandrefining'
wasstillmytoppriorityatthisstage.Ibeganbringingoutmorelandmarksoftheskull.Usingthe'
PolygonalLasso'
toolwithfeatheringsetto4,Imadeaselectionwheretheeyesocketoftheskullis.Whilethisportionofthebaselayerwasselected,Iran'
Image'
Adjustments'
Hue/Saturation'
slidthehueallthewaytocyan,anddarkeneditabit.Immediatelyafterwards,Iwentto'
Edit'
FadeHue/Saturation'
settheblendingmodeto'
multiply'
atabout5%.Thiswholeprocessdarkenedtheeyesocketareaalittle,andmovedtheoverallhuerelativelytoahigheramountofblue.
Tofurtherbringouttheeyelidsandthebagundertheeyes,Iselectedthemeanofthenewlycreatedblue'
ishskintone,ranthevaluesliderclosertoblack,andsketchedthemin.Togetthelightercoloratthetopofthebottomeyelid,Iselectedthesamemeancolor,ranthevaluesliderclosertowhite,uppedsaturation,andranthehueslidertowardsmagenta.
Theeyesocketwasdefinedmorebypaintingadarkskintonestreakatthe'
5o'
clock'
positionofthesocket.
Iquicklylandmarkedthenostrilandtopofthechinbyselectingthoseareaswiththepolygonallassotool(nofeathering).Oncethosewereselected,Iusedthesmudgetooltopushthecolortotheborderoftheselection(outsideofnostrils,topofchin).Inversingtheselection,anddoingthesamewasdoneaswell.ThepurposeofthiswastogetclearlydefinedareasthatIcaneasilyseewhiletakingthetextureforward.
SmudgingcoloraroundwasdoneasIsawfit,tofurtherbringoutandenhancefacialfeatureshapes.
Continuingworkonthebaselayer,Idecidedtheoverallappearancewasgettingtoopinkinhue.Toremedythis,Iwentintothe'
hue/saturation'
windowandslidthehuebarclosertoyellow.
TheearwasquicklydefinedbyusingthesamelightanddarkskintonesIstartedthetexturewith.Theseinitialhuesaremoretothemagentaendofthespectrum,andsinceIjustranthebaselayerclosertoyellow,itwillmakeforsomesubtlevariation.
Otherareasofthetexturewerelightenedbyusingthelightskintone-mainlyonthejawlineandeyesockets.Thejawwasreadingastoodarkandsaturated(probablyfromthepreviouslevelsadjustment),andtheeyewasreadinglikemydudejustgotdealta'
shiner.'
Theseareaswerepaintedoverwiththeairbrushsettoalow(5-10%)opacity,astoallowoldcolortoshowthroughformorerichness.
Aftersteppingbackfromthemonitorandnoticingthatthetexturewasconsistingpredominantlyofredsandyellows,Idecidedtobrieflystrayfromkeepingitrelative.Iranupalightolivegreencolor,andbeganaddingittosomeoftherecededareas,usingtheairbrushsettoalowopactiy,andblendingitinfurtherwiththesmudgetoolafterwards.Areastonotearethejaw,thefrontoftheneck,thebaseoftheskullatthebackofthehead,theinnerear,underthecenterofthenose,underthebrowbetweentheeyesoketandnose,thenostril,andjustoverthetopoftheuppereyelid.
Thelipsreceivedabitmoreattention:
Idefinedthebottomofthelowerlipwithastrokeofthelightskintone.Thesamewasdonetothetopoftheupperlip,todefinewherethatformchangescurvefromtheliptotheface.
AnewlayerwasmadeontopofthebaselayerIhadbeenworkingon!
Withthepolygonallassotool(nofeathering),Ioutlinedtheshapeoftheupperlipandfilledit100%opacitywithadarkandsaturatedred.Thislayerwassettomultiply,andtheopacityofthelayersetverylow,astojustslightlydarkentheupperliptogivetheillusionthatitrecedesintothemouth.Thisalsomakesahandyselectionlayerforlateron,incaseyouaredoingworkaroundtheupperlipanddon'
twanttoeffectit(inverseselection!
).
Theinsideofthenostrilwaspaintedupabitwiththelightskintone,tomakeitappearthatitrecedesupintotheskull.
FurthersmudgingwasdoneoverthewholetexturetofurtherenhanceformasIsawfit.
ThefirststepImadeherewastocreateasubtleoverlaylayerontheverytopofthelayerstack.Thislayerisnothingmorethananevengrainlayer,meanttolendasubtlesenseoftactility,andbreak-upthe'
toosmooth'
lookofstraightpainting.Ifcoloristhe'
cake'
ofcreatingabelieveablesurface,surfacedetailiswhatmakesthe'
icing'
.
Themethodforcreatingthislayerisrealsimple.Makealayerontopofeverything,andfillit100%withagray.Runa'
filter'
noise'
addnoise.'
Isetmyoptionsto'
Gaussian'
and'
monochrome.'
Theblendingmodeofthislayerwassettooverlay,andIdialedthelayer'
sopacitydownintheneighborhoodof5%.
Next,Iwantedtostartbringinginsomemorecolortotheface.Idecidedtostartwithalittleredinthecheeksandnose.Icreatedalayeroverthebaselayer,andpaintedadarkredoverthecheeksandnoseat100%opacity.Aftersmudgingitaroundinthoseareasforashortwhile,Isetthelayerblendmodeto'
softlight'
anddialeddownthelayeropacitytosomewherearound8%.Keepingelementslikethisonseperate(butmanageable)layersallowsforeasyadjustmentsdowntheroad.
Onthatsamenote,Ididtheexactsamethingwiththeforehead;
exceptpaintedamustardyellowinsteadofadarkred.
Next,Icreatedanadditionallayerontopofthetwosoftlightlayers.Onthis,Ipaintedaroyalblueat100%opacityonthebeardandcraniumar
- 配套讲稿:
如PPT文件的首页显示word图标,表示该PPT已包含配套word讲稿。双击word图标可打开word文档。
- 特殊限制:
部分文档作品中含有的国旗、国徽等图片,仅作为作品整体效果示例展示,禁止商用。设计者仅对作品中独创性部分享有著作权。
- 关 键 词:
- 国外 经典 人头 贴图 绘制