论文打印格式1Word文件下载.docx
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论文打印格式1Word文件下载.docx
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C.ThemesofDickinson’sPoems……………………………………………….………..5
1.TheInnerWorld(三级标题段前段后空0行TimesNewRoman,小四号,不加粗)………………………………………………..…………………….……….……...…..6
2.Death……………………………………………………………….….……….….........6
3.Nature….………………………………….……………………….…………….….…..6
4.GodandReligion………….…………………………………….…….………………...7
5.Love…………………………………………………..……………………….…..….....7
III.EmilyDickinson’sLovePoemsandtheWaitingTheme…………..…...7
A.TheWaitingThemeDelineatedinEmilyDickinson’sLovePoems…………....…..8
1.BeginningtoLoveSomebody…......................................................................................8
2.WaitingwhileBeginningtoLoveSomebody……………………..……………….…...9
3.LovingSomebodyPassionately……………………………......................……………10
4.WaitingforSomebodywhileLovingHimPassionately….............................................10
5.TryingtoForgettheLove……………………………………………………...............12
6.WaitingwhileTryingtoForgettheLove........................................................................12
B.TheWaitingThemeinFeministCriticism……….....................................................13
Conclusion(TimesNewRoman,四号,加粗,段前段后空0.5行)……………....15
Notes(同上)………………………….……....................................................................16
Bibliography(同上)………………………………………..………………................17
Acknowledgements(同上)……………………………………………………….….18
Abstract:
(TimesNewRoman四号,粗体)EmilyDickinsonisareclusiveAmericanpoetessinthenineteenthcentury.Fromaparticularperspective,shehasdelineatedherdeepperceptionofGod,nature,love,death,andeternity.FromtheperspectiveofFeminism,thisarticlefocusesonthewaitingthememanifestedinherlovepoems.(TimesNewRoman,小四,不加粗)
Keywords(TimesNewRoman,四号,粗体):
EmilyDickinson;
lovepoems;
Feminism;
waitingtheme(TimesNewRoman,小四号)
摘要(黑体四号,不加粗):
艾米莉·
狄金森这位美国十九世纪的隐居女诗人,以她独特的角度,抒发了她对于上帝,大自然,爱情,死亡以及永恒的深刻感悟。
本文从女性批评出发,就其爱情诗歌中体现的等待主题进行了初步探讨。
(仿宋,小四号)
关键词(黑体四号,不加粗):
狄金森;
爱情诗歌;
等待主题(仿宋,小四号)
说明:
Abstract和KeyWords及其中文翻译合页打印。
OntheWaitingThemeinEmilyDickinson’sPoems
(标题,TimesNewRoman,小二,段前段后空1行)
Introduction(TimesNewRoman四号,加粗,段前段后空0.5行)
(空四格)ManycriticsonEmilyDickinsonfindinherpoemsdifferentthemes,suchastheworshipandevenaweofGod,nature,love,deathandeternity.But,thisthesis,fromtheangelofFeminism,focusesonthewaitingthememanifestedinherlovepoems.(正文TimesNewRoman小四)
I.EmilyDickinson’sFamilyandHerLife(TimesNewRoman四号,加粗,段前段后空0.5行)
EmilyDickinson(1830-1886)wasanAmericanlyricalpoetess,andanobsessivelyprivatewriter----onlysevenofher1775poemswerepublishedduringherlifetime.Dickinsonwithdrewfromsocialcontactattheageof30,devotingherselfinsecretintowriting,andnevermarried.
DickinsonwasborninAmherst,Massachusetts,toafamilywellknownforeducationalandpoliticalactivity.Herfather,anorthodoxCalvinist,wasalawyerandtreasurerofAmherstCollege,andalsoservedinCongress.ShewaseducatedatAmherstAcademy(1834-47)andMountHolyokeFemaleSeminary(1847-48).Around1850Dickinsonstartedtowritepoems,firstinfairlyconventionalstyle,butaftertenyears’practiceshebegantogiveroomforexperiments.
AftertheCivilWarDickinsonrestrictedhercontactsoutsideAmhersttoexchangeletters,dressedonlyinwhiteandsawfewofthevisitorswhocametomeether.Infact,shespentmostofhertimeinherroom.Althoughshelivedasecludedlife,herlettersrevealedknowledgeofthewritingsofJohnKeats,JohnRuskin,andSirThomasBrowne.Dickinson’semotionalliferemainsmysterious,despitemuchspeculationaboutapossibledisappointingloveaffair.Twocandidateshavebeenpresented:
theReverendCharlesWadsworth,withwhomshecorresponded,andCharlesBenjamin,oneofherteachers.
AfterDickinson’sdeathin1886,hersisterLaviniabroughtoutherpoems.Sheco-editedthreevolumesfrom1891to1896.Despiteitseditorialimperfections,thefirstvolumebecamepopular.Intheearlydecadesofthetwentiethcentury,MarthaDickinsonBianchi,thepoetess’sniece,transcribedandpublishedmorepoems,andin1945BoltsofMelodyessentiallycompletedthetaskofbringingDickinson'
spoemstothepublic.ThepublicationofThomasH.Johnson’s1955editionofEmilyDickinson'
spoemsfinallygavereadersacompleteandaccuratetext.
II.EmilyDickinson’sPoems(TimesNewRoman四号,加粗段前段后空0.5行)
A.CharacteristicsofDickinson’sPoems(TimesNewRoman小四号,加粗,二级标题段前段后空0行)
Dickinson'
sworkshavehadconsiderableinfluenceonmodernpoetry.Herfrequentuseofdashes,sporadiccapitalizationofnouns,off-rhymes,brokenmeters,unconventionalmetaphors,etc.havecontributedtoherreputationasoneofthemostinnovativepoetsof19th-centuryAmerica.Laterfeministcriticshavechallengedthepopularconceptionofthepoetessasareclusive,eccentricfigure,andunderlinedherintellectualandartisticsophistication.
B.EmilyDickinson’sStyle(TimesNewRoman小四号,加粗,二级标题段前段后空0行)
Herseekingthecruxofexperienceaffectedherstyle.Aspartofherseekingessenceortheheartofthings,shedistilledoreliminatedinessentiallanguageandpunctuationfromherpoems.Sheleavesouthelpingverbsandconnectingwords;
shedropsendingsfromverbsandnouns.Itisnotalwaysclearwhatherpronounsreferto;
sometimesapronounreferstoawordwhichdoesnotappearinthepoem.Atherbest,sheachievesbreathtakingeffectsbycompressinglanguage.Herdisregardfortherulesofgrammarandsentencestructureisonereasonwhythetwentiethcenturycriticsfindhersoappealing;
heruseoflanguageanticipatesthewayinwhichmodernpoetsuselanguage.Thedownsideofherlanguageisthatthecompressionmaybesodrasticthatthepoemisincomprehensible;
itbecomesariddleorintellectualpuzzle.Dickinsonsaidinaletter,“Allmensaywhattome;
readersarestillsayingwhatinresponsetosomeofmypoems”.1(采用篇末注,行中用上标)
Herseclusionmayhavecontributedtotheobscurityofherpoetry.Onedangeroflivingalone,inone'
sownconsciousness,isthattheindividualwillbegintocreateprivatemeaningsforwordsandprivatesymbols,whichothersdonothavethekeyto.Solanguage,insteadofcommunicating,bafflesthereader.Dickinsondoesfallintothistrapoccasionally.
Dickinsonwasenamoredoflanguage;
sheenjoyedwordsfortheirownsake,aswords.OneofheramusementswastoreadWebster'
sDictionary(1844)andsavorwordsandtheirdefinitions.Thisinterestgivesanumberofherpoemstheirownform----theyarereallydefinitionsofwords,forexample,“Painhasanelementofblank,”“Renunciationisapiercingvirtue,”or“Hopeisthethingwithoutfeathers.”Sometimesconsultingthe1844dictionaryclarifiesaline,forameaningappearinginherdictionarymaynolongerbeused.
Herlinguisticmasteryandsenseofthedramaticcombinationoftenstrikefirstlinesofherpoems,suchas“JustlostwhenIwassaved!
”,“IlikealookofAgony,”and“Icanwadegrief.”
DickinsonconsistentlyusesthemetersofEnglishhymns.ThisisundoubtedlyonereasonwhymoderncomposersliketosetherpoemstomusicandwhythedancerMarthaGrahamchoreographedthemasaballet.
Knowingotherstylisticcharacteristicsmayhelpyoureadherpoetry:
Sheusesthedashtoemphasize,toindicateamissingwordorwords,ortoreplaceacommaorperiod.Shechangesthefunctionorpartofspeechofaword;
adjectivesandverbsmaybeusedasnouns;
forexample,in“Wetalkincareless--andinloss,”carelessisanadjectiveusedasanoun.Shefrequentlyusesbeinsteadofisorare.Shetendstocapitalizenouns,fornoapparentreasonotherthanthattheyarenounsalthoughonsomeoccasionstheyarecapitalizedforthesakeofemphasisassheprobablythoughtthosenounsareimportantfortheexpressionofmeanings.
Tocasualreadersofpoetry,itmayseemthatDickinsonusesrhymeinfrequently.Theyarethinkingofexactrhyme(see,tree).Shedoesuserhyme,butsheusestheformsofrhymethatarenotgenerallyacceptedtilllateinthenineteenthcenturyandareusedbymodernpoets.Dickinsonexperimentedwithrhyme,andherpoetryshowswhatsubtleeffectscanbeachievedwiththeserhymes.Dickinsonusesidenticalrhyme(sane,insane)sparingly.Shealsouseseyerhyme(though,through),vowelrhymes(see,buy),andsuspendedrhyme(thing,along).
C.ThemesofDickinson’sPoems(TimesNewRoman小四号,加粗,二级标题段前段后空0行)
ThoughDickinson'
sinsightsareprofound,theyarelimitedintopic.NorthropFryepointsout,“itwouldbehardtonameanotherpoetinthehistoryoftheEnglishlanguagewithsolittleinterestinsocialorpoliticalevents.”2ShelivedthroughtheCivilWar,yetherpoemscontainnoclearreferencestothatnationalhorror.
Theideaofidentityor,alternately,thefailureofidentityrunsthroughherpoetry.Oneformittakesistheachievementofstatusorthelackofstatus;
repeatedlysheusestermslike“queen,”“royal,”“imperial”.LowStatuscanbeachievedthroughcrucialexperiences,likelove,marriage,death,andpoeticexpression.Sheinsistedontheneedandtherightoftheindividualtomaintainintegrity;
onewayofdoingthiswastoexerciseinflexibleprincipleinselecting.
1.Th
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