话题4 文学艺术冲刺高考英语阅读技能提升专练通用版Word文件下载.docx
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话题4 文学艺术冲刺高考英语阅读技能提升专练通用版Word文件下载.docx
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snotjustamatterofsayingthewordsintherightorder.It'
sthetoneofvoice,thepauses,thegesturesandtheattitudeofthepersonperformingthatbringthewordstolife.“Eachtimewehearsomebodyreciteapoem,weunderstandagainwhatwefoundfreshandinterestingaboutit,”saidNationalPublicRadioBroadcasterScottSimon,masterofceremoniesforthefinals.Hearingitinanewvoiceofferssomethingnewtothelistener.
Notonlydothepeoplehearingpoemshaveanewexperience,butmemorizingandpresentingpoemshelpstheparticipants(选手)understandthosepoemsinanewway.AnotherbenefitofacompetitionsuchasPoetryOutLoudisthattheparticipantslearnpublic-speakingskillsthatcanhelpthemforlife.
(1)Fromthefirstparagraph,wecanknow________.
A.theGreekswerethefirsttowritepoems
B.theOlympicsusedtostartwithpoemreciting
C.poemswerespreadorallyinthepast
D.athleteswereaskedtorecitepoemsbeforecompeting
(2)HowmanyroundsofcompetitionsdidthechampionstakebeforetheywenttoWashingtonD.C.?
A.Three.B.Four.C.Five.D.Six.
(3)Accordingtothepassage,hearingapoemrecitedinanewvoicecan________.
A.bringanewlifetolisteners
B.helplistenersfindtheirinterest
C.makelistenerslearnthewords
D.offersomethingnewtolisteners
(4)Whatinfluencethebeautyofpoems?
A.Thewordorderandthetoneofvoice.
B.Theattitudeofthepersonperformingthem.
C.Thetoneofvoice,thepauses,thegesturesandtheattitudeofthepersonrecitingthem.
D.Thepausesandthegesturesofthepersonperformingthem.
B
Someoftheworld'
smostfamousmusiciansrecentlygatheredinParisandNewOrleanstocelebratethefirstannualInternationalJazzDay.UNESCO(UnitedNationsEducational,ScientificandCulturalOrganization)recentlysetApril30asadaytoraiseawarenessofjazzmusic,itssignificance,anditspotentialasaunifying(联合)voiceacrosscultures.
Despitethecelebrations,though,intheU.S.thejazzaudiencecontinuestoshrinkandgrowolder,andthemusichasfailedtoconnectwithyoungergenerations.
sJasonMoran'
sjobtohelpchangethat.AstheKennedyCenter'
sartisticadviserforjazz,Moranhopestowidentheaudienceforjazz,makethemusicmoreaccessible,andpreserveitshistoryandculture.
"Jazzseemslikeit'
snotreallyapartoftheAmericanappetite,"MorantellsNationalPublicRadio'
sreporterNealConan."WhatI'
mhopingtoaccomplishisthatmygenerationandyoungerstarttoreconsiderandunderstandthatjazzisnotblackandwriteanymore.It'
sactuallycolor,andit'
sactuallydigital."
Moransaysoneoftheproblemswithjazztodayisthattheentertainmentaspectofthemusichasbeenlost."Themusiccan'
tbepresentedtodaythewayitwasin1908or1958.Ithastocontinuetomove,becausethewaytheworldworksisnotthesame,"saysMoran.
Lastyear,MoranworkedonaprojectthatarrangedFatsWaller'
smusicforadanceparty,"justtokindofputitbackinthemindthatWallerisdancemusicasmuchasitisconcertmusic,"saysMoran."Forme,it'
stherecontextualization.Inmusic,wheredoestheemotion(情感)lie?
Arewe,ashumans,gaininganyinsight(感悟)onhowtalkaboutourselvesandhowsomethingasabstractasaCharlieParkerrecordgetsusintoadialogueaboutouremotionsandourthoughts?
Sometimeswelosesightthatthemusichasawidercontext,"saysMoran,"soIwanttocontinuethosedialogues.ThosearethethingsIwanttofoster."
(1)WhydidUNESCOsetApril30asInternationalJazzDay?
A.Torememberthebirthofjazz.
B.Toprotectculturaldiversity.
C.Toencouragepeopletostudymusic.
D.Torecognizethevalueofjazz.
(2)Whatdoestheunderlinedword"that"inparagraph3referto?
A.Jazzbecomingmoreaccessible.
B.Theproductionofjazzgrowingfaster.
C.Jazzbeinglesspopularwiththeyoung.
D.Thejazzaudiencebecominglarger.
(3)WhatcanweinferaboutMoran'
sopiniononjazz?
A.Itwilldisappeargradually.
B.Itremainsblackandwhite.
C.Itshouldkeepupwiththetimes.
D.Itchangesevery50years.
(4)Whichofthefollowingcanbethebesttitleforthetext?
A.ExploringtheFutureofJazz
B.TheRiseandFallofJazz
C.TheStoryofaJazzMusician
D.CelebratingtheJazzDay
C
Throughoutthehistoryofthearts,thenatureofcreativityhasremainedconstanttoartists.Nomatterwhatobjectstheyselect,artistsaretobringforthnewforcesandformsthatcausechange—tofindpoetrywherenoonehaseverseenorexperienceditbefore.
Landscapeisanotherunchangingelement(元素)ofart.Itcanbefoundfromancienttimesthroughthe17thcenturyDutchpainterstothe19thcenturyromanticists(浪漫主义艺术家)andimpressionists.Inthe1970sAlfredLeslie,oneofthenewAmericanrealists,continuedthispractice.LesliesoughtoutthesameplacewhereThomasCole,aromanticist,hadproducedpaintingsofthesamesceneacenturyandahalfbefore.UnlikeColewhoinsistsonafeelingoflonelinessandtheideaoffindingpeaceinnature,Lesliepaintswhatheactuallysees.Inhispaintings,thereisnoparticularchangeinemotionsandheincludesordinarythingslikethehighwayinthebackground.Healsotakesadvantageofthelatestdevelopmentsofcolorphotographytohelpboththeeyesandthememorywhenheimproveshispaintingbackinhisworkroom.
Besides,allartbegstheageoldquestion:
Whatisreal?
Eachgenerationofartistshasshowntheirunderstandingofrealityinoneformoranother.Theimpressionistssawrealityinbriefemotionaleffects,therealistsineverydaysubjectsandinforestscenes,andtheCroMagnoncavepeopleintheirnaturalisticdrawingsoftheanimalsintheancientforests.Tosumup,understandingrealityisanecessarystruggleforartistsofallperiods.
Overthousandsofyearsthefunctionoftheartshasremainedrelativelyconstant.Pastorpresent,EasternorWestern,theartsareabasicpartofourimmediateexperience.Manyanddifferentarethefacesofart,andtogethertheyexpressthebasicneedandhopeofhumanbeings.
(1)Theunderlinedword“poetry”mostprobablymeans________.
A.anobjectforartisticcreation
B.acollectionofpoems
C.anunusualquality
D.anaturalscene
(2)Leslie'
spaintingsareextraordinarybecause________.
A.theyarecloseinstyletoworksinancienttimes
B.theylooklikeworksby19thcenturypainters
C.theydrawattentiontocommonthingsinlife
D.theydependheavilyoncolorphotography
(3)Whatdoestheauthorsuggestabouttheartsinthelastparagraph?
A.Theyexpresspeople'
scuriosityaboutthepast.
B.Theymakepeopleinterestedineverydayexperience.
C.Theyareconsideredimportantforvarietyinform.
D.Theyareregardedasamirrorofthehumansituation.
(4)Whichofthefollowingisthemaintopicofthepassage?
A.Historyofthearts.
B.Basicquestionsofthearts.
C.Newdevelopmentsinthearts.
D.Useofmoderntechnologyinthearts.
二、完形填空
阅读下面短文,从短文后各题所给的A、B、C、和D四个选项中,选出可以填入空白处的最佳选项。
LastweekendIdecidedtotreatmyselftorelaxationbyreadingamagazine.Asusual,Ilookedthroughthefrontpagesof1womenwearingdesignerclotheswithadspromisingittobe"
BestoftheBest"
.Ireadthead.2,
insteadofofferingadviceonhowtolivewell,theentirearticle3expensivetreatmentsthatslowtheeffectsofgettingolderwhilefoolingothersintothinkingyoustayyoungnaturally.What?
Isthateven4?
Youmayhavealreadyguessed—Iseldommakeup,5buyafewcreamsformyskin,andwearonlyoneortwopiecesof6.Instead,giventhechoiceIspendmymoneyontravel,learningexperiences,funandafewcausesIsupport.Fortunately,myhusbandThomnotonlylikesmethisway,7he'
sthesameaswell.8comesnaturallytousbecausewebothprefer9experiences.
TherewasaTVshowinthe1980'
scalledFernando'
sHideaway.RegardlessofwhomthehostFernandowas10intheshow,hewouldalwayssay,"
You11marvelous(棒极了)!
"
Andthatwasusuallyfollowedby,"
Asweallknow,it'
s12tolookmarvelousthanfeelmarvelous."
Ikneweveryoneusedtolaughatthatshowbecausewhatmadeitsoridiculouswashowitpointedouttheobvious13ofgraspingforoutsideappearances,14realfeelings.
Somewomenouttheremightbetellingthemselves,"
I15possiblyfeelgoodifIdon'
tlookgood."
Really?
Yourlifeis16tofeelgoodtoyou.Wecancontrolthewaywefeelbycontrollingourthoughts.Insteadof17outsidecircumstancestobringaboutresponsesinusandmakeushappy
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