现代大学英语听力3原文及题目答案unit3文档格式.docx
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现代大学英语听力3原文及题目答案unit3文档格式.docx
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Mary:
Ididn'
tknowshehadone.
Well,it'
sjustapart-timejob.HelgatakescareoftheJotmsons'
childrenwhentheirmotherissick.Mrs.Johnsonhasn'
tbeenwelllately.
Whathappened?
WhydidHelgaalmostloseherjob?
Well,therewasachildren'
smovieadvertisedattheneighborhoodtheaterlastSaturday.ItwasoneofthoseGmovies,forgeneralaudiences.
IsupposeHelgatooktheJohnsonchildrentothemovie.Wasn'
tthatallright?
Yes,buthereiswhathappened.Whentheygottothetheater,theyfoundthattheGmoviewasn'
tthereanymore.ThetheaterwasshowinganX-ratedmoviecalledGIRLS.
X-ratedmoviesarereallybad,aren'
tthey?
They'
reevenworsethanR-ratedoneswhichteenagersaren'
tsupposedtosee.ButHelgadidn'
tknowwhatXmeant,andshethoughtamovieabout"
Didthetheaterletherin?
No,butHelgatriedtomakethemletherin.ThemanagerhadtocallMrs.Johnson.That'
showshealmostlostherjob.
Task2
A.1)F2)T3)T4)F5)F6)F
JudywatchedabitofTVlastnight.Beforethefootballcameon,sheswitchedoverjusttoprotest,forshecouldn’tbearfootball,andthusshesawtheendofthefilmTheGraduate.Whenthefootballcameon,sheturnedovertoaprogrammeonfoxes.Afterthefoxes,sheturnedoverbacktoseewhowonthefootball,butonlysawthebeginningoftheNews.Thenshepackedupandwenttobed.
Stuart:
Whatdidyoudolastnightthen?
Didyouworkallnight?
Judy:
Yes,Ididsomework,butIwatchedabitofTV...Gottorelax,youknow.
Didyouwatchthefootball?
No,noIdidn'
t.Ican'
tbearfootball.
Really?
Yes.Ireallyhateit.Well,actually,justbeforethefootballcameon,Iswitchedoverjustto...justtoprotest.
Whatdidyouseethen?
Well,Isawtheprogrammebefore...justtheendofafilmthatwasonbeforethefootball.Itlookedquite
goodactually.It'
sashameIdidn'
tswitchonearlier.Itwassomekindoflovestory...withDustinHoffman,youknow,Theerm...
TheGraduate?
That'
sit.TheGraduate.
Yes.Iknow.I'
veseenthat.Yes,goodfilm.
Yes,andnicemusic.Andthen,whenthefootballcameonIturnedover.
Terrible,terrible!
Ihateit!
Ireallycan'
tstandit.
Itwasagreatgame!
Yes?
Whowasplaying?
England,ofcourse.Whatdidyouseethen,thatwasmoreimportantthanfootball?
Foxes.Yes,agoodprogrammeonfoxes.Yes,theyspentageswatchingthesefoxesinahouse.Theywere
watchingthemallnightandtheselittlebabyfoxes.Itwastremendous.
Yes,soundsallright.
Yes,itwasgood—betterthanfootball...andthen,thenIturnedover,backtotheotherchanneltoseewho
wonthefootball,butImisseditandIjustsawthebeginningofthenewsandpackedupandwenttobed.
Well,I'
msorryyoumissedit.Itwasagoodgame.
Whodidwin?
England,ofcourse.Whodoyouthink?
Sixnil.Yes.
Musthavebeenquitegoodthen!
Yes,itwasgood,actually.Itwasverygood.
Task3
A.1)b)2)c)
B.1)F2)F3)F
C.
Topic:
Howthemoviesareproduced
Thesis:
Therearesixbasicstepsthatarenormallyfollowedintheproductionofafull-lengthfilm.
Steps:
Firststep—findingaproperty;
twotypesofproperties
1)Anoriginalstory
e.g.StarWars,BacktotheFuture,Rocky
2)Apropertyfromanovel,play,ormusical
e.g.TheSoundofMusic,Tess,TheGodfather
Secondstep—writingthescript;
twooptions
1)Theoriginalwritertakespartintheproductionofthescript
2)Directorswritethescriptsthemselves
Goodmorning,ladiesandgentlemen!
Let'
sstartthisintroductiontofilmmakingwithasimplequestion:
Howmanyofyouhaveseenamoviethisweek?
Itdoesn'
tmatterifitwasatthetheaterorjustonyourownTV...Uhhuh,justasIthought,almostallofyouhave.
Ofcourse,mostofuslovethemovies—themagic,theescapethattheyprovide,butmostofusrarelystoptothinkabouttheprocessofmakingamovie.Justwhatdoesittaketogetthatmoviefromtheideastagetothefinalproduct?
Whatarethedecisionsthatmustbemade?
Whatproblemsareencountered?
Exactlyhowdoesamoviestudiogoaboutmakingamovie?
Thesearepreciselythetopicsthatwewillbeexploringtoday.
Therearesixbasicstepsthatarenormallyfollowedintheproductionofafull-lengthfilm.I'
lloutlinethemforyou.
Thefirststepisratherobvious--tomakeafilmyoumusthaveanidea..,astory...sometopicfortheproject.Thestudiomustfindaproperty.That'
sakeyword,folks—property,p-r-o-p-e-r-t-y.Youallknowthecommonmeaningofthisword,ofcourse,butinfilmmakingtheword"
property"
hasaveryspecificmeaning.Apropertyisthestoryonwhichthemoviewillbebased.Okay,it'
sthestoryonwhichthemovieisbased.Youareprobablywonderingwhywecallitaproperty.Well,itbelongstosomeone;
itisthatperson'
s"
andmustbeacquiredbythestudio,sometimesforquitealargesumofmoney.
Therearebasicallytwokindsofproperties.Thefirstisanoriginalstorythathasneverappearedanywherebefore—neverbeeninabook,ormagazine,oranotherfilm.Inotherwords,thestoryisintendedfromtheverybeginningtobemadeintoamovie.
StarWarsisonegoodexampleofthistypeofproperty—youdorememberthatfamoussciencefictionfilm,don'
tyou?
AnotherexampleisBacktotheFuture—oh,andalsoRocky.Allofthesewerebasedonastorywrittenonlyforthepurposeofmakingamovie.
Actuallythough,themajorityofproperties,forfamousfilmsatleast,comefromnovels,plays,ormusicalsthatarealreadypublished.ExamplesofthistypeofpropertyincludeTheSoundofMusic,whichwasoriginallyaplay,Tess,afamousnovel,andTheGodfather,whichwasalsofirstanovel.
Okay,that'
sstepnumberone—findingaproperty.
Well,nowwehavetheproperty.Thenextstepistoprepareascriptfromthatproperty.Thispartoftheprocesscantakeseveralmonthsorsometimesevenayearormore.It'
squitealengthyandtime-consumingprocess.Duringthistime,thescriptwriter,producer,anddirectorusuallyworkverycloselywitheachother.
Recently,therehasbeenatrendtoalsohavetheoriginalwriter—theoriginalpropertyowner—takepartintheproductionofthescript.Thismeansthatifthepropertyistakenfromabookorplay,theoriginalauthorofthebookorplayisinvolvedinwritingthescript.Thisisagoodtrend,Ithink.Whocouldpossiblyknowthestorybetterorunderstanditmoreclearlythanitsoriginalcreator?
Anotheroption,however,isfordirectorstowritescriptsthemselves.Thisoftenoccursbecausescriptwritersarenotonlyresponsibleforthedialog,buttheyalsomustspecifywhatkindofcamerashotstheywantused.Forinstance,inallscenes,andespeciallylongscenesthatdon'
thaveanydialog,thescriptwritermustdescribewhatthecamerashouldfocuson,whatshouldbeinthecenteroftheshot,whatmoodtheimageshouldpresent.Directorshavemuchmoreexperiencewithcameraworkandoftenprefertowritethescriptthemselvesforthisreason.
Sothat'
sstepnumbertwo—writingthescript.
Task4
A.1)a)2)a)
B.1)F2)F3)T
Howmoviesareproduced
Thirdstep—castingthefilm;
twotypesofcasting
1)Buildingthemoviearoundafamousstar
Advantages:
Afamousstarisagreatassettothefilm.Itattractsfansautomatically.Financialsuccessofthemoviedependsonhowmanypeoplecometoseeit.
Disadvantages:
Famousstarareveryexpensive.Theytakeattentionawayfromthestoryitself.Theydistracttheaudience.
2)Castingmovieswithunknownactorsandactresses
Moviecentersaroundthestoryitself.Makethemoviemorebelievable.
Fourthstep—filmingthemovie;
doneintwotypesofplaces
1)Soundstages—bothpicturesanddialogsarerecorded.
2)Partiallyfilmedonlocation—inarealsetting.
Note:
allthesceneswithabigstarcandonefirst,orallthescenesshotatthesamelocationcanbefilmedatthesametime.
Okay,nowthescriptisfinishedandapproved,andwearereadyforthenextstep—averycriticalstepindeed—thecastingofthefilm.
Thesuccessorfailureofamoviecandependontheabilityoftheactorsandactressestoconvinceusthattheyreallyarethecharactersthattheyareportraying.Theproducerandthedirectormustchoosethecastvery,verycarefully.Thisstepofchoosingtheactorsandactressesiscalledcasting.Gotit?
Castingischoosingtheactorsandactresses,thecastofthemovie.
Thereare,ingeneral,twotypesofcasting.Thefirstandthemostcommonapproachistobuildthemoviearoundafamousstar.Itisobviousthathavingawell-recognizednameinthecastisagreatassettothefilm.Havingsomeone,likeTomCruise,MerylStreep,orHarrisonFordwillautomaticallyattractlargenumbersoftheirfanstothemovie.Andofcourse,thefinancialsuccessofthemoviedependsonhowmanypeoplecometoseeit.
Now,thereisalsoasecondt
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