小提琴的揉弦技术ViolinvibratotechniqueWord文件下载.docx
- 文档编号:21351890
- 上传时间:2023-01-29
- 格式:DOCX
- 页数:12
- 大小:25.06KB
小提琴的揉弦技术ViolinvibratotechniqueWord文件下载.docx
《小提琴的揉弦技术ViolinvibratotechniqueWord文件下载.docx》由会员分享,可在线阅读,更多相关《小提琴的揉弦技术ViolinvibratotechniqueWord文件下载.docx(12页珍藏版)》请在冰豆网上搜索。
lefthandmustbeveryrelaxedwithneck,andthensticktoconstantlyreminditisalwaysinastateofrelaxation,whichinthefutureinthedevelopmentofviolinplayingheighthasadirectimpact.
1.armvibrato:
Powerarmvibratodirectlyfromtheleftarm,thefingerisdriven.Ifabeginnerhasacquiredabettertouchstringhabit,herequiresonlyenoughstrengthtopushthestringdown,andkeepsthepositionofthefingersonthestring,andstillhasenoughflexibility.Inthiscase,themovementofthearmisthemostidealandscientific.Inthebeginningwiththefingervibratobackwardandforwardswingandstraightandbent,payattentiontothefirststepshouldbethefirsttostartisheaddirectionalongthefingerboardandstringsbeforeandafterexercise,anddon'
tsway
Dynamic.Indoingtheabovemovements,firstholdtheharp
slightlyfixed,andthenfromthefirstbittothefifthbituniformmovementbackandforth,andgraduallyreducethemovementofthethirdinthecenterofthefinger.Finally,thearmkeepsthechange,whilethefingertipandthumbstayinoneofthethirdfingers.Atthistime,themusclesofthehandshouldberelaxed,thefingersofthefingersshouldbeflexible,andcontinuetorubgently.Inthirdtheabovepracticethevibrato,put2fingersonthestring,inthehandsofeachswing,touchedthepianosideasinthepalmofthehandontheviolinonthesideofthefalloftheaction,inordertopracticethepurposeofdoingsoisveryhelpful.Italsomovesevenlyandrhythmically.
2.handvibrato:
Thehandvibratoiscalled"
wristvibrato.Inplayingthiskindofvibrato,handmovementsfromthesomewhatrealarmto.Inthebeginnerstage,itissuggestedthatyoushouldbreakawayfromtheinstrumentanddosomesimpleandeffectivebasicmovements.Relaxyourbodyfirst,andstretchoutyourlefthandtotouchyourthumbandforefinger.Makeverticalmovementsandhorizontalmovements,respectively,upanddown.Thisexerciseallowsbeginnerstobuildmusclemovementsfirstinastateofnaturalrelaxation.Whenthemovementcontinuesonthechin,thefingersstretchwhenthehandswingstowardthehead,whenthehandreturnstoitsoriginalstartingpoint
Thefingersbecomebentagain.Inordertopracticethehandvibrato,firstputitinthethirdpositioninthemostconvenient.Atthispoint,thelowerhalfofthehandisclosetothechin.Ithasabackingeffectonthewrist.The2finger
isplacedontheEchordoftheAstring,andthehandmoveshorizontallyfromthewristtotheheadofthepiano,
Thesmalljointsofthefingersarestraight;
whenthehandreturnstoitsoriginalshape,becarefulnottochangeitspositiononthestring.Doahandswingingactiononthestring,thestringfromitandthecontactpointonthenailtonailfromplacetochange,theuseofsuchactionwhenthesoundfromtheoriginalEpitch,slightlylowerthanitisononesideofthetendencytoward.Whenthehandreturnstoitsstartingpoint,andreturntoitsoriginalshape,andthestringoftheEaudiolocalcontact,acyclethatvibratoiscomplete.Inthecourseoflearning,thelowerhalfofthepalmofthehandshouldmaintaincontactwiththebody,toensurethatthearmisinamotionlessstate.Thebestistheneckandtheleftsideoftheindexfinger.Justbeginningtolearnvibrato,eachshootkneadafewbestthereisastrictnumber:
taketwo,thenthreeorfour,six,thefuturecanbegraduallyincreased,untiltoomanytocount.Inthegraspofthethirdpositiontousevibratoandcanhaveverygoodeffect,canlowerthelevelofpractice.Atfirst,youmayfeelalittlesleepybecauseyourhandshavelostthesupportofyourinstrument
Difficult,atthistimeshouldpayspecialattentiontothesupportingroleofwrist.Withthewristisrelativelyindependentofthehabitgraduallyestablished,inthefirstplaceofpractice,shouldpayattentiontotheindexfingerclamptheneckdonotfeel.
3.fingervibrato:
Goodfingervibratothantheothertwotypesofvibratotrainingismuchmoredifficultto.Therefore,beforefullycontrolthearmwithoutvibratoandhandvibratoisbestnottolearnfingervibrato.Dynamicfingervibratofingersfromitself,fromtherootjointswing,handpassivetoughnesswithswingfingerslightly.Themagnitudeofthevibratothantheothertwosmaller.Inthebeginningofthestudystage,besurenottorush,you'
dbettertaketheinstrumentofffirst,holdyourlefthandwithyourrightthumbandfingers,andkeepyourpalmmotionless.AndthenwiththerightarmclipQin,inordertoembracethebodyposturetorepeattheabovemovements,andfinallydohorizontalmovementsonthepiano.Fingervibratoisaverysensitivefingermovements,especiallyinthosetoofastandtoolatetousetheusualvibrato,butrequirestheuseofexpressivephrases.Thehigherrequirementtotheplayersoitneedsplayingvibrato,essentialinneremotioninmusicsensibility,butalsotheneedtocoordinatethefunctionofthe.Inuse,youshouldflatyourfingersandmakeaslighteffectfromthesmalljointsofyourfingersafterthesoundissentout.Theelbowshouldpayattentiontotheleft,sothatthefingerscanbefullyputinthestring;
theactionlookslikelazy,fingersuplowandslowdownisveryslow,whentouchingthestrings,fingerjointsoftdown.
Fingerjointrelaxationisessentialinallthemusicmovement.Whentheyneedtoimprovetheirflexibility,theycanbeadjustedwithafewlefthandsilentexercises.Ifthelefthandisplacedonanyfingerornoteaftertheinstrumentisheld,wecangentlypressthesmalljointsofthefingerswiththefingerssoastofullyunderstandthenaturalflexibilityofthejoints.Theoriginalsoundwhennecessary,canalsobethe
passivebowiscausedbytheactionoftheeffectofpullout.Inaddition,youcanplaceyourfingersonthestringsothatitswingsbackandforth,
Makethejointsclosesttothenailsalternateinbendingandstraightening.Anotherwayistokeepyourhandsandwristsstill.Useonlythefingerstoreplacethehigherfingerswiththelowerfingersonthesamesound.
Two,styleandplayingvibratopersonality
1.stylevibrato
Studyoftheabovethreekindsofdifferentwaysoflearningandusevibratotechnique,hasbecometheultimategoal,itforcesustobegintopayattentiontotheresultofapplicationproblems.Theuseoftheplayerinsomeofhisworkshavearelativelyuniformvibrato,ifignored,fromtheworkstyleofmusicislikelytoleadtofailure.Thisiscloselyrelatedtothecreationoftheworks,theregionalbackgroundandtheauthor'
spersonalstyleofmusic,aswellasthespecificexpression.
A.Bach'
sworks:
thecreationofBachinheritedthepreviousChoraleandorganmusictradition,absorbanduseofpolyphonictechniques,formeditsownuniquestylemaynotonlyhasthehighlylogical,structured,andinherentphilosophy,profoundmeaning.Whenweplayhissoloworks,inordertohighlighttheopen,nonoisesoundeffect,andplayingdualtone,chordsoundeffect,thevibratoshouldpayattentiontoavoidexcessiveanddenseandthesoundisnotastablemanner.Atthistime,should
adoptthehandvibratobasedvibratomode.Intheslowpassage,weshouldpaymoreattentiontosolvebecauseoftherhythmoftherigorous,bringdifficultiestotheconnectionbetweenthenotesofvibrato.Whenperformingcontinuouslyevenfasterbowsmallnote,Isuggestitisbestnottousevibrato.Inplayingsomemediumnotesshouldpayattentiontotheuseofverysmall,almostimperceptiblefingervibrato,todoasmuchaspossibletocontrolthefrequencyandtheamplitudeofvibrato,doesnotaffectthepronunciationandintonation.
B.Mozart'
Mozart'
smusicstyleandelegant,sincereemotionandnotracesofhardtoil;
hisbrilliantandlivelyrhythm,fullofyouthfulspirit,andthebeautifulmelody,sparklingmakeshismusicimageoutstandingpersonality,truetolife.WhenweplayMozart,vibratoshouldfocusontheoutstandingperformanceofitsbright,cheerfulandcontrolside.Atthistime,inordernottomakeanyfingerheavypressureonthestring,wemustpayspecialattentiontothefingertouchesthestringpointofsoundandelastic,whilefocusingonthevibratoeffectafter.Inordertomakethesoundtobrighteffect,choosethemorenarrowspotandfrequencyslightlyfastervibrato.Inaddition,alsopayspecialattentiontothebowspeedwithvibratoandproduced
TheeffectofitsoutstandingexpressiveforceisthatMozartmusiccannotbeignored.Inanycase,Mozartplayedthemusictograspthewaytoaproperextent,notoverdosth..
C.Brahms'
Brahms'
smusicalstyleisserious,sedate,simpleandintroverted,andhisromanticfeaturesareembodiedinthecreationofmusicitselfandtheloveoffolkmusic.His
musichasneverbeenpurepursuitofsplendidacoustics.Fromthefullnessoftheflowofvoices,ithasprod
- 配套讲稿:
如PPT文件的首页显示word图标,表示该PPT已包含配套word讲稿。双击word图标可打开word文档。
- 特殊限制:
部分文档作品中含有的国旗、国徽等图片,仅作为作品整体效果示例展示,禁止商用。设计者仅对作品中独创性部分享有著作权。
- 关 键 词:
- 小提琴 技术 Violinvibratotechnique