银川一中高三二模英语试题含答案和解析Word文档格式.docx
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银川一中高三二模英语试题含答案和解析Word文档格式.docx
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听下面5段对话。
每段对话后有一个小题,从題中所给的A、B、C三个选项中选出最隹选项,并标在试卷的相应位置。
听完每段对话后,你WIO秒钟的时间来回答有关小题和阅读下一小题。
毎段对话仅读一遍。
例2HOWmuchistheSIIirr?
答案是U
1.WhatSeaSOUisitnow?
2.
A.She(IOeSIVtIlaVeabike.
WhatdoestheWomanIUeau?
B.HeTmothermadeUPthestory.
C.SheCIidnrttellthemanthetruth・
3∙WIlatisIlIewomanIUOMprobably?
4.WhereistlιeWonIangoingforIIOlidaythisyear?
B.TUrkev.
■
5.WhatdoestheInaUmean?
A.HedoesnftWaLttheWOInantoOPenthewindow.
B.HehasCaUghtacold.
C.ItlstooCOIdoutside.
第二节(共15小题)
听下面5段对话或独白.每段对话或独白后有几个小题,从题中所给的A、B、C三个选项中选出最佳选项,并标在试卷的相应位置。
听每段对话或独白前,你将有时间阅读各个小題,每小题5秒钟;
听完后,各小题将给出5秒钟的作答时间。
每段对话或独白读两遍。
听第6段材料,回答第6至8题。
6.
WhattStheWeatherlike?
12.Where(IOeSthisCOilVerSatiOlImostProbabIytakeplace?
A.AttheWOman,shome.
B.AtamuseumOfart.
C.Attheman9shome.
13.WheredidtheWOmaIlbuytheprints?
A.InBoston.
B.InNeWYOrk・
C.InaEUrOPeancity.
14・WhatistheWOmangoingtodo?
A.∖Ii⅞keanothermuseumtour.
B.OrganiZeanexhibitionOfart.
C.∖7sitSOmeEUrOPeanpainters.
听第9段材料,回答第15至17题。
15・WhatistheWOmandoing?
A.SheisinternewingafamousSPOrtSStar
B.Sheishavingajobintenιew.
C.Sheismakingaself-introductioninPUbIiC・
16・WhyWaStheWOmanOUtOfSChOOlforIlaIfayearduringIIighschool?
A・BeCaUSeSheWaSbadlyill.
B.BeCaUSeShehadtoactinafilm・
C.
BeCaUSeherfathertookhertoAnIeriCa.
18.
WhatPerCentOfthefouryearSChOOISbeganasPUbIiCagriculturalCOlIegeSinAmerica?
19.WhenWaStheideaOftheIandgrantCOllegedeveloped?
A.
C.About200yearsago.
MOrethanIOOyearsago.B.In1826.
20・WhatCIOWeknowabouttheinternationalStU(IenfSthisyearattheCOlIegeOfAgriCUltUraISciences?
A.Thereare5graduateStUdentSaltogether.
B.TiIereare205iuteruatioualstudents.
C.'
lostOfthemarefromAfriCa,ASiaandEUrOPe・
第二部分:
阅读理解(共两节,满分40分)
第一节(共15小题;
每小题2分,满分30分)
阅读下列短文,从每题所给的四个选项(A、B、C和D)中,选出最佳选项,并在答题卡上将该项涂黑•
VnCiuiOnSforPeOPIeWIloLOVeWinterACtiVitieS
Whenthetemperaturesdrop,donftrunawayfromthecold,embraceitWithOIIeOfthesePerfeCtWinterWOncierlandvacations・
Seeanice-skatingshowatIMa(IeleilIeHOteI
TeiIUride,CoIOradOisfamousforSkiiUg—theyIlaVeeverythiugfromAIPiUetoNOrdiCtobackCOUntIy・BUtrightOUtSidethisgorgeousMadeIeiUeHOtelisamassiveice-skatingIiilkWithrentals(hockeySkateSaudfigureSkateS)asWellasIessons9ShOWSandevenSPeCiaiDJnights.
SlPWillterSweetneSSattheICeWineFeStiVal
ThiSChilIyJanUalyfestivalatNiagaraOUtheLakeCanreachtempsOf40degreesbelowZerObut,asIOngasyouCanfeelyourfingersandtoeslyouCailSiPiceVVille——madefromfιvozenIOCalgrapes—fromtheicebarinthetownSqUare・WhenyoulrereadytoWarnIUPySignUPforaViiIeyQrdtourandgofromWinerytoWineIySiPPingandtastingSmallfoodpairings.
BOWlOniceattheAmeriCailClUb
IntheCOUTtyjirdOftheTUdor-StyIeAmeriCanCIUbinKohler9WiSCOnsin,youCantryyourhandAtbowlingOnOntdnnrInnPSnιndeOfice・ThPreISnkoRnVaHanCurling,andPntiohpaterςtokpppyouCOnIfOrtabkWhiIeyouChaIIengeyourfriends・TheCOUrtSStayOPenthroughMarChandrequire48-hournoticeforreservations.
HittlιehillsatLakePlaCidLOdge
TheAdirOndaCkSinNeWYOrkareaWinterWOnderIand,OnCethehomeOftheWinterOlymPiCSJandhaseveιythingfrombobsleddingtotobogganing,dogSlQdding,Skijumpingandice-skating.AttheendOftheday,CheCkOUtOneOfLakePlaCidLOdgetSfamousSnOWbonfires9bestadmiredWithhotcocoa.
Ifmoreinformationisneeded,youCaIICliCkhere・
21・Ifyouareinterestedinskating,WhereTViIlyouPrObabIygo?
A.TenUriCleandAdirOndaCkS・B.TelIUrideandtheLake.
C.AdirOndaCkSandKohler.D.KOhIerandtheLake.
22.WhatCanVOUdoattheICeWineFestival?
A・TOUCIIyuux*∏uger^aud・B・Skateattheicebat*.
C.TaSteSOmeWineandfood・D.BOWlOnOUtdOOricelanes.
23.FronIWhiChisfliptextPrObnbIytaken?
A.AIifemagaziue・B.AWebSite・
C.Ageographytextbook.D・AnadvertisementCOlUmU・
B
WhenOthernine-year-oldkidsWerePlayinggames,SiIewasWOrkingataPetrOlStation.WhenOtherteensWereStUdyingOrgoiugout,SIIeStrUggIedtoΩndaPiaCetoSIeePOUtheStreeLBUtSheOVerCametheseterribleSetbaCkS(挫折)toWiUaIIigIIIyCOmPetitiVeSCIIolarSIIiPandgainentrytoHanPardUniversity.AndIIeramazingStOryIIaSinspiredamovie9^HotHeleSStoHarvard:
TheLiZMurrayStOryShOUninIateAPriL
LiZMurray,a22-year-oldAmeriCangirl,hasbeenWritingareal-lifeStOryOfAvillpoweranddeterminatiou・LiZgrewUPiutheSIIadOWOfhvoClrUg-addictedParelItS・TiIereWaSneverenoughfoodOrWarlUclotliesintheIlOUSe・LiZWaStheOnIymemberOfthefamilyWIIOhadajob.HermotherIIadAIDSanddiedWlIenLiZWaSjust15yearsold.TIIeeffectOfthatIOSSbecameaturningPOmtinIIerlife.COnneCtingtheenvironmentiuWhiChSheIIaClgrownUPWitIlIlOWIIermotherhaddied,ShedecidedtodoSOmetIlmgaboutit.
LiZWelItbacktoSChOOLShethrewherselfintoherstudies,nevertellingIlerteachersthatSheWaShomeless.AtDight9SheIiVedOnthestreets.UWhatdroveInetoIiVeonIIa(ISOmethingtodoWithunderstanding,byUnderStaUdiUgthatthereWaSaWhOIeOtherWayOfbeing・IhadOnlyexperiencedaSmalIPartOftheSOCietyJSheWrOteinherI)OokBreakhIgNight.
SheadmittedthatSheUSedenvytodriveIlerSelfon.SheUSedthebenefitsthatCOmeeasilytoOthers,SUChasaSafeIiVingenvironment,toencourageherselfthatUneXttonothingCoUklholdmedown”.ShefinishedhighSChOOlinjusttλvoyearsandWOnafullSChOIarShiPtoStUdyatHanardUniversity.BUtLiZ(IeCidedtoIeaVehertopImiVeTSityaCOUPleOfmonthsearlierthisyearinOrdertotakeCareOfherfatherWhOhasakodevelopedAIDS."
IIOVeInyParentSSOmuch・Theyaredrugaddicts.BUtIneverforgetthattheyIOVemeallthetime.”
LiZWantSInoViegOerStoCOmeawayWiththeideathatChangingyourIifeis44asSimPleasmaking
adecision”.
24・ThemainideaOfthePaSSageis.
A.howLiZInanagedtoenterHaI^ardUniversiK*
B.howLiZStlUggIedtoChangeherIife
C.WhyLiZIOVedherParentSSOmuch
D.thehardtimeLiZhadinherChiIdiIOO(I
25.InWhiCbOrderdidthefollowingtilingsIIaPPeIltoLiz?
a.HermotherCliedOfAIDS.
b・SheWorkedataPetrOlStatiOn.
c.ShegotadmittedintoHarvard.
d・TheIllOviQaboutIlerEfeWnSPUton.
q・SheIIadtroublefindingaPlaCetosleep.
A.b,e,a,d,CB・a9b,c,e,dC.e,d9b>
a,CD・b?
ayc5d
26.WhiChOfthefollowingisNOTtrueaccordingtothepassage?
A∙BOthLiz,sfatherandmotherareAIDS-infectedpatients.
B.LiZIiVedaIIardtimeiuIIerCIliIdhOOd・
C.Liz9SStOryisaninspirationtoInanypeople.
D・LiZhatedherfatherbecausehegotaddictedtodrugs.
27.WhatactuallymadehergotowardsIIergoal?
A.EilVyandencouragement.B・WilIPOWeranddetermination.
C.DeCiSiOnSandunderstanding.D・LOVeandrespectforherparents.
C
ThrOUghOUthistory,musicSPreadamongPeOPleOfdifferentcultures.Infodaytstechnologicaladvancedsociety,hoλveveι;
PeOPleSPreadmusicOnIinESOmetimeSWithOUtanartist,spermission.ThiSCanIeadtomanyPrOblemS)andmusicCOnIPanieSarenowCZCkin2downonthisPraCtiCe・SharingmusicOnIineWithOUtPermiSSiOnistheft・
ShanngHIUSiCOnlinePreVentSrecordingCOmPauieSfromIUakingmoneyfromtheirefforts・TheySaythatSharmgmusicOnlineIIaSIeSUltediιιahugedropinPrOfitSandSaIeSOVerthePaSt10years・PeOPIeWhOfindmusicforfreeOnlinearenotpajdngforCDSOreveryMP3downloaded・TOtιulyUnderStandtheinfluenceOfmusicPiraCyOncreators,OnemustUn(IerStan(IhowmauyPeOPleareinvolvedintherecordingprocess.FortheSaIeOfeachalbum,PrOfitSmustbeSIIaredbetweenmusicians,SOUlIdengineers,musicproducers,managers,advertisers,andtheComPanySeiIingtheproduct.ManyPeOPIebelieveSharingmusicOlIIyaffectstherecordingartist,buttherealit>
∙isthatShaIvnlgIlUrtSbusinessforallCOlIIPalIieSinvolved・
TlIerearemanyPeOPIeWlIOdonltSeetheIlarminSIlarulgmusicOnIineandeventhinktheyhavetherighttodoit.OneOIiIinebloggerStateSthatIIeOriginallyPaidforanentiιveCDandthatheSIIOUldbeabletodoWitllthematerialWhateVerheWalltS・WlIilebemayhaveIegallyPaidforthemusic,hedoesnothavetherighttoPrOVidePermiSSiOn9WhiChmeansPeOPleIikethebloggerarethieves・
AltiIOUghWedon'
tSPreadtoday,smusictheSameWayWedidbefore,there,snodoubtthatPeOPlearoundtheWOrldIOVetoSlIaremusic.However,internetPiraCyWOUldPreVentmusiciansfromCOntmUingPrOdUCingalbumsforIearOftheft.XherefOre?
ilPeOPIeWanttoCOntmUeIiSteningtotheirfavoriteartists,theyneedtobuytheirIilUSiCSOthatartistswillmakeenoughPrOfittoCOntinUetheirmusicCareers.
28.TIIeUUderIine(IPlIraSe,lCraCkingdownOnninParagraPIl1isCIOSeStinmeaningto.
A・bringingUPCarefUlIyB.ςpenkingIIiglIlyOf
C.dealingSeriOUSlyWithD・destroyingCOmPIeteIy
29.XVQCanIearnfromthetextthat.
A・SIIanngmusicfilesOiIIiUeaffectsaIOtOfPeOPIe
B.artistsaretakingactiontoPrOteCttheiιwright
C.OnIinemusicSharingincreasesSaIeSOfmusicCD
D.aPerSOnWhOboughtaCDIIaStherighttoShareitOnIineWithOtherS
30.HOWisthetextOrganized?
A.TOPiC—Argument—EXPIanatiOIl
B.IiItTO(IUCtiOll—SUPPOrtingStateInentS—COnClUSiOn
C.Mainidea―OmPariSOn——SUPPOrtingStatementS
D.OPiniOn—DiSCUSSiOn—DeSCriPtiOn
31.Whatistheauthor'
sattitudeto
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