Huck 1Word文档格式.docx
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Huck 1Word文档格式.docx
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Criticalessay
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Thisessayrevisitsthedecades-longdebateaboutracialrepresentationinMarkTwain'
sAdventuresofHuckleberryFinnandsuggests,lookingbeyondtherigidbinaryofeitherdemandingabanonthenovelorbelittlingitsraciallyoffensiveaspects,thatinracialtermsTwain'
screationoftheHuck-Jimrelationshipreflectswhatwasintheauthor'
sownlifeandworldviewamuddledterrainofgoodintentions,confusion,wavering,andinconsistency.WhileTwainmaynothaveinscribedhisincompletestrugglewiththe'
racequestion'
inthenoveldeliberately,suchanimprintwasadefactooutcomeofhiswritingprocess.Acusptext,HuckleberryFinnis,ontheonehand,shackledanddiminishedbyitsviewofAfricanAmericansasOthers;
ontheotherhand,thenoveldoescontainaneffort,albeitaflawedandunfinishedone,totranscendthelimitationsofpost-Reconstructionracismandracialism.Thisarticleexaminesthesetension-riddendynamicsofracialrepresentationinHuckleberryFinnbyfocusingonTwain'
sportrayalofJimasafatherfigureforHuck(arelationshipthattemporarilytransgressesthedepictedera'
sprevalentracialhierarchies)andonthenovel'
snoteworthy,thoughlamentablyincomplete,deconstructionofmeaningsconventionallyattachedtowhitenessandblacknessinnineteenth-centuryAmerica.ThisessayarguesthatHuckleberryFinn--acomplextextofwhosedifferentlayersandthreadsTwainwasnotnecessarilyinfullcontrol--bothillustratesandmimicshistoricalprocesseswherebyshacklesofracializedperceptionareatfirstpartlyopenedandthen,disappointingly,partlyclosedagain.
Keywords:
MarkTwain,AdventuresofHuckleberryFinn,racialrepresentation,Huck-Jimrelationship,blackmanhood,ToniMorrison
**********
"
I'
dliketopassitontoyou,son.There"
hesaid,handingittome."
Funnythingtogivesomebody,butIthinkit'
sgotaheapofsignifyingwrappedupinitanditmighthelpyourememberwhatwe'
rereallyfightingagainst"
....Itookitinmyhand,athickdark,oilypieceoffiledsteelthathadbeentwistedopenandforcedpartlybackintoplace....
(RalphEllison,InvisibleMan,1965[1952]:
313)
The1880ssawthecollapseofcivilrightsforblacksaswellasthepublicationofHuckleberryFinn.ThiscollapsewasanefforttoburythecombustibleissuesTwainraisedinhisnovel.Thenation,aswellasTomSawyer,wasdeferringJim'
sfreedominagonizingplay.ThecyclicalattemptstoremovethenovelfromclassroomsextendJim'
scaptivityonintoeachgenerationofreaders.
(ToniMorrison,"
ThisAmazing,TroublingBook"
1999[1996]:
389)
[S]ureenough,TowSawyerhadgoneandtookallthattroubleandbothertosetafreeniggerfree!
(MarkTwain,AdventuresofHuckleberryFinn,1999[1884]:
292)
TheaboveexchangebetweenthenarratorandablackpoliticalactivistnamedBrotherTarpinRalphEllison'
sInvisibleManoffersaglimpseofatragicmemento,areminderofTarp'
snineteenyearsinachaingang:
alegiron.DespiteInvisibleMan'
sprimarilypost-GreatMigrationtimeframe,Tarp'
sshackle--alinkofsteel"
thathadbeentwistedopenandforcedpartlybackintoplace"
(Ellison1965[1952]:
313)--functions,amongotherthings,asametaphorforEmancipationandforthefailureofReconstruction,aswellasforthepsychologicalimplicationsofthetwo.MarkTwain(whoseproseEllisongreatlyappreciated,recognizingitsindebtednesstoblackSouthernvernacularvoices)
(1)wroteAdventuresofHuckleberryFinninthelate1870sandearly1880s,when,inToniMorrison'
swords,"
[t]henation,aswellasTomSawyer,wasdeferringJim'
sfreedominagonizingplay"
(1999[1996]:
389).ThisessayarguesthatHuckleberryFinn(1884)canatonelevelbereadasabookaboutshacklesofracialoppressionthatare,inthenovel'
scourse,"
twistedopenandforcedpartlybackintoplace"
atvariouslevelsoftheplotandnarration.
(2)
Toelaborate,duringHuck'
sjourneytothedeepSouth,hisAfricanAmericanfellowtravelerismuchofthetimerestrainedbothbytheshacklesofslaveryandbywhatFredrickWoodardandDonnaraeMacCannhave,inthetitleoftheir1992article,aptlytermedJim'
s"
minstrelshackles"
.Huck,inturn--despitehisapparentfreedom--isconfinedbyvariouswhiteconventionsofantebellumlife,especiallybyhissociety'
saxiomaticassumptionsofwhitesuperiorityandblackinferiority.Mostcrucially,Twain'
snarrativeisitselfshackledanddiminishedbyitsviewofAfricanAmericansasOthers.However,beingatransitionaltextwrittenbyaformer,'
desouthernized'
SouthernermarriedtoaliberalNortherner,(3)thenovelalsoclearlycontainsaneffort,albeitaflawedandunfinishedone,totranscendthelimitationsofpost-Reconstructionracismandracialism.
WhilerecognizingandlamentingTwain'
sparticipationinnegativeracialstereotyping,thisessayexaminesthetension-riddendynamicsofracialrepresentationinHuckleberryFinnbyfocusingonthenovel'
sprevalentracialhierarchies)andonthebook'
snoteworthy,thoughregrettablyincomplete,deconstructionofmeaningsconventionallyattachedtowhitenessandblacknessinnineteenth-centuryAmerica.RatherthanaimingtocontributeeithertoanuncriticalwhitewashingofTwainortoafurtherhypercanonizationofHuckleberryFinn,thisessayoffersperspectivesintendedtomaketheintellectuallyandpoliticallyresponsibleteachingofthisdifficultbook(ofwhosedifferentlayersandthreadsTwainwasnot,inmyview,infullcontrol)alittleeasier.
1.Introduction
SetintheMississippiValley"
fortyorfiftyyearsago"
asthenovel'
ssubtitledeclares,HuckleberryFinnrespondstothefailureofReconstructionbyretellingthestoryofslaveryfromthepointofviewofayoungwhiterunawaywhosefatebecomesintertwinedwiththatofanadultblackfugitive.Adarker-tonedsequeltothesunnierTheAdventuresofTomSawyer,HuckleberryFinnseemstohavebegunasanothersemi-autobiographical,fictionalizednarrativeaboutthejoysofSouthernboyhoodandaboutthecharmandspellofTwain'
sbelovedMississippiRiver.However,aftertheauthorallowedHuckandJim'
srafttopassthemouthoftheOhioRiver,andthetworunawaysstartedtodriftwherenofugitiveslaveshouldgo,Twain'
originalconceptionwasbeginning"
asJaneSmileyobserves,"
toconflictwiththeimplicationsoftheactualstory"
(1995:
356).Inthepagesofhisownwriting,Twain'
sidealizedMississippiRiverbegantomonstrouslytransformitselfintowhatithad,inreality,signifiedforparticipantsinthedomesticslavetrade:
amajorroutetotheheartlandofracialslaveryinNorthAmerica.AtthispointTwain,infact,droppedtheprojectandputthemanuscriptasideforthreeyears;
thiswriter'
sblockseemstoimply,asSmiley(1995:
356)suggests,thatTwaindidnotknowhowtoproceedaftertherafthadfloatedbeyondthepointofnoreturnandenteredwhatforJimdenotedtheultimaterealmofterror.
Consideringthistension-riddengenealogy,whichindicatesthatHuckleberryFinnemergedoutofacuriousmixtureofunrelatedandpartlyconflictingmotives,itisnotsurprisingthatTwain'
snarrativeisatvariouslevels"
troubling"
asToniMorrisonwriteswhilecommentingon"
inher1996introductiontothenovel.Thoseinitially'
troubling'
qualitiesthataretheeasiesttodealwith(andultimatelymakeupacrucialaspectofTwain'
ssatiricalstyle)derivefromHuck'
sstatusasayoungandsomewhatunreliablenarrator.Apoorlyeducatedadolescent,Huckknowslittleabouttheworkingsofsociety,andhisperspectivesonwhatherecountsarelimitedbyhisignorance.Therathermodestdegreeofhisself-knowledgeworkstowardsthesameeffect:
forallhisbittercomplaintsaboutthewidowDouglas'
sandMissWatson'
sattemptsto'
sivilize'
him,Huckismuchmoreheavilyinfluencedbythenormsof'
sivilized'
societythanhehimselfbelievestobethecase.Ratherthangoingbravelyagainstthegrain,hecondemnshimselfforhisfriendshipwithJimand,ingeneral,for"
hisinabilitytoconformfullytothenormsofthewidowDouglasandTomSawyer,therepresentativesofconventionalantebellumlifealongtheMississippi"
(Bell1992[1985]:
130).Ofcourse,thiscombinationofHuck'
simmaturityandunreliabilityultimatelyconstitutesoneofTwain'
smostbrilliantnarrativeinventions(modifyingtheexampleofVoltaire'
sclassicinnocentCandide,anothertraveler):
preciselybecausethenarrator-protagonistisyoungandinexperienced,everythingthatheseeswhilefloatingdowntheriverwithJimstrikeshimasnewandpresentsanacutechallengetohisworldview.Inthefinalanalysis,thevoiceoftheadolescentboywhoseviewsofsocietygraduallychangeduringhistragicomic(muchmoretragicthancomic)OdysseandescentintotheunderworldfunctionsastheprimarymediumforTwain'
sironiccritiqueoftheslaveholdingSouth.Allthingstakenintoaccount,Huck'
snarrativeofhisadventuresservesTwain'
sprojectsofunearthingthemoralhypocrisyof'
decent'
churchgoing,andslaveholdingwhiteSouthernersandofaddressingtheperilsofslavery.
Thissaid,thetruly'
aspectsofthis'
amazing'
bookarisefromthefactthatalthoughSamuelClemensasanadultdistancedhimselffromtheproslaveryindoctrinationto
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