四川省自贡市届高三第三次诊断考试英语试题Word版含答案文档格式.docx
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四川省自贡市届高三第三次诊断考试英语试题Word版含答案文档格式.docx
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每段对话仅读一遍。
1.Whattimeisitnow?
A.9:
10B.9:
50C.10:
00
2.Whatdoesthewomanthinkoftheweather?
A.It’sniceB.It’swarmC.It’scold
3.Whatwillthemando?
A.AttendameetingB.GivealectureC.Leavehisoffice
4.Whatisthewoman’sopinionaboutthecourse?
A.ToohardB.WorthtakingC.Veryeasy
5.Whatdoesthewomanwantthemantodo?
A.SpeaklouderB.ApologizetoherC.Turnofftheradio
第二节
(共15小题;
每小题1.5分,满分22.5分)
听下面5段对话或独白。
每段对话后有一个小题,从题中所给的A、B、C三个选项中选出最佳选项,并在答题卡上将该项涂黑。
听每段对话或独白前,你将有时间阅读各个小题,每小题5秒钟;
听完后,各小题将给出5秒钟的作答时间。
每段对话读两遍。
听第6段材料,回答第6至7题。
6.HowlongdidMichaelstayinChina?
A.FivedaysB.OneweekC.Twoweeks
7.WheredidMichaelgolastyear?
A.RussiaB.NorwayC.India
听第7段对话,回答第8、9题。
8.WhatfooddoesSallylike?
A.ChickenB.FishC.Eggs
9.Whatarethespeakersgoingtodo?
A.CookdinnerB.GoshoppingC.Orderdishes
听第8段对话,回答第10至12题。
10.Wherearethespeakers?
A.InahospitalB.IntheofficeC.Athome
11.Whenisthereportdue?
A.ThursdayB.FridayC.NextMonday
12.WhatdoesGeorgesuggestStephaniedowiththereport?
A.improveB.HanditinlaterC.Leaveitwithhim
听第9段材料,回答第13至16题。
13.Whatistheprobablerelationshipbetweenthespeakers?
A.SalespersonandcustomerB.HomeownerandcleanerC.Husbandandwife
14.Whatkindofapartmentdothespeakersprefer?
A.OnewithtwobedroomsB.OnewithoutfurnitureC.Onenearamarket
15.Howmuchrentshouldonepayfortheone-bedroomapartment?
A.$350B.$400C.$415
16.Whereistheapartmentthespeakerswouldliketosee?
A.OnLakeStreetB.OnMarketStreetC.OnSouthStreet
听第10段材料,回答第17至20题。
17.Whatpercentageoftheworld’steaexportsgotoBritain?
A.Almost15%B.About30%C.Over40%
18.Whydoteatasterstasteteawithmilk?
A.MostBritishpeopledrinkteathatwayB.Teatastesmuchbetterwithmilk
C.Teawithmilkishealthy
19.Whosuggestsapriceforeachtea?
A.TeatastersB.TeaexportersC.Teacompanies
20.Whatisthespeakertalkingabout?
A.ThelifeofteatastersB.AfternoonteainBritain.
C.TheLondonTeaTradeCentre.
第二部分阅读理解(共两节,满分40分)
第一节(共15小题;
每小题2分,满分30分)
阅读下面短文,从每题所给的四个选项(A、B、C和D)中,选出最佳选项,并在答题卡上将该项涂黑。
A
WelcometoBarcelona,Spain.Herearesomeattractivesites.
SagradaFamilia
Openinghours:
09:
00—18:
00(October—March)
00---20:
00(April—September)
Admission:
$11,or$10withtheBarcelonaCard
Thetemplehasbeenunderconstructionsince1882andthey’vestillgotanother30to80yearstogobeforeitisfinished.Theproject’svastscaleanditsspecialdesignhavemadeitoneofBarcelona’stoptouristattractionsformanyyears.
LaPedrera
November—February:
30;
March—October:
00—20:
$9.Save20%withtheBarcelonaCard.
ThisbuildingusedtobecalledCasaMilabutnowadaysit’smorecommonlyknownasLaPedrera.ItisauniquemodernistbuildinginBarcelonaandwasmadeofbricks.Itwasbuiltbetween1906and1912andin1984itwasdeclaredaUNESCOWorldHeritagesitewithotherGaudibuildingsinBarcelona.
BarcelonaFCMuseum
April6th
—
October4th:
(MondaytoSaturday)10:
00;
Therestoftheyear:
10:
30
$8.50forentrytothemuseumand$17foraguidedtour.
Whenyoubuyyourticketyouhavetwooptions.Youcanbuyaticketforthemuseumtoseethefootballstadiumoryoucanbuyadual(双的)ticketfor$15whereyougettoseethemuseumandthescenesattheclub.
MiroMuseum
Checkthewebsitefordetailsastheyvarydependingonthetimeoftheyear.
$8.Save20%withtheBarcelonaCard.
ThismuseumhasawiderangeofMiro’sworkdatingbackasfaras1914.Thisartworkcollectionnotonlyincludeshispaintingsbutalsoagoodselectionofsculptures.
21.HowmuchshouldyoupayifyouvisitLaPedrerawiththeBarcelonaCard?
A.$6.4B.$10C.$8D.$7.2
22.Wherecanyouvisitafootballstadium?
A.MiroMuseumB.SagradaFamilia
C.BarcelonaD.LaPedrera
23.WhomightbeinterestedinMiroMuseum?
A.ArtistsB.AthletesC.ArchitectsD.Singers.
B
InthemiddleofahotJulyafternoon,whenthewetaircamewithslightwavesofheat,Ibecameathiefofsomesort—athiefofmusic
Forthefirsttime,Ihadcreatedanoriginalpianoarrangementofoneofmyfavoritesongs.NotoncehadIlookedforthehelpofpremadesheetmusicorvideocoursesonYouTube.UsingonlymyearsandiPod,Ihadchangedamixofdifferentsoundsandcomplexmelodiesintothetonesofasingleinstrument;
IhadcreatedcomplexharmoniesandvoicesintosomethingIcouldperformwithonlytwohands.Nohelp,noguide:
Ihaddoneitonmyown.
I’vebeenapianistsincebeforemyhandswerebigenoughtoreachanoctave(八度音节):
withamusicianandcomposerforafather,Iwasallbutbornonthepianobench.Formanyyears,mymusicalidentitywasdefinedbythenotesthatothershadwrittenincenturiespast.
Thiswaswhy,whenIaddedthefinishingtouchestomypianoversion(版本)ofamodernrocksong,Iwasproudofmyself:
thisarrangementwasmine.WhatI’ddoneseemedmagical:
anabilitytotakewhathadalreadyexisted—to“steal”asongfrommyfavoriteband—andtochangeitintosomethingdifferentandallmyown.Iwasathief,butIwasalsoanartist.
Inmusic,asinotheraspectsoflife,Ibelievethattrueoriginalityrarelyexists.Almosteverythinghas,inoneformoranother,beendonebefore.ThemostromancenovelmayverywellbeaslightlychangedversionofaplaybyShakespeare,whichislikelytobeborrowedfromtheworksofAncientGreece:
samethemes,differentcharacters,differentcircumstances.But,thenovelisnolessdeservingofpraisejustbecauseitsuniquenessiscompromised.Adaptationisnotasynonymforfailure.
ThegiftofcreativityistheabilitytodowhatIdidonthepiano:
tofindsomethingbeautiful,toanalyzeandtwistitandloseyourselfinthemysteryofitscomposition,andthentomakeitnew.Suchanactisnotcopying;
itisfindinginspirationandhavingthestrengthandtheinnovation(创新)touseitasfuelforyourownmasterpiece.Theworldisnothingmorethancollectionsofpreexistingparts—scatteredandoftenlostinthechaosofeverydaylife.Ibelieveitismyjob,asanartist,torearrangethisworldintowhatIenvisionittobe.
IrefusetoliveasifIweretrappedwithinthewallsofamuseum:
lookingbutnevertouching,afraidtoruintheso-calledperfectionoftheartifactsinside.Therefore,Iwillembracemyabilitytobeathief,becauseifIdon’tstealwhattheworldhastooffer,I’llneverhavethetoolstosharewithothersacreationofmyown.
Mylifeismyownarrangement,andbecauseofthat,anythingispossible.
24.Accordingtothepassage,whichstatementistrue?
A.Actually,therewasoriginalityonlyinmusic
B.Hewasbornonthepianobench
C.Theauthorcreatedtheoriginalpianoarrangementallbyhimself
D.Theauthorwasonceathiefwhostolemusicfromhisfavoriteband
25.Whichwordhastheclosestmeaningwiththeunderlinedword“embrace”?
A.adoptB.describeC.acceptD.quit
26.Thereasonwhytheauthorfeltproudofhimselfwasthat______.
A.hebecamearealartistwithoutother’shelp
B.hecouldplaythepianobeforehewasshorterthanthepianobench
C.hehasafatherwhowasamusicianandcomposer
D.hechangedoneofhisfavoritesongsintoapianoarrangementonhisown.
27.Whichofthefollowingcanbethebesttitle?
A.AmusicthiefB.Changesfromathieftoanartist
C.ThepassiontocreatemusicD.Mypianoarrangement
C
Whensomeonewalksintoyourlife,astorybegins.Payattention.Whoknowswhereitwillgoorhowitwillend?
IwasatransplantedSouthernertryingtotakerootinCalifornia,marriedonlysixmonthswhenmynewhusbandgothisfirstjobteachingandcoachingatMontereyHigh.
Itwouldtakealmost10yearsforhimtomovefrombasicmathcoursesandlower-divisionsportstoteachingphysicsandcoachingcollegebasketball.Buthewasneverinahurry,neverinarushtodoanything,really,buthisbest.Allthatmattered,hesaid,wasnottheplaceofajob,buthowwellandhowdiligentlyheperformedit.Whilehewasbusydoinghis“best,”Iwasbusyhavingbabies(threeinfiveyears)andgoingtobasketballgames.That’swhereImetDavid,atthegames.Iwas21.Hewas16.It’snotlikeyoucouldmisshim,really.
DavidwasaspecialeducationstudentatMontereyHigh,abiglumbering(步态笨拙的)bear(急性子)wholovedbasketballwithallhisbeing,butlackedthecoordination(协调)toplay.
Instead,startinginhighschoolandcontinuingsome40years,heshowedupateverygameas“teammanager,”takingcareoftheballsandtowels,slappingplayersonthebacksiftheydidwell,andgivingsadness,likeitornot,iftheymissedshotsormadetheteamlookbad.Hetookspecialumbrageatlazydefense.“You’vegottoboxout(卡位)!
EvenIcandothat!
Wantmetoteachyou?
”Hesaid.Theywouldpretendtoignorehim,butwinorlose,they’datleasttryalittlehardertoboxout.
Morethananything---maybeevenmorethanbasketball–Davidlovedhugs.I’mnotsureDavideverknewmyname.Hecalledme“Mrs.Coach.”Ateverygame,homeoraway,he’dfoundmeinthestands(看台)andcomeovertogetahug.WhenDavidhuggedyou,youknew
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