《绝望主妇》与《红楼梦》女性意识对比研究Word文档格式.docx

《绝望主妇》与《红楼梦》女性意识对比研究Word文档格式.docx

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Name:

SunFangfang

Advisor:

HanFuling

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Abstract

ThepapermainlymakesadetailedcomparisonbetweenthefemaleconsciousnessofDesperateHousewivesandADreaminRedMansions.Thisnovelanalysesthefemaleconsciousnessfromthefollowingaspects:

abriefintroductionofDesperateHousewivesandADreaminRedMansions;

theinterpretationoffemaleconsciousness;

Whatshouldmodernwomenlearnfromthetwoworks.Throughanalysis,thispaperattemptstoshowreadersmorethanjustalovenovel.Sointhemeantimepeopleshouldpayspecialattentiontotheintensefemaleconsciousnessinthetwoworks.Andmodernwomencouldestablishcorrectvaluesandbemoreconfidentandlearnthefemaleconsciousnessfromthetwoworks.

Keywords:

resistance;

love;

self-consciousness;

femaleconsciousness

摘要

本文尝试从中西女性意识对比分析研究角度，剖析研究具有代表性的美国典型电视剧《绝望主妇》和中国古代四大名著其一的《红楼梦》，来分析不同文化背景下两部作品中女性意识的异同。

本文运用对比研究法和文献资料法具体比较分析了两部作品中女主人公对不平等现状的反叛精神，爱情观，婚姻观和个人独立意识,从而展现剧中女性所代表的在男权社会现实下所面对的困境，揭露了女性和男性不平等的社会现实，同时强调了女性要通过独立斗争，争取自己权益的重要性。

关键词：

女性意识；

反叛精神；

爱情观；

婚姻观；

独立意识

.

TableofContents

摘要

Chapter1Introduction

Chapter2AnalysisofDesperateHousewivesandADreaminRedMansions

2.1AnalysisofDesperateHousewives

2.2AnalysisofADreaminRedMansions

Chapter3FemaleConsciousness

3.1TheDefinitionofFemaleConsciousness

Chapter4FemaleConsciousnessinDesperateHousewivesandADreaminRedMansions

4.1FemaleconsciousnessinDesperateHousewives

4.1.1Resistance

4.1.2Love

4.1.3Self-awareness

4.2FemaleconsciousnessinADreaminRedMansions

4.2.1Resistance

4.2.2Love

4.2.3Self-awareness

ChapterFiveConclusion

ChapterOneIntroduction

Withtherapidadvancementofmodernsociety,itisobviousthatwomenareplayingamoreandmoreimportantroleonallaspects.Peoplehavebegantorealizethesignificanceofwomen’sstatusandpursueindividualfreedominitially.Moreandmorewomenchoosetochallengetraditionalconceptsandarestrugglingtoimprovetheirsituationsandsocialstatus.Thetwoworksallfocusonthefemaleconsciousnessandexpresswomen’srequirements,desires,andmeanwhiletellushowwomenstruggletostrivefortheirownfreedomandsocialstatus.

DesperateHousewives,anfamousAmericantelevisionseries,producedbyMarcCherry,wasfirstpresentedonABCin2004.TheABCtelevisionnetworkbroadcastaseries"

desperatehousewives"

1setinOctober2005,andinjusttwomonthsitquicklyenteredintotheAmericanfamily.Andtheshowattractedmillionsofviewersinsuchashorttime.In2005,the62thannualgoldenglobeawards"

ontheTVseries"

bestcomedyseries"

"

bestactress"

three"

comedy"

bestsupportingactressaward.Theshow,pouringintoChinaasafashion,wasattractingincreasingindividuals.ThemainaudienceofDesperateHousewivesarethewhite-collarworkerslivingincities,withsmallachievements.Theshowwasabigsuccessinthe2004-2005televisionseasonandobtainedalotofcriticalacclaim,broadcastinmanycountries.Thereisnodoubtthatshowwaspopularandattractive.Theseriesracedtothetopandimmediatelytheterm'

'

desperatehousewives'

becameaculturalphenomenon,arousingmanywomanjustlikethehousewivesinDesperateHousewives.Theactresses,inDesperateHousewives,wereespeciallyspokehighlyoffortheirrolesinDesperateHousewives.

Theshow,inaway,isamicrocosm,notonlyreflectingmodernsociety'

sunderstandingoffemalecharactersbutalsoreflectingthedifficultieswomenarechallenging.Theshowletushaveaunderstandingofthefourwomen’sdistinctivepersonalities.

However,inthefaceofavarietyofpressureintheirlife,thecontradictionbetweenthetraditionalbondageandmodernwoman'

sindependencewasintensifying,whichmadethehousewives,inDesperateHousewives,almostdesperate.Andtheyalsopersistedinfightingfortheirlivingspaceagainstpatriarchalsocietypressure.

Theshow,DesperateHousewives,wassetonWisteriaLaneinthetownofFairview,introducingthefourhousewives.Followingwomen’sdomesticstruggles,theysharedhappinessandsorrow.Buttherearelotsofunknownthingsinvolvingtheirsurroundings,theirfamilies,theirfriends,andsoon.

WhatDesperatehousewivesimpressedpeoplemostistheirhonestytoothers.Peoplenevertakeanythingtohidetheirnature,whichmadepeopleaccustomedtotheimplicitcultureatmospherefeelfreshandexcited.Theshowcreatedaseriesofb