艺术设计中英文对照外文翻译文献Word文档格式.docx
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艺术设计中英文对照外文翻译文献Word文档格式.docx
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Itsusefulnessandbeauty--creationofformandbeauty--traditionalbeauty--beautybeyondtheaccumulationgeneration
Itsusefulnessandfunctionalbeautyanditsproperties
Functionofbeautyisusefulincertainconditionsandtransformedinto,including:
improvingthetransformationofbeauty--fulleffectivenessisreasonableandperfect,suchasthevalidityofthereasonablestructureandmaterialandengineering,althoughnottothelawsoftheUnitedStatesasaconstraint,butprobablybecauseofthelawsoftheUnitedStatesinto"
rationality"
.Fromthefunctionofbeautyinlightofthephenomenonthattheessenceofit,sothatwecanmoredeeplyunderstandthebeauty.Firstofall,itisthenaturalbeautyofasimilarnaturebeauty.
Secondly,thepracticalpurposeoffunctionalbeautybygreattraction.Functiontoachievethepurpose,functionofbeautycanbeachieved.
Completewithartisticbeautystandardstomeasureproductdesign,itisoftendifficulttodrawtheconclusionthat.Similarly,simpleuseandcertainhumanmaterialneeds,suppliesisbeautifulgenerallydoesnotaffecttheuse.Third,UnitedStatesalsohasasocialfunction.Productscontainingthefunctionbeautycannotaffectedbysocialproductivitydevelopmentandaestheticpsychologyhistoricallimitations.Functionofbeautyisasocialconcept,itisnotpossibletobeyondthelimitationsofhistory,thesebelongtonontraditionalartisticbeauty.Functionofbeautyisnotusefultobothbeauty"
"
Functionofbeautyisnotusefultobothbeauty"
Thefunctionofbeautyasbeautyoftechnologyfull,objectivedeniedthattheaestheticvalueoftherelativeindependence,theexclusionofformbeauty.Thespecificmeaningof"
transformation"
iswhat?
Firstofall,thisconversiondependsonthemainbodytotakeaestheticattitude,aestheticattitudeisselective,aesthetics,aestheticvalueisnotpurelyobjective,notsubjective,buttheunityofobjectiveandsubjective.Generallyspeaking,passiveaestheticfeelingsdoesnotrequirespecializedtraining,butanypersonintheutilitarianpurposeandsocialconditions,theaestheticobjectsalwayshaveachoice.Secondly,theneedtotransform,itillustratestheuseofvalueandaestheticvaluearenotcompletelythesame,theyaretheunityofopposites.Usevaluebringsurvivalconditions,
andcanbringtheenjoymentofthematerial.Aestheticenjoymentis"
careinenjoyment"
thiswordismostlyusedinthevisualarts, andappreciation,appreciationofdifferent.Theexhibitionwillhaveenoughspace,monumenttothebroadfieldofvision,istohaveasufficientdistancetocare,thewholebodyvisibleobject.Atthesametime,simpleuseandcertainhumanmaterialneeds,suppliesisbeautifulgenerallydoesnotaffecttheuse.Usevalueandaestheticvaluecannotbesubstitutedforeachother.Themoderndesignideaistheextremeimportanceoftheirunity,isnotfunctional,notaestheticism.4-2-3creationformandbeautyofformandcontentisarelativeconcept,contentorganizationform,isthecontentofeachpartofthecombinationmode.Everythinghasaform,aestheticform,referstotheaestheticobjectofthewholefeelingis,isalsoconsidered,auditoryortactileperceptionoftheentity,isthecontentofthebeingofbeauty.Function:
thebeingofbeauty,isthetechnologyofbeautifulform,thebeautyofform.Aisanythingallhastheform,oneiscontentbeautyrelativebeautyofform.Creationofcontent,usuallyunderstoodas"
usefulness"
.So,inordertoachieveusefulformisthepremiseofthestructureform.Structuralformsareofteninfluencedbythefunctionalpurposeofstrictrestrictions,eachpartasfaraspossible,efficienteconomywasintegratedintoaworkingwhole.
Formforthecontentthatrelativeindependence
Theso-calledrelativeindependence,referstotheformcanbecomeindependentofthedesignelements,butintheenditisdifficultfromthecontent.Hebelievesthatafunctionhasavarietyofformsofpointofview,butheisagainst"
functiondeterminesform"
.Consumerproductsofdifferentshapechangerequest.Weusethe"
degreeoffreedom"
and"
definition"
twoconceptstosummarize,objectivetimeOhdeeperformofdescriptionsofrelativeindependence.1formsofthedegreesoffreedomontheformof"
degreesoffreedom"
theformoffreedom,referstotheproductstructureandappearanceforthedesignertocontroltheextentof.The2formofdefinitionisfollowedbyaformof"
formclearhigh,theappearanceoftheproductqualityrequirementsarehigh.
4-2-2creationformcharacteristicsof1formsandcontentsharingacarriersuchas;
aBook2formswithdistinctivevisualdescriptionofacreationofperception,oftendirectlytoitsform,thatprecedethecontenttoseeitsshap
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