议论文阅读.docx
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议论文阅读.docx
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议论文阅读
议论文阅读
Youaregivenmanyopportunitiesinlifetochoosetobeavictimorcreator.Whenyouchoosetobeavictim,theworldisacoldanddifficultplace.“They”didthingstoyouwhichcausedallofyourpainandsuffering.“They”arewrongandbad,andlifeisterribleaslongas“they”arearound.Oryoumayblameyourselfforallyourproblems,thusinternalizing(内化)yourvictimization.Thetruthis,yourlifeislikelytostaythatwayaslongasyoufeelaneedtoblameyourselforothers.
Thosewhochoosetobecreatorslookatlifequitedifferently.Theyknowthereareindividualswhomightliketocontroltheirlives,buttheydon’tletthisgetintheway.Theyknowtheyhavetheirweaknesses,yettheydon’tblamethemselveswhentheyfail.Whateverhappens,theyhavechoiceinthematter.Theybelievetheirdancewitheachsacred(神圣的)momentoflifeisagiftandthatstormsareanaturalpartoflifewhichcanbringtherainneededforemotionalandspiritualgrowth.
Victimsandcreatorsliveinthesamephysicalworldanddealwithmanyofthesamephysicalrealities,yettheirexperienceoflifeisworldsapart.Victimsrelish(沉溺)inanger,guilt,andotheremotionsthatcauseothers---andeventhemselves---tofeellikevictims,too.Creatorsconsciouslychooselove,inspiration,andotherqualitieswhichinspirenotonlythemselves,butallaroundthem.Bothvictimsandcreatorsalwayshavechoicetodeterminethedirectionoftheirlives.
Inreality,allofusplaythevictimorthecreatoratvariouspointsinourlives.Oneperson,onlosingajoboraspecialrelationship,mayfeelasifitistheendoftheworldandsinkintoterriblesufferingformonths,years,orevenalifetime.Anotherwiththesameexperiencemaychoosetofirstexperiencethegrief,thenacceptthelossandsoonmoveontobeapowerfulcreativeforceinhislife.
Ineverymomentandeverycircumstance,youcanchoosetohavefuller,richerlifebysettingaclearintentiontotransformthevictimwithin,andbyinvitingintoyourlifethepowerfulcreatorthatyouare.
51.Whatdoestheword“they”inParagraph1probablyreferto?
A.Peopleandthingsaroundyou.B.Opportunitiesandproblems.
C.Creatorsandtheirchoices.D.Victimsandtheirsufferings.
52.AccordingtoParagraph2,creators__________.
A.seemwillingtoexperiencefailuresinlifeB.possesstheabilitytopredictfuturelife
C.handleupsanddownsoflifewiselyD.havepotentialtocreatesomethingnew
53.WhatcanwelearnfromParagraph3?
A.Creatorsandvictimsfacequitedifferentthingsinlife.
B.Creatorsandvictimsaremastersoftheirlives.
C.Victimscaninfluencemorepeoplethancreators.
D.Comparedwithvictims,creatorsaremoreemotional.
54.TheexamplesmentionedinParagraph4showthat_______________.
A.strongattachmenttosufferingsinlifepullspeopleintovictims.
B.peopleneedfamilysupporttodealwithchallengersinlife.
C.ittakescreatorsquitealongtimetogetridoftheirpains.
D.one’sexperiencesdeterminehisattitudetowardlife.
55.Whatistheauthor’spurposeinwritingthispassage?
A.Todefinevictimsandcreators.
B.Toevaluatevictimsagainstcreators.
C.Toexplaintherelationshipbetweenvictimsandcreators.
D.Tosuggestthetransformationfromvictimstocreators.
Weallknowwhatitisliketobeunabletoturnyourheadbecauseofacoldinthemusclesofyourneck,orbecauseanunexpectedtwisthasmadeyourneckache.Theslightestmovemakesyoujumpwithpain.Nothingcouldbeworsethanapainintheneck
Thatiswhyweusethephrasetodescribesomepeoplewhogiveyouthesamefeeling.Wehaveallmetsuchpeople.
Oneisthemanwhoalwaysseemstobeclappinghishands-oftenatthewrongtime-duringaperformanceinthetheater.Hekeepsyoufromhearingtheactors.
Evenworsearethosewhocanneverarrivebeforethecurtaingoesupandtheplaybegins.Theycomehurryingdowntoyourrowofseats.Youarecomfortablysettleddown,withyourhatandheavycoatinyourlap.Youmuststanduptoletthempass.Youareproudofyourself-controlaftertheyhavesettledintotheirseats...Well,whatnow...God,oneofthemisupagain.Heforgottogotothemen'sroom,andoncemoreyouhavetostandup,hangingontoyourhatandcoattolethimpass.Now,thatis"apainintheneck".
Another,well-knowntousall,isthepersonsittingbehindyouinthemovies.Hismouthisfullofpopcorn;heischewingloudly,ortalkingbetweenbitestofriendsnexttohim.Noneofthemremainstill.Upanddown,backandforth,theygoforanotherbagofpopcorn,orsomethingtodrink
Then,thereisthemansittingnexttoyouatlunch,smoking.Hewantsyoutoenjoyittoo,andblowssmokeacrossyourfoodintoyourmouth.
Wecannotforgetthemanwhocomesintoabusorsubwayandsitsdownnexttoyou,justascloseasyouwilllethim.Youarereadingthenewspaperandhegetsclosersothathecanreadthepaperwithyou.Hemayeventurnthepapertothenextpagebeforeyouarereadyforit.
Wealsocallsuchapersona"rubberneck",alwaysgettingclosetowhereitdoesnotbelong,likeneighborswhowatchallyourvisitors.Theyenjoylearningaboutyourpersonalbusiness.Peoplehaveastrongdislikefor"rubbernecks".Theyhatebeingwatchedsecretly.
51.Wherecanyoufindthispassage?
AInamedicinedictionary.B.inakids'storybook
C.InasocialsciencebookD.Inasciencetextbook
52.Accordingtothepassage,howdoyoufeelwhenlatecomerswalkbackandforthinfrontofyouinacinema?
A.ignORd.B.tired,C.disturbed.D.relaxed.
53.A"rubberneck"often_______.
Asaysbadwordsbehindpeople
B.asksaboutotherpeople'sbusiness
C.bargainswithsalespeopleovertheprice
D.quarrelsfacetofacewithneighbours
54.WhichofthefollowingpersonsCANNOTbedescribedasa"painintheneck"?
A.Someonewhooftenclapsatthewrongtimeduringaperformance.
B.Someonewhofeelsacheinhisneckduetoacoldinthemuscles.
C.Someonewhositsnexttoyousmoking,whichyouneverenjoy.
D.Someonewhokeepseatingortalkingallthroughthemovies.
55.Whatisthemainpurposeoftheauthor?
A.Totellpeoplewhatmightbebadmannersinpublic.
B..Tocriticizethepeoplewhomightbea"painintheneck".
C.Toshowangertothosewhoaredescribedasa"painintheneck".
D.Totellpeoplehowtostopthepainintheneck
D
Therearetwodangerstobeguardedagainstinoldage.Oneoftheseisundue(过度的)absorptioninthepast.Thereisnoneedtoliveinmemories,inregretsforthegoodolddays,orinsadnessaboutfriendswhoaredead.One’sthoughtsmustbedirectedtothefuture,andtothingsaboutwhichthereissomethingtobedone.
Itisunwisetobetooattachedtotheyouthinhopesofsuckingvigorfromtheirvitality(活力).Whenyourchildrenhavegrownup,theywanttolivetheirownlives,andifyoucontinuetobeasinterestedinthemasyouwerewhentheywereyoung.youarelikelytobecomeaburdentothem,unlesstheyarecoldtoyou.
Ithinkasuccessfuloldageiseasierforthosewhohavestrongimpersonalinterestsinvolvingproperactivities.Itisnousetellingchildrennottomakemistakes,bothbecausetheywillnotbelieveyou,andbecausemistakesareanessentialpartofeducation.Butifyouareoneofthosewhoareincapableofimpersonalinterests,andyouonlyconcernyourselfwithyourchildrenand.grandchildren,thenyoumustrealizethatwhileyoucanstillrenderthemmaterialservices,suchasmakingthemanallowance,youmustnotexpectthattheywillenjoyyourcompany.
Someoldpeopleareafraidofdeath.Butinfactthebestwayistomakeyourinterestsgraduallywiderandmoreimpersonal.Anindividualhumanexistenceshouldbelikeariver-smallatfirst,rushingpassionatelypastrocksandoverwaterfalls.Graduallytherivergrowswiderandthebanksmovebackandintheendtheybecomemerged(混和)intheseawithoutanyvisiblebreak.
Theoldmanwhocanseelifeinthiswaywillnotsufferfromthefearofgrowingoldanddeath.
51.Oneofthedangerstobeguardedagainstinoldageis
A.thefearofgettingold
C.todependonthemselves
B.tobelostinoldmemories
D.tobetooimpersonal
52.Theauthorsuggeststhatoldpeopleshould
A.developimpersonalinterestswithproperactivities
B.telltheirchildrennottomakemistakes
C.concernthemselveswiththeirchildren
D.notgivetheirchildrenanallowance
53.Theunderlinedword“render”inParagraph3probablymeans“”.
A.giveB.rewardC.returnD.demand
54.Theauthorcomparesanindividualhumanexistencetoariverbecause
A.1ifeislikeariver,firstsmall,andthenitbecomeswide
B.1ifeislikeariverfinallyflowingintotheseaanddisappearing
C.oldageanddeatharebothnatural,justlikeariver
D.peoplegetoldandfinallydienaturallylikeariver
55.What’sthemaintopicofthispassage?
A.Neverbeafraidofdeath.
B.Howtogrowoldsuccessfully.
C.Neverbeafraidofgettingold.
D.Gettingoldisnatural.
Blindimitation(模仿)isself-destruction.Tothosewhodonotrecognizetheiruniqueworth,imitationappearsattractive;tothosewhoknowtheirstrength,imitationisunacceptable.
Intheearlystagesofskillorcharacterdevelopment,imitationishelpful.WhenIfirstlearnedtocook,Iusedrecipes(菜谱)andturnedoutsometastydishes.ButsoonIgrewbored.Whyfollowsomeoneelse’swayofcookingwhenIcouldcreatemyown?
Imitatingrolemodelsislikeusingtrainingwheelsonachild’sbicycle:
theyhelpyougetgoing,butonceyoufindyourownbalance,youflyfasterandfartherwithoutrelyingonthem.
Indailylife,imitationcanhurtusifwesubconsciously(下意识地)holdpoo
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