Art in the application of industrial design.docx
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Art in the application of industrial design.docx
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Artintheapplicationofindustrialdesign
Artintheapplicationof
industrialdesign
Professionalclass:
IndustrialDesign0701
Instructor:
shaohaili
Student:
jiangxiao(20)
Artintheapplicationofindustrialdesign
Professionalclass:
IndustrialDesign0701Instructor:
shaohailiStudent:
jiangxiao
Keywords:
Arts,industrialdesign,artandindustrialdesigninlife,history,formfactordesign,competition,consumption,Bauhaus
Industrialdesigncoverseveryaspectofourlives.Fromaerospacetoautomotivecannon.Includesourlife.Largehouses,smallfoodchopstickstool.Allofourlives-relatedaspects.
Aslongasobjects,peoplewillitbeaesthetic.Functionalbeautyandappearance,includingtheUnitedStates.Theartsinindustrialdesign,isclearlytobeexaminedfromtheshapeof.Theartofalmostallapplicationsinallareas.Everydesignerinthedesignofaproduct,theywillfirstconsidertheshapeofaproductpackaging,andthentheinternalstructureandcomposition,andisfunctional.Likeapersontobuyaphone,theproductprices,featuresalmostthesame,thatisthesamecost,theydecidedtobuyfromtheappearanceofaproductwhich,eveninthisshapewasslightlylowerthantheothernotverycost-effectiveproductsnicephone,peoplewillbuytheproductappearanceandsometimesbeautiful.Therefore,inthiswaycaneasilyseethat,formagoodphoneincompetitionwithoverwhelmingadvantages.
Inotherwords,theartsinindustrialdesignplaysanimportantrole.Itevendeterminesaproduct'sviabilityinthemarket.Thefollowingdescriptionofspecificexamples:
Nokia5320xm
SonyEricssonT707:
Features:
Nokia5320xm:
Smartphones,musicphones,straight-plate,supportcellphonecamera,Bluetooth,supportJava,supporttheInternet.Withallthebasicfeaturesofthephone.
SonyEricssonT707:
3Gmobilephones,flip,supportcellphonecameras,Bluetooth,supportjava,supportforInternetaccess.Withallthebasicfunctionsofmobilephones.
Phonefunctionsfromthetwoterms,SonyEricssonT707Nokia5320xmandallhaveallthebasicfunctionsofmobilephones.Andsupportcellphonecameras,Bluetooth,java,online.Althoughfunctional,theSonyEricssonT707Nokia5320xmandallhavethebasicphonefunctions.Nokia5320xmbuttheperformanceishigherthantheSonyEricssonT707alength.Itisnotonlytheonlymobilephoneormusicphone,istomeetcurrentconsumerdemand.SonyEricssonT707isjustanormalphone,butitsupports3GnetworksBale.Functionismorethan,butNokia5320xm.However,salessituation,salesofSonyEricssonT707andNokia5320xmequallymatched,whichiswhy?
WeallknowthatNokia5320xmisacandybarphone,notinshapeontheSonyEricssonT707clamshellshapelooksgood,butalsoamoretraditionalcandybarphone.Phonekeypadandrelativelysmall,thescreenissmall,evenifit'sscreendisplaythantheSonyEricssonT707togoodeffect,butitssalesarealmostSonyEricssonT707.
SonyEricssonT707,weshouldallknow,Sonytheworld'sleadingmanufacturerofelectricalappliances,andotherveryhighlevelofindustrialdesign,istheworld'sleading.Itsproducts,inshape,almostthesametypeofproductsandSony'sproductshaveaveryofgood-looking,popular.SonyEricssonT707hasabeautifulappearanceonandstylishcolormixingwithaclamshell,personalizedmobileprofile,thusit'sbesttolaythebasisforsales.
Fromtheaboveconclusionisnotdifficulttoseetheartsintotheproductdesign,andartandappliedtoindustrialdesign,notonlywillbringadvantagesoftheproductitself,butalsotoitscompetitioninproductandbringoverwhelmingadvantage.
Sowecansee,theartsinindustrialdesignplaysadecisiverole.
Betweendesignandart,fromthestartofaback-bridgeInterneteconomy.Withtherapiddevelopmentofsociety,edgedisciplinesofscientificpopularizationandimprovementofthedegree,theyaregettingcloser,anyrealcreativeproductdesign,willinevitablypenetrate,weaving,andtheperformanceoftheUnitedStates.Therefore,thedesignaesthetic,intuitionandimaginationandthinkingareholdingsignspregnantwithstrongartisticappeal.DesignandArtisnotonlynotmutuallyexclusive,buteachpenetration,complementaryandmutualinspiration.Wecarefullyobserve,youwillfindanyindustrialproductdesignandapplicationprocess,infact,areoutlinedaccordingtothelawsoftheUnitedStatestoshape.Thereisnoprofoundunderstandingofthearts,pureformulationdesignanddevelopmentproductswillnotbetrulycreativeandappealingproductdesign.Designcreationofartisfullofbeautyandimagination,andartisticcreationsinfluencedbythesameindustrialdesignconstraintsandtheimpactofthedevelopment.Designedtocreatetheroleandinfluenceofartisnotonlylocal,individual,specific,andmacro,holistic,broad.
Fromthebeginningofindustrialcivilization,industrialdesignandartisticcreationisartificiallydividedintounrelatedareasofprofessionalandindependent.Thedevelopmentofhumancivilizationtotoday'sinformationage,peoplebegantore-examinethescientific,technical,designandartrelations:
itsinherentnatureasawhole.Itisdividedintoseparateprofessionalandnotdependonthenatureofthings,butbecauseofthelimitationsofhumanknowledge,infact,designandartisanotbreakthechain,designedinthecomputerdrawingapicture,athetotalpictureandapieceinfrontofthree-dimensionaldesign.Peopleseemtofeelboundtoafringe,realizeddesigncombinationoftechnologyandart,artisnolongerjustabstractphilosophy,butratherspecificfeelingsaren'tjustrevealedaclassexists,andisacreative,thisisadesignandtechnologyandartofthenewAlliance.
Throughoutthehistoryofindustrialdesign,wecaneasilysee,SheJiandartthroughtheinitialintegration,graduallyformtheirownareasofexpertiseBuTong's,untilthedevelopmentofdesignandtechnologyandWeitodaytheestablishmentofFusionofArtbetweenthedesignprocessThroughouttheexistenceofpenetrationofart,sowecannotsimplyemphasizedfunctionalism,whileignoringtheimpactofartontheproductitself,butalsonottoomuchtoignorethefunctionalperformanceart,artanddesignmustbeperfectlycombined.
ArtinIndustrialDesignhasitsownlimitations.
Artinindustrialdesignfromthemanypositiveeffects,butartisnotequaltoindustrialdesign.Artifoperationengagedinindustrialdesign,youmustchangethepureartofaesthetics,changingprofessionalbehavior,broadenprofessionalknowledge,understandingofpsychology,changetothesketchofunderstanding,etc.
Aestheticvaluesofpureartandindustrialdesignaestheticvaluesarenotidentical.PureartisticcreationoffreeAmerica,emphasizingindividuality,whilethepursuitofindustrialdesignis"apurpose",for"theUnitedStatesundertherestrictions,"this"purpose"and"restrictions"istheuser'saesthetic,industrialprocessingtechnology,industrialmaterials,andprocessingtechnologyandquality.Thisaestheticconceptknownasthebeautyoftechnique.HalfofthetwentiethcenturyworkYedeGuo-rounddevelopmentoftheUnionandtheBauhausaesthetics,whichinclude:
thegeometricbeautyofform,materials,UnitedStates,themachineprocessingtheUnitedStates,theUnitedStatesandsmoothsurface,thesurfacemechanismoftheUnitedStates,smoothingthesurfaceoftheUnitedStates,andthecolorsense.Forthousandsofyearspeoplehavegiventheconstructionanddailychooseitsappearance,thetechnologytotheindustrialage,whatformtheshapeofroomleft?
Thisisessentiallyaformofindustrialdesigninacoreissueinmind,thisisnotatheorytoansweraquestion,butbythecultural,technicalandanswertimes.Beautyisakindofgeometryvalues,itisasymbolofthemachineage.Comparedwiththeorganicshapeofthegraphics,geometryrepresentativeofthemachinetechnology,butonlyuntilamachinetoolgeometryprocessingmeans.In1919thefounderoftheGermanBauhausWalterGropiusthat"quadrilateral,hexahedralintheworldoftechnologyisthemostimportantorderofgraphics,""organicmodelingrequirements,peoplemaybeinsertedinaquadrilateral.However,itisdifficulttoformintoanorganicmodelinginaccordancewithprinciplesofgeometryto,otherwiseyouwilldamagetheintegrity,""Geometryofposition,itisthemeaningofthewholeindustrialcultureplayedadecisiverole",onlytheperformanceofthismachinecangeometricperfection.FamousFrenchindustrialdesignerforceKeBusesaid,"themachinetocreateapuregeometricshapeandwithprecisionmachiningbasedontheUnitedStates.Machineisreplacedbyhand,itmadeasmoothsphere,cylinderhasatheorytoachievethekindofprecision,machine-madesurfaceisperfect."Geometryisalsoreflectedthecharacteristicsoflogicalthinking,thisisanothereraofthemainfeaturesofthemachine.Throughthemachinetoachievesuchastructurecannotbeachievedbypreviousperfectandperfectgeometry.WalterGropiusthat"anewerarequiresitsownconcepts,accurateshape,insharpcontrast,thecomponentsoftheorder,thesamearrangementofshapes,shapeandcolorofuniform.Thesefactorsarenotproducedbychance,theymeetthesociallifeoftheenergyandeconomyandbecomeamodernarchitecturalaestheticknowledge"and"Ifullybelievethatpeopleneedthiskindofabsoluteinspiritform."BerensandWalterGropiusthatbeautyisthekeyshape"proportionality."Itistheuseofsimplegeometricshapesandlimitedpuredecoration,forexample,thebuildingbrokendownintobasicgeometricelementsofform,ortoThesimplelineupthesameshape.d
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