20century imagism.docx
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20century imagism.docx
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20centuryimagism
20-century
Ezrapound
|Aleadingspokesmanofthe“ImagistMovement”,hewasoneofthemostimportantpoetsinhistime.
|OftenidentifiedasthefatherofmodernAmericanpoetry.
|Hewasundoubtedlyagenius.Aftergraduatingfromuniversity,hehadmasteredninelanguages.
|By1920,heregardedhimselfasapermanentexpatriate.
|By1912,hewastheauthorofsevenvolumeswhichidentifiedhimasadistinctpoeticpersonality,whocombinedacommandoftheoldertraditionwithimpressiveandoftendaringoriginality.
|In1924PoundleftParisforItaly,attractedbyMussolini’sfaithlesspromisesofdemocraticstatesocialism.
|Hewasaccusedoftreason,butonexaminationhewasdeclaredinsane.(p.157)
|“ThepointofImagism,”Poundwrotein1914,“isthatitdoesnotuseimagesasornaments.Theimageitselfisthespeech.Theimageisthewordbeyondformulatedlanguage.”ObviouslytheprimaryImagistobjectiveistoavoidrhetoricandmoralizing,tostickcloselytotheobjectorexperiencebeingdescribed,andtomoveexplicitgeneralization.
maginismfeature
|Withaspiritofrevoltagainstconventions,imagismwasanti-romanticandanti-Victorian.Victorianpoetrywascharacteristicofmoralizingtendencies,overpaddingofextra-poeticmatter,andtraditionaliambicpentameter.Butimagismstressedfreechoiceofsubjectmatters.
|Imagismproducedfreeversewithoutimposingarhythmicalpattern.
|Inasense,imagismwasequivalenttonaturalisminfiction.
|Imagismtriedtorecordobjectiveobservationsofanobjectorasituationwithoutinterpretationorcommentbythepoet.
|“Animageisanintellectualandemotionalcomplexinaninstantoftime.”理智与情感瞬间的综合物
Inthestationofthemetro
|Thefamousone-imagepoem.
|ItisanobservationofthepoetofthehumanfacesseeninaParissubwaystation.
|ThislittlepoemlookstobeamodernadoptionoftheJapanesehaiku(俳句).Poundwroteanaccountofitscomposition,however,whichclaimsthatthepoem’sformwasdeterminedbytheexperiencethatinspiredit,evolvingorganicallyratherthanbeingchosenarbitrarily.Metro:
Parissubway
|Apparition:
avisibleappearanceofsomethingnotpresent,andespeciallyofadeadperson
|本诗被公认为意象派诗歌的代表作,完美地体现了主客观的结合,精确性和暗示性的结合。
众所周知,意象派的三原则是:
直接表现事物,不论所表现的内容是主观或是客观;不使用无助于表现的词;采用音乐性短句,不用节拍器的节奏写作
Robertfrost
|OneofthemajorAmericanpoetsofthe20thcentury
|BorninSFandmovedtoNE
|EducatedatDartmouthCollegeandHarvardUniversity
|In1912hesoldhisfarmandmovedtoEngland,andhemetPoundtherewhohelpedhimpublishhisfirsttwovolumesofpoetryinEngland.
Achieve
|WonPulitzerPrizefourtimes(1924,1931,1937,and1943)
|Thefirstpoettoreadapoematapresidentialinauguration(1961,JohnF.Kennedy,thepoemwasentitled“TheGiftOutright”)
|Whenhediedin1963,thepublicmournedagentlewriterofsimplepastorallyrics.
Style
HispoetryisbasedmainlyuponthelifeandsceneryofruralNE,andthelanguageofhisversereflectsthecompactidiomofthatregion.
|Althoughheconcentratedonordinarysubjectmatter,hisemotionalrangeiswideanddeep,andheiscapableofshiftinginthesamepoemfromatoneofhumorousbanter(善意的取笑)tothepassionateexpressionoftragicexperience.
|TheunderlyingphilosophyofhispoetryisrootedintraditionalNEindividualism,andhisworksshowshisstrongsympathyforthevaluesofearlyAmericansociety.
|Hewasabletocapturebrilliantlythevariouscontours(特征)ofnaturallandscapesandofteninvestedthesimplestoftheselandscapeswithsymbolicmeaning.
|Heusedoldformsinnewways.
|Hisconcernwithnaturereflecteddeepmoraluncertainties,andhispoetry,forallitsapparentsimplicity,oftenprobesmysteriesofdarknessandirrationalityinthebleakandchaoticlandscapesofanindifferentuniversewheremenstandalone,unaidedandperplexed.
|ItwouldbeamistaketoimaginethatFrostiseasytounderstandbecauseheiseasytoread.Profoundideasaredeliveredunderthedisguiseoftheplainlanguageandthesimpleform.
Theroadnottaken
Thispoemisaboutuncertaintyandthedifficultyofchoice.
Stoppingbywoods
|Inthispoem,Frostoffersmorethanacalmandvividdescriptionofawinterscene.Theremightverywellbeaprimal(主要的,首要的)conflictlurkinginthegeographyofthepoem---aconflictthatonceagainforcesthepoettoconfronttwodivergingroads.
CarlSandburg
Borninahealthyandaffectionatefamily,thoughverypoor.
Obligedtoleaveschoolandworkedatvariousjobs.
OncethepoliticalorganizerfortheSocialDemocrats,areformparty
in1913hewenttoChicagoonaneditorialengagement,andbecameillustriousamongthewriterswhowerefosteringanewliteratureinthatcity.
“Chicago”appearedin1914inPoetry:
AMagazineofVerse
ChicagoPoems1916
Cornhuskers1918
SmokeandSteel1920,whichconfirmedhispositionasthepoetofthecommonpeople
TheAmericanSongbag1927
SlabsoftheSunburntWest1922
ThePeople,Yes1936
Twoaspects
Booksforchildren
RootabagaStories1922
RootabagaPigeons1923
PotatoFace1930
EarlyMoon1930
Biography
AbrahamLincoln:
ThePrairieYears1926
AbrahamLincoln:
TheWarYears1930
WallaceStevens
☐AnunusualpoetinmodernAm.literaryhistory
☐Lateinstarting;his1stmajorvolumeofpoetrywasnotpublisheduntilhewas44.
Hissuccess
☐Hewassuccessfulintwofieldsofactivitywhichdidnotseemcompatiblewithoneanother.
⏹Successfulbusinessman,vicepresidentinaninsurancecompany
⏹Atthesametime,writepoetryofakindwhichwastomakehimafather-figureamongcontemporarypoet.
Hisnotion
☐Apoetlivesintwoworlds
⏹Theworldofreality
⏹Theworldofimagination
☐Andhebuildsbridgesbetweenthetwo.
Theme
☐Hewassoobsessedwiththeinterrelationshipbetweenrealityandartthatakeytounderstandinghispoetryandcriticismliesinrealizingthatthisisaverybasicthemeforhim.
☐Stevensdealsrepeatedlyinhispoetrywiththeroleofthepowerofimagination.Heseestheroleofthepoetas“Picnickingintheruinsthatwelive,”whichisanotherwayofsayingthatapoetshouldfindbeautyandpleasureandexcitementandmeaninginthesordidnessofreality.
Anecdoteofajar
☐Ittookdominioneverywhere.
Thejarwasgrayandbare.
Itdidnotgiveofbirdorbush,
LikenothingelseinTennessee.
☐Astrangepoemandnoteasytointerpret
☐Thepoetwasratheropposedtotellingpeoplewhathispoemsmeant.
☐Thepoemseemstobetalkingabouttherelationshipbetweenartandnature.
☐Theworldofnature,shapelessandslovenly,takesshapeandorderfromthepresenceofthejar.
Jar
☐Theworldofartandimaginationgivesformandmeaningtothatofnatureandreality,thussuggesting,
⏹thatanysocietywithoutartisonewithoutorderand
⏹thatmanmakestheorderheperceives,andtheworldheinhabitsisonehehalfcreates.
F.ScottFitzgerald
♦FamousAmericannovelist,shortstorywriter,andessayist
♦theprophet/spokesmanoftheJazzAge
♦Otherinformationabouthislife:
(seetxb.P.225)
♦ThisSideofParadise(1920)人间天堂
♦TheBeautifulandDamned(1922)美丽的和倒霉的
♦TheGreatGatsby(1925)伟大的盖茨比、大人物盖茨比、灯红绿渺
♦TenderistheNight(1934)夜色温柔
♦TheLastofTycoon(1941)最后的巨头
Achieve’
♦Fitzgeraldisgenerallyregardedasthespokesmanofthe1920s,thepeculiardecadethatcombinedthepostwareconomicboomandthesenseofspiritualdisorientation.Hewasbothaleadingparticipantinthetypicallypleasure-seekingandmoney-makinglifeofthe1920s,andatthesametime,hewasaself-consciouswriterwithdetachedobservationofit.Sohewasthemostrepresentativewriteroffictioninthe1920s,thespokesmanofthe“roaring20s”.
Americandream
♦ItmeansthatinAmericaonemighthopetosatisfyeverymaterialdesireandtherebyachievehappiness.Itisdeceptivebecauseitproposesthesatisfactionofalldesiresasanattainablegoalandidentifiesdesirewithmaterial.Fitzgeraldoncesaid,“America’sgreatpromiseisthatsomething’sgoingtohappen,butitneverdoes.Americaisthemoonthatneverrose.”Thisindictment(控诉,谴责)oftheAmericanDreamcouldwellserveasanepigraph(格言)forTheGreatGatsby.
ThegreatGatsby
♦WritteninEuropeandpublishedinApril,1925
♦ItisnotonlyhisbestnovelandanimportantAmericanclassic.
♦InithemadeexcellentuseadevicegenerallyemployedbyEnglishratherthanbyAmericannovelist---amoreorlessdisinterested(冷漠的)narratoronlyperipherally(次要地,外围地)involvedintheaction.
Nickcaraway
♦Narrator,Gatsby’sneighbor,asomewhatdistantcousinofDaisy’s
♦Throughhiseyeweseethestoryunfold.
♦Withhimwewatchthestorydevelop.
♦Hepiecestogethersomeoftheearlyeventswhichmaketheactionofthestorygrow
JayGatsby
♦Hepursueshisdreamofromanticsuccesswithouteverunderstandingthatithasescapedhim.
♦Hefailstounderstandthathecannotrecapturethepast(hisfresh,newloveforDaisyBuchanan)nomatterhowmuchmoneyhemakes,nomatterhowmuchwealthhedisplays.
♦Gatsbyisthelastoftheromanticheroes,whoseenergyandsenseofcommitmenttakeshiminsearchofhispersonalgrail(长期追求的目标);Gatsby’sfailuremagnifiestoagreatextenttheendoftheAmericanDream.Howeverhopeandexpectationstillexistasshownbythecentralsymbolinthenovel:
thegreenlight.
Theme
♦Theinitiationthemegovernsthenarrator.Gatsby’stragedyisNick’seducation.HisreturntotheMidwestisamoralreturntothesafer,moresolidvaluesoftheheartland.
♦Thefrontiertheme(finalparagraph)
♦Classissuesareverywellpresented.
ErnestHemin
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